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Critical analysis of depiction of women in films
Feminist theory applied to movie
Critical analysis of depiction of women in films
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In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
The exotification of Dolores del Rio is evident in an article published by a Photoplay issue in 1934, as she is described as possessing “golden skin, smooth as mellowed ivory and her dark, flashing eyes bespoke the lue of those maidenly ‘senoritas’ who peep at life from behind cloistered shutters… When the young man comes to call on a senorita in Mexico… he brings his guitar” (38). Through the exotification of Dolores del Rio, Hollywood found great success in the United States and in Latin America, one of the most profitable film markets in the cinematic industry. As a white-passing Latinx woman, del Rio was “more easily able to move in and out of ethnic roles” (33). Because Dolores del Rio was a Latinx woman that held “upper-class roles” and a Eurocentric standard of beauty while nonetheless, identifying with her Mexican heritage, she not only appealed to the white American public, but to Latin American audiences as well (Hershfield
Ray’s disagreement is the misgiving of the American society. They want both of these extremes in their lives, and they do not want to choose”, he lamented. Each hero backs the other up in his own way, which reflects the difficulty in choosing only one hero’s beliefs/personality this example gives an understanding of film history, it helps society change styles such as ‘reality’ which is made up of assent and reputation (Film. Form. And Culture), meaning that people’s social behavior is really anassert strongly even though it is also publicized in pleasure, the most comforting thing is that it makes people agree and accept what they see.
Carmen Miranda was a Portugeses-Brazilian beauty who rose to fame in the 1930s and 1950s as a South American cultural icon. Her distinctive fruit headpiece and flamboyant costumes captivated audiences, and her life had both accomplishments and disappointments, making her a diverse and distinctive character in entertainment history. My intent with this essay is to prove that Carmen Miranda had a major impact on Latin America, introducing the world to samba and other Latin American rhythms. She also challenged preconceptions about Latina women on cinema by playing strong and independent characters. She was also a forerunner in the entertainment world for women, being one of Hollywood's highest-paid actors in the 1940s and campaigning for improved treatment and opportunities for women in the business.
El laberinto del fauno (2006) is a fantasy film written and directed by Guillermo Del Toro in 2006. It is set in 1944 Francoist Spain where Ofelia (Ivana Baquero) and her pregnant mother move in with the Falangist Captain Vidal; Ofelia’s new stepfather and soon to be father of her half-brother. This essay will seek to explore how the film’s violence is meticulously portrayed as a masculine trait. It could be argued, that because violence is depicted as a masculine attribute, the main character that conveys and reinforces this concept is Captain Vidal (Sergi López). However, characters such as Carmen (Ariadna Gil) further reinstate this feature by complying and being ‘domesticated’.
Are we, women, just a mere prop to strengthen men’s power and pride? Are women only existing in this world to serve and satisfy men? Back in the day when men are dominating the government and our society, women are just left in their houses. Society sees them as a puppet, a person who is only capable of doing household chores or even a mere baby maker. Freedom is non-existent to a woman’s life and they are treated like criminals who are sentenced to life imprisonment or like a bird whose wings are broken and trapped inside a cage.
The presentation of the tree as fertile and the links to Ofelia’s mother presents it as the womb of Spain withered by the effects of Franco’s fascist dictatorship. This interpretation is consistent with Ofelia’s understanding of reality, and Del Toro’s use of symbolism subtly invites the audience to draw a comparison between the two
The novel tells the various experiences of the women that existed in oscar’s life. There is a consistence of maltreatment of women starting from the beginning of the Cabral history and their fuku. The dominican republic is where the idea is patriarchy and the abuse of women stem from in the novel. Rafael Leónidas Trujillo, president of the Dominican Republic, felt as ruler he could do whatever he wanted to whomever he wanted. This was true about the dictator, he was most noted for his desire for beautiful young women.
Through Antonio and Ultima, readers identify the creation of a culture that has been forge by war, discrimination, and common hardships. With Ultima being a powerful curandera, the story shows the importance of the female character within Mexican culture. Today, this is prevalent in many Mexican-American households, as the elderly women are held in the highest respect. Another aspect of Mexican-American Culture is masculinity, which is shown in Bless Me, Ultima when Antonio’s father says, “a man of the llano does not run from a fight” (Anaya, 1999, p.37). There are countless examples of Mexican-American masculinity in this novel, like when it mentions that Gabriel’s two eldest sons are fighting in WWII.
Life in Nazi Concentration Camps No food. Crammed with hundreds of people in the same room. Following orders exactly to stay alive or not be beaten. Prisoners in Nazi Concentration Camps had to survive these horrific conditions for years. The works, Night, by Elie Wiesel, Life in a Nazi Concentration Camp, by Don Nardo, and "Auschwitz Concentration Camp", by Franciszek Piper, describe the conditions of these camps from multiple survivors ' viewpoints.
“How has the author implemented stereotypical gender roles to reflect the society at the time?” Love in the time of cholera is a novel written in 1985, by Gabriel Garcia Marquez. The novel was written to expose the society during the time. This was done through a range of different techniques. One method is the implementation of the honour system and stereotypical gender roles.
The thesis’ aim is to analyze and discuss African American women’s quest for voice, acceptance and fulfillment based on the selected novels written by Zora Neale Hurston, Alice Walker and Toni Morrison. In the thesis, women characters are analyzed from the perspective of Feminism`s, Gender`s and New Historicism`s approach. The first chapter constitutes the presentation of criticism and dimensions on which the analysis is based. Moreover, African American fiction’s definition and short description of the authors are presented in this chapter, too.
The very act of cross-dressing itself was subversive, especially in Spain where costume was hugely important, not just on stage but in real life. Literary critic William Egginton notes in An Epistemology of the Stage, that when it came to costume the "Spanish public was extremely sensitive to such signifiers of class and could not, for example, tolerate or comprehend a scene in which the signs of social status presented by costume and speech would conflict". (402) With the audience so sensitive to costume details, what must they have thought about Rosaura 's male attire? Women dressing as men was a common device used by playwrights in the Golden Age (mujer vestida de hombre ) and one wonders was it merely because it was practical?
Written by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
This essay compares and contrasts two films, “Dial M for Murder” and its remake “A Perfect Murder” in order to analyse how these films depict the main female characters Margo and Emily. The paper especially focuses on the remake’s intention to present a modern version of women or wives, by looking at the changes in characters, settings and the use of phone as a medium. Firstly, “A Perfect Murder” makes several changes to the original characters in an attempt to revise the traditional gender roles. Although Margo from “Dial M for Murder” and Emily from “A Perfect Murder” are apparently similar in that they are both beautiful and wealthy blondes, Emily is portrayed as with more of a brain in the beginning of the film.
