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The Negative Impact Of Jazz Music On People
271 Words2 Pages
I do not feel as though it is a legitimate concern because I feel as though people are overreacting.
Yes I found it surprising that people were getting so angry with the fact that Jazz music was making an influential impact on the generation and not in a bad way.
I think a lot of people still worrying about music being a big factor in how people act, dress, and be. Which i disagree with that because i could listen to the worst hip-hop song, but still feel
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Jazz has shaped the world we know today. Jazz would have never been as popular without the help of the famous musicians: Jelly Roll Morton, Joe King Oliver, Sidney Bechet, Louis Armstrong, and Duke Ellington. These people helped spread the new genre through radio, railroads, and the records that they played. Where did this all start? The jazz age began in New Orleans where a certain King was born.
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Shaking the Foundations Since the founding of the United States of America, culture, religion, and race have always been interlaced. If one of these changed, the others struggled to adapt. There was never a time in America’s short history that these three matters collided more brutally or ferociously than during the emergence of rock ‘n’ roll. It is quite obvious that not one single event, action, or phenomenon caused the turmoil during this era, but rather a perfect storm of cultural and racial revolutions that collided head on with tremendous religious backlash. All Shook Up: How Rock ‘N’ Roll Changed America showcased how one aspect of the Cultural Revolution during the 1950s and 1960s supplemented the perfect storm of social reforms.
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During the 1920s, life seemed like a utopia. Everything was perfect, and people did not think this time of prosperity would end. This time is also known as the “Jazz Age”, tokened by F. Scott Fitzgerald. This title describes the rebellious and calm nature of the public. These traits are shown in political, social, and cultural life, during this time.
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Jazz music was created by the people to express their opinions and spread togetherness despite the events that were occurring during this era. Musicians showcased their views on political, social, and religious outlooks. The most
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There were never any restrictions on who could participate even when integration was not believed in, and before woman were influential members of society. Jazz encouraged individualism to be strongly believed in, which is a critical component that should be instilled into everybody’s life. Even through hardships of anti-jazz campaigns and constant criticizing, jazz music worked its way to the top of the charts and became a national obsession. Today Jazz is played regularly in cities all over the globe. The original home of jazz, America, has jazz weaved into the school system in a way that is unlike any other country in the world.
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Popular Jazz musicians included King Oliver, Louis Armstrong, Kid Ory, and Duke Ellington. No one had quite heard anything like it before in America. Dances were made to accompany the music - mostly to "take advantage" of the upbeat tempo's. Before Jazz became popular in America, it was considered "the devil's music" by some of the public. Some people, like Ernest Newman, "debunked Jazz" in a 1927 magazine article.
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From receiving heavy criticism due to a variety of factors to being the most popular musical genre for Canadians during the Great Depression, jazz music has been responsible for uplifting people’s spirits, shaping cities and changing the face of music. Prohibition and racial tensions in the United States attracted talent, whether immigrants were seeking employment in film or pursuing a career in jazz. The Golden Age of Radio also contributed to jazz’s success, leading jazz to be the most popular genre of the 1930s. It is often forgotten that Canada is home to some of the greatest jazz musicians of all time, like Oscar Peterson. Jazz is not only an American concept, contrary to popular
752 Words | 4 Pages
By 1920, the Jazz age was well underway as a direct challenge to the prohibition of alcohol. Famous Jazz players of the 1920s where: Duke Ellington, Louis Armstrong, Earl Hines, Fats Waller, Ella Fitzgerald, and Joe Venuti. This was one of the first times in American history that the majority of non-African Americans accepted parts of African American culture. It was the moment that many African Americans were able to enter into the mainstream. Though African Americans lived under constant fear of death and pain in the Gilded Age, all was not pain and sorrow.
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Coasting my rusty black Chevy Cavalier into my garage parking spot after school while playing my music on full is apparently frowned upon. My stiff gray colored neighbor Miss Thelma sits on her porch awaiting my exit from the blasting loud vehicle while probably prepping her words to shun me for my actions. She rises from her perch and moves to make contact with me as I hurriedly rush away with my schools stuff. Her words were peaceful about my fun music choices but as I predicted, “...next time, wont you turn it down? Your gonna lose your hearing by fifty.”
233 Words | 1 Pages
Despite Jazz being formed out of two cultures, the issues of social stratification and racial identity never had to be addressed in early jazz history. But as Jazz grew in popularity in a prewar 1930s America, the issue of racism started to form. As Jazz prospered within the economy and as a musical style, it’s roots revealed it’s racial identity. Jazz emerged from the music used formerly to entertain slaves and was a tool of rebellion against the white man, Jazz’z roots were very much embedded in slave culture. As free slaves moved north, they brought their Jazz influence to parts of the country such as Chicago and New York.
1469 Words | 6 Pages
The Jazz Age of America happened in the 1920s, begun by the end of the Great Depression. The richer classes in America lived an American Dream of wealth, freedom, and never-ending entertainment. This sometimes led to corruption from people seeking more money, more fun, more love, and more. The Great Gatsby is a prime example of this phenomenon. F. Scott Fitzergald’s
1090 Words | 5 Pages
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
871 Words | 4 Pages
For African Americans, jazz music, has always had a political undercurrent. Slave songs spoke of the “Israelites” enslaved by the Egyptians, such as in Go Down Moses, symbolising their own yearning for freedom. However, it took time for the assertion of the political message to develop in a more discernible way. Jazz’s status as a form of entertainment had effectively subdued the message for many years, because of the ostracisation of those involved and because of the early popularity of the white swing bands. The majority of jazz musicians were not political activists, rarely explicitly political in their work, however, they often expressed their political ideals, sometimes more subtley other times more overtly through their music.
939 Words | 4 Pages
On the day of Sunday April 10th, I went to a jazz ensemble concert at the Trinity University Ruth Taylor Recital Hall. This hall was much larger than the previous performance I attended. My first impression of the group was that they were relaxed and comfortable. For instance, when the drummer winked the drummer gave when the director explained his switch from the trumpet to drums.
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Cultural Impact of Rock and Roll Amidst the 1960’s Jimi Hendrix formerly stated, “Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.” A generation which was earnestly devoted to peace, protest, and revolution, the counterculture amongst the 1960’s yearned for change. Rock and roll was far beyond just a genre of music; it influenced lifestyles, protests, and attitudes, thus, kindling an awakening in the youth of American culture. The distinction between parental and youth culture was a persistent root of concern, considering that teens throughout the world found a sense of belonging in this style of music.
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