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The Negative Role Of Censorship In Rap Music

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Misogyny is a prevalent characteristic of rap music. Women are described in a derogatory manner, being called “bitches”, “thots”, “hoes”, or “whores”. Lyrics sexualize the female body and normalize the objectification of women. This can lead to negative stereotypes towards women. Male rappers often emanate hyper masculine demeanors which manifests the idea that they have the ability to disrespect women. Male rappers will attempt to justify their violent or blasphemous behavior towards women by stating that it heightens their manliness. By putting women down, it feeds the male ego and proves to others their legitimacy as an alpha male. The censorship of certain language within rap music does not alter nor improve the ultimate meaning behind many songs …show more content…

Censorship in rap music works in consideration towards men. The First Amendment protects our freedom of speech, but censorship in music compromises our right. Some argue that censorship restricts our self-expression, but censorship is used to encourage political correctness and shield explicit terms from the public. Censorship also aims to protect children from immoral concepts. Although censorship may be used in rap music, the genre still promotes misogynistic motifs, even after being approved within the standards of Parental Advisory. In censored versions of songs, explicit or profane words with be replaced with a bleep censor, but people can always look up the lyrics to songs to see what offensive term should be in place of the bleeped-out term. “Misogynistic rap demeans and is

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Bitch Bad Analysis Lupe Fiasco’s “Bitch Bad” directed by Gil Green, is conceptualized around how the perception from both males and females of females is impacted by mainstream rap in the modern hip-hop world. Fiasco develops this by telling stories in different scenes of the video and explains them out in the lyrics. Lupe Fiasco took an objectified approach to several sensitive issues and tried to rectify them by illustrating the detrimental messages delivered in media as an ethical appeal to his audience. He used examples from modern hip-hop and broke down the overarching meaning in attitudes developed in result to what mainstream media depicts. Text Breakdown

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In 2014 Banks calls out calling out rapper Iggy Azalea for symbolizing white exploitation of black culture saying that she uses hip-hop as a costume that she is able to take on an off when she wants to, noting Azalea’s accent and lack of commentary on police brutality. Banks notes that Azealia’s recognition is part of a broader phenomenon in the United States of white appropriation of black musical production (74). Outside of the realm of cultural appropriation Banks’ has worked to re-appropriate derogatory terms usually directed at women, specifically the word “cunt”. Banks not only uses the term to validate the black female body, but to challenge heteronormative norms in hip-hop, and establish herself in a position of power. In addition to allowing her to appropriate a sexual gesture that rappers often used to express power over a romantic interest, Banks’s prominent and provocative use of the word “cunt” reclaims a word men commonly used to belittle women and rearticulates it as a figure of strength and

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Some people make their song or any writing effective by using dictation or foul language. In the song “Hold up”, Beyoncé uses foul language to appeal to pathos/anger by saying, "I'm gonna f*** me up a b****", while holding a bat. In the song “Don’t hurt yourself” ft. Jack White, Beyoncé uses foul language to appeal to pathos/anger by saying, “Who the f*** do you think I am? You ain’t married to no average b****, boy, You can watch my fat a** twist, boy, as I bounce to the next d*** boy”. This appeal to pathos because she’s telling her man that if he keeps messing up, he can easily be replaced and this is similar to the message in her single

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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Straight outta Compton should be censored because of its strident words used. For example, in the song, MC Ren talks disrespectfully about women by calling them a B****, a dirty a**

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Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

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And it can be seen all over the time of movies, music, and social media that African American women are portrayed in these types of typical scenarios. “The controlling image of the “bitch” constitutes one representation that depicts Black women as aggressive, loud, rude, and pushy” (Hill Collins, 167). In many of the rap music made from the male African American, but also white male rappers they describe African American women with this term that makes them seem not approachable. And so many of these women that listen to this kind of music think or are told that is how they are supposed to ask and that all African American women are just like they describe them. But, also some female rapper have embrace the bitch label to make themselves be independent.

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In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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Most people believe that “lyrics should appeal to us, not degrade us” (Glidden3). There is controversy surrounding “some artists accused of rapping sexually inflammatory lyrics” (Encyclopedia4). The actions of a few is causing people to put a bad label on rap in a whole. This bias opinion is becoming the cause of listeners to believe that rap lyrics “are setting a bad example for kids and teens” (Glidden2). I can understand where this may lead to critics to misapply such distaste to the rap form, but “there are rap artists who don’t use offensive language or portray women in a negative light” (Glidden1).

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The First Amendment protects the right to free speech, and therefore prevents censoring of material. Even though the content may include curse words or sexual references, censoring is not

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Sex, money, drugs and violence. When you hear those four words, what is the first thing that comes to your mind? Many people would say they think of rap or hip hop. Today, rap music is constantly mistaken for valuing the destruction of communities by promoting images of “the thug life”. However, the hip hop culture can have a positive impact on society.

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As “Most Valid Pros and Cons of Music Censorship,” stated, “They also believe that any individual above 18 years of age is mature enough to know what music to appreciate or not” (Most Valid Pros and Cons). As people get older, they start to listen to different kinds of music and being above the age of 18, they should know what to listen to. Also in the article, “Most Valid Pros and Cons of Music Censorship,” it stated that “And for children, parents should be the ones to monitor and keep their kids safe”(Most valid Pros and Cons). Kids don’t yet know what everything means and if they listen to music with profanity, they might repeat it and that’s why they need parents. To prevent this from happening, parents are responsible to regulate what their kids are listening to.

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Within the genre of rap music, African American women tend to be reduced to objects used simply for sex and mistreatment, if not presented as burdensome or deceitful (Adams & Fuller, 2006). Ranging from music videos of men surrounded by scantily clad women of color to the referral of women as “hoes” or “bitches”, the music industry casts women in a sexualized light that ties their worth only to the acts they perform for men. An analysis conducted by Hunter and Soto reveals that rap music simplifies women into one of two categories: the “video hoe” who serves to sexually pleasure men, and the loyal sidekick who is praised for their willingness to stay and die for their man in the face of troubles or abuse (Hunter & Soto, 2009). While the latter may not be as sexually degrading, the approval of women who sacrifice themselves for men serves as a testament to the permeating effects of the patriarchy, illustrating a clear inequity in gender relations. Essentially, in the field of rap, it is uncommon for women to be portrayed in roles that do not fit either category.

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What seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton.

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¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.

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