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The Picture Of Dorian Gray Research Paper

480 Words2 Pages

Oscar Wilde is a British famous author, who wrote the novel “The Picture of Dorian Gray”. It is an aestheticism representative work. “The Picture of Dorian Gray” has been criticized by British public “This book is the product of the leprosy monster of the French decadent literature, this book is a full of toxic odor, moral and spiritual decay”. The point of view of this book is the book euphemistic show people a tragedy life of the Dorian Gray, and if just for art to taste the art, then the art will never take the happiness to people. If people seek the art and lost the original moral outlook, the art will be meaningless for people. The life is the imitation of the art, if destroy the art the life of the people will be nonexistent. The book in chapter two shows how Hallward painted the most successful painting for Dorian Gray. The painter think this painting should belong to Dorian Gray, because he is the protagonist of this painting and the idea for create this work is form this man who gives him idea, which is never been founded by him before, until he meets the Dorian Gray in a party. When he finished the work, Dorian Gray was so unexpected and he pray he can keep the appearance. From that moment, Dorian Gray started to lost himself, and his happiness. He loves the painting so much and this love made him jealousy. …show more content…

Because of Dorian Gray lost his soul, this means he lost his moral contract. In chapter eleven, He started collect the tapestries, jewelry and music this kind of art to research the art, but this still did not help a lot. However, this is just a way to find the feeling of the art, but this is a way to escape, to escape the painting which has already changed to ugly, that painting take him a feeling which is guilty. He has already lost his sense of art, and he lost the original moral

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In a world where individualism is cherished, and everyone cares only for their sole interests, influence over people is admired, some even consider it an art of the spoken word. Oftentimes, people influence other people without wanting to. Unconsciously, they alter the thoughts of the influenced mind, creating a new, different person. Similarly, in the book The Picture of Dorian Grey, by Oscar Wilde, several characters fall prey to the art of influence. The protagonist, Dorian Grey, is influenced by several people during his lifetime, such as Lord Henry, a rich, upper class gentleman that introduces Dorian to hedonism, and Basil Hallward, an artist that is enchanted by Dorian’s appearance.

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As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.

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From the beginning of the novel we get to see a model of poor and unconventional morality, Lord Henry Wotton, a man who is moved by an ethic current called “New Hedonism” which taking into account society’s ethics (specially the ones from the Victorian Era) is quite immoral. The New Hedonism basically consists in looking for the individual’s best comfort, pleasure and happiness (based on beauty), leaving aside the other’s comfort and what should be morally done. This character with poor morality is who guides the book’s main character Dorian Gray along his adventure. However, it is vital to take into account the fact that Dorian Gray is never forced to follow New Hedonism and that Wilde never influences or invites the reader to follow New Hedonist

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As a writer one is greatly influenced by their personal experiences with social, historical, and cultural context within their specific time period. Oscar Wilde’s The Picture of Dorian Gray was shaped by the aspects of the world around him. The themes of the text are are influenced by morality in the Victorian Era. Throughout the Victorian Era a deeper movement was also prominent in London called Aestheticism. Aestheticism is the worship of beauty and self-fulfillment.

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“” At least you are like it in appearance. But it will never alter,” sighed Hallward. “that is something.”” (Wilde 33) The reader begins to perceive that Dorian is both intrigued and disgusted by the never changing portrait of his innocence.

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Essay Comparing The Picture Of Dorian Gray And Narcissus

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Once he realized it was only a reflection he became depressed and committed suicide. Both Dorian Gray and Narcissus destroy themselves with narcissistic tendencies through both novels. They destroy not only who they were before, but they destroy sibyl vane and echo also. Once Dorian basically makes sibyl kill herself, he sees himself as a monster which only makes the plot of the novel go farther, this is what makes him obsessed with the portrait. Narcissus with rejecting echo gets what he deserves as he falls madly in love with himself and slowly realizes he could not actually have himself as a partner which destroy him mentally and

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Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.

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The reader gets the impression that the portrait is a representation of Dorian 's inner self, and how it becomes uglier and more disgraceful as time gradually passes and with every horrific crime that he commits, as can be seen in the following quote: “The picture had to be concealed. There was no help for it.” (Wilde 113). The portrait serves as an image of Dorian 's true nature and the relationship between how his soul progressively becomes more nefarious, and how the evil of his soul becomes visible on the painted surface of the canvas. The way Wilde uses the portrait as a motif throughout the story helps the reader to see and understand how Dorian himself is not yet entirely unfettered by the influence of the portrait.

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