The true mark of a NYCB devotee is how much they look forward to the all-Stravinsky programs. The leotard ballets and spiky scores can still bring the jitters in people who adore Jewels, Serenade or Theme and Variations, but if just the thought of that diagonal of soldier-girls in Symphony in Three Movements gives you the tingles, then I'd say you're all in. So it's fitting that NYCB ended its winter season with an excellent all-Stravinsky/Balanchine bill of the rarely performed Divertimento From Baiser de la Fée and long with repertory staples Agon, Duo Concertant, and Symphony in Three Movements. For one, it's a test of the company's resilience. It's also a test of the audiences' loyalty.
During this time Alvin was only 27 years old when the ballet had premiered. Some would say that this piece was one of Alvin’s greatest masterpiece. He had found his own voice in the creative artist he was presenting on the concert dance
The Fool's Errand was performed on April 17th, 2015, the first show on the last night of the Accademia dell'Arte grad lab presentations. This meant that when the audience arrived, the performance space was already set up for my show. The audience entered a quiet, dimly lit performance space surrounded by black curtains and facing a field of stars and the, as of yet unexplained, Moon Beam Lantern; glowing softly and suspended above. The house music was relatively low, though audible, and was made up of songs about the Moon and Fools. The sense of the space was dreamy and contemplative, like sitting outside on a summer evening watching the stars wheel overhead.
Urinetown is the fall musical that our school magnificently performed. It centers about this town in which people have to pay to pee and a love story about two young adults trying to change the way of the town. The musical premiered in 2001 with the music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. What interested me was that the musical mocks capitalism, social irresponsibility, populism,and the whole idea of going against the corrupt government. Also, the concept of going to the bathroom is not free is unique to me.
On November 26, 2016, I attended the Emerald City Theatre Company production of Charles M. Schulz play Charlie Brown Christmas. The production of the play was great for the children who were in attends of the play. The production took away the 4th wall. Which help the children of the audiences be a part of the play a couple of times. Still, it 's a good and time-efficient choice for family members who are used to the animated Charlie Brown and wanting it to be the same as the TV special.
About 50 years after the ballet, Walt Disney’s movie Fantasia came out, he used some of the music from The Nutcracker and the Mouse King Ballet, and everyone was suddenly interested. Since then, many versions have been created but they all remain similar.
Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.
Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.
A Father’s Affection “My Papa’s Waltz” and “Those Winter Sundays” describe a character who reflects on their childhood. Although they based on the same theme, the two poems have very different perspectives. “Those Winter Sundays” talks about how the son regrets for not showing his love for his father, when all his actions went unnoticed. “My Papa’s Waltz” reflects on a son 's memory with is father where his danced around the house after the father long day at work. Both poems reflect on how their fathers showed his love for his son, the time spent with their fathers, a maternal conflict, and their relationship with their father.
His pieces are branded by “the intensity and compactness of their expression and wide variety of mood” ranging from reflective and emotional to upbeat and comical. “He had the ability to make the most complex movement appear effortless, and totally reflective of the musical score, as if it were created spontaneously for that exact moment in time” (New York City Ballet). One of Jerome Robbins biggest impacts on the world of musical theater was that he redefined theater dance “as an integrated, dramatic element of musicals, setting out to demonstrate that artists like himself need not divide their artistic works from their commercial works, but could create at their highest level for the Broadway stage” (Smith). Robbins had a curious mind and wanted to “explore new influences and ideas”
Dr. Seuss’ poem, “How the Grinch Stole Christmas” can be analyzed using many different schools of criticism, however, the psychoanalytical school of criticism holds allows us to truly understand the “true meaning” behind the poem. The poem begins with a socially isolated character, the Grinch, who loathes Christmas and wishes to completely destroy it. He wants to completely eliminate Christmas from “Whoville.” The Grinch gets irritated whenever when he hears the singing from the children and sees families feasting together in the holiday season. However, as the poem progress, the Grinch starts to feel the love and happiness involved with Christmas and ends up correcting his wrongdoings to ultimately enjoy Christmas with the “Whos.”
Discuss the innovations in the music of Stravinsky’s ‘Russian Period’ with specific reference to The Rite of Spring and at least one other work. Igor Stravinsky, born in Russia 1882, is widely know as one of the most influential composer of the 20th century. Most notably, his composition The Rite of Spring is considered to be where his innovations in music come into perspective. I will discuss these innovations in detail using The Rite of Spring(The Rite) as a main reference and comparing it to some of his other works. Stravinsky’s compositions can be divided into three periods during his life; Russian Period, Neo-classicism and Post-war/Serialism.
Wicked is a musical with music and lyrics by Stephen Schwartz based on a book by Winnie Holzman. The musical is told from the perspective of the witches of the Land of Oz. Wicked celebrated its tenth anniversary on Broadway on 30 October 2013. It is the 9th longest-Broadway show, surpassing Beauty and the Beast. A typical performance runs for approximately two hours and thirty minutes.
He chose to make a ballet blanc, which he composed for a refined instrumental force, manifested as a string orchestra of 34 instrumentalists: 8 first violins, 8 second violins, 6 violas, 4 first cellos, 4 second cellos and 4 double basses • Stravinsky had centered Apollo music in Greek mythology. • The prologue begins with dotted rhythms in the style of a French overture. • 1st Celliopes is a dramatic piece( muse of poetry – tablet) • 2nd polhymnia is a playful piece ( muse of acting and mime – mask) • 3rd
Contrasting and Comparing You may think the play and movie of “A Christmas Carol” are the same. Well you are quite mistaken. In the Play and Movie they are very different from each other. From watching the movie and reading the play the Climax, the Conflict, and the resolution are different from each other.
