Alfred Hitchcock’s film “Rear Window” illustrates the ideas on how jeff’s vo yeuristic behaviour coincide throughout the movie. The obsession of the protaganist in observing his neighbourhood resulted in solving a murder cause and helps to fix his relationships to his fiancé. This motion suggest that Hitchcock take a stance on Jeffries voyeurism as this character gained a lot of positive outcome through this impulsive and unworrying behaviour. The author also used some supporting characters like lisa and stella to reinforce this sophisticate thoughts. Both of these characters shown a strong disagreements towards the impulsive behaviour of Jeff’s voyeurism had many implications.
Being blonde is not the only thing the two women have in common; however, both Lisa and Melanie are prestigious, high class, sophisticated, rich, and seductive. These two women know what they want and are determined to get it. In “Rear Window” Lisa is pursuing L.B. Jeffries, the same way Melanie in “The Birds” is pursuing Mitch. Both women go to extreme
Rear Window is perhaps one greatest films in history. Directed by legendary film director Alfred Hitchcock, Rear Window is a mystery thriller based on the short story “It Had to Be Murder.” Rear Window tells of a photographer, Jeff, who had broken his leg in an accident. Confined to his apartment, he passes the time by looking out his window. During this time, he became obsessed with the theory that one of his neighbours, Thorwald, murdered his wife.
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
While the film Rear Window is based on the short story “It Had to Be Murder”, there are several differences between them. The first major difference is the characters. In the film, the main character L.B. Jeffries, who is a photographer that temporarily dons a cast due to an incident that occurred in one of his past assignments. In the short story, there is little mentioned about Jeffries. In fact, the only thing we know about the Jeffries in the story is that he is temporarily in a cast.
Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.
In Sidney Gottlieb’s article on “Alfred Hitchcock’s Rear Window: The Pleasure and Dangers of Looking”, they thoroughly explain how Hitchcocks direction of the movie such as filming angles lures the audience in being about the same position as the characters, by looking at the movie of people looking at people looking. They go into detail how looking can be both good and bad, with a bit of focus on the bad towards the end which correlates to the unwrapping of the crime in the movie and the onlocker as well as the audience being caught looking. They relate this danger to the abyss such as when you look into the abyss, the abyss is looking into you as well. Which I believe is as well as when you look into the abyss anything can happen because you cant see who or what can be looking back at you, therefore their can always be something looking at you. Like the curiosity or fear of the unknown, which
The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.
Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
Camera narration is crucial to the effect the movie has on its audience. It is noticed that the viewer rarely gets close to the apartments or characters across the courtyard. The viewpoint is mainly fixed to Jeff’s apartment, apart from a few occasions where the camera plunges out of the window. The fronts of the buildings facing the main street are never shown either; instead all of the action takes place within the mystery and secrecy of the backyard, hence the title name ‘Rear’ Window. Perhaps Hitchcock realised that many people would not behave the same way in their front facing windows.
This meant the guilt of a burning secret kept within the main antagonist became known to that of the main protagonist. This created a deeper connection between the two characters, and the audience could also feel the overwhelming guilt of the main antagonist. as well as a sense of triumph for the main character. This is evident in Hitchcock's film "Rear Window" (1964). The transference of guilt is made crystal clear when Jeff starts to resort to what could be considered to be almost drastic measures such as peeping with a telescope and having Lisa and Stella assist in leaving the safety of the apartment to scout certain areas where they had suspicions on such as the flower bed in order to bring the murderer Thorwald to justice.
She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the
Oil has made a great number of impacts on Texas and its social economy. The discovery of oil helped grow many places, start many jobs and towns. It has also helped people in the lower class and helped people in the upper class. Overall, oil has changed Texas. So the radio station, asks, what are the topics that help create a social change the most?
