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The Tempest Essay

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Tempest The Tempest represents several aspects in the novel; One of them being a symbol of the social upheaval that occurs on board the ship. As the sailors, The Boatswain, and the royal hierarchy get thrown around by the storm, it appears that social status no longer matters when facing death.The Tempest shows the audience that it ultimately does not matter where you stand in society, whether you were a king or a peasant sailor, their fates are all being controlled in the hands of the storm, or in this case Prospero. Also during the storm, readers see a change in attitude towards royalty with many of the people on board, especially the Boatswain. The Boatswain is foul-mouthed, and angers those of royalty, even Gonzalo who reminds him that the king is on board the ship. Despite this, the Boatswain ignores all the non-sense of praying or giving respect to the upper-class, and relies on his natural instincts and expertise on how to keep the boat steady. This shows readers that no matter what religion,race, or class you are, humanity is on all the same level when it comes to toying with death. The …show more content…

Ariel is obedient and loyal to Prospero, the only time Prospero does not praise him is when he questions Prospero’s authority. Ariel is an air spirit, capable of doing many things, however, is restrained by Prospero’s authority. Readers see him as passive, and although he is capable of doing many miraculous things, the way he accepts his slavery deems him as weak. Caliban, on the other hand is the opposite of Ariel. He’s quite cynical,mad, and begrudging, but sensitive and rebellious. Caliban is only forced by Prospero to work for him, but openly rejects him which gives him more independence and freedom compared to Ariel. What Shakespeare is trying to imply here is that one must have a balance of both. One cannot be too rebellious and independent, nor can one be too loyal and

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A renaissance man is a person with many talents or areas of knowledge. Shakespeare was an outstanding writer. The author might have an interest in Renaissance men. This might be the reason for the writer to be interested in this topic. Shakespeare was a renaissance man.

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Prospero constantly claims that Caliban is incapable of doing anything right and is only capable of committing malicious acts. In the text, Shakespeare states, “Which any print of goodness wilt not take, being capable of all ill.” This statement further emphasizes Prospero’s revulsion towards Caliban. They have both endured neglection and verbal abuse throughout their lifetimes, which has led them to commit wrongful acts of violence upon

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This week we discussed ‘“The Tempest” in the Wilderness: A Tale of Two Frontiers’ by Ronald Takaki. In this article, the author discusses the differences between savagery and civilization. The main argument in this argument is shown in the form of examples of how the Indians and Irish were simply harmless at first when discovering the New World, but quickly made into monsters by the English men. I’m sure we’ve all learned in history of John Smith’s description of how the Powhatans cared for the sick and dying English men.

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In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.

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Bringing in billions of dollars every year, promptly following illegal drugs, firearms, and human trafficking, animal poaching is the prohibited act of slaughtering, capturing, and trading animals. Due to the approximated tens of millions of animals being poached for their fur, shells, horns, etcetera, there is a rapid decline in population, causing a multitude of species to confront endangerment and possible extinction. Furthermore, some of the most at risk animals include, but are not limited to, sea turtles, elephants, tigers, rhinoceroses, lemurs, and gorillas. This illicit trade is mainly generated by human avarice, the belief that some animal parts possess medicinal properties, and the lack of other livelihood opportunities. To place

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Prospero’s Magic, the Age of Death and the 1610 Anthropocene When Prospero -- the hero in William Shakespeare’s last play The Tempest -- buries his magical books near a cliff of an uninhabited island, he sings out the first song of the “Anthropocene” at the edge of the great globe. As the Duke of Milan, he and his daughter are exiled to the isolated island for 12 years, during which process he uses his magic to enslave the natives on the island, including “ a savage and deformed slave” -- Caliban (Shakespeare 3). One may argue that the master-slave relationship shows Shakespeare’s postcolonial reflection while others may think that this viewpoint takes too far from Shakespeare’s original intention. Steve Mentz, in his essay “Enter Anthropocene, c.1610,” interprets The Tempest through lenses of the 1610

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He made Caliban his servant because he could not trust him, he had lost respect, and had no other choice. Even when Caliban was serving Prospero, he was still treated fairly. Prospero freed Ariel from being eternally stuck in a tree, and in return he asked that for a year, Ariel would serve him and help him get off of the island, and then he would be freed. Prospero did not take partial control of Caliban and Ariel without a reasonable purpose, where the Europeans had no real reason at all. Prospero’s valid reasoning, his open mindedness towards Caliban, and his willingness to set Ariel free are why I believe that the translation of the play that compares it to European colonialism is

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1- What makes Miranda a central character in the play? What process must she undergo? What virtues does she possess that make success likely? Miranda is a hero “The Tempest.”

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“A Tempest” is as a derivative of Shakespeare ’s play “The Tempest” by Aime Cesaire. Cesaire makes a number of alterations in his adaptation of Shakespeare’s “The Tempest”. These alterations have been made in order to outline the change in time eras between the two playwrights’ time of existence and to illustrate the great social change that occurred in these periods, mainly colonialism by the West, the subsequent theme of the quest for freedom as well as the theme of power that resonates throughout the play. This essay aims at exploring the similarities and to draw attention to the alterations made by Cesaire in “A Tempest” and the subsequent effects of these alterations on the audience.

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Both characters are considered as rebellious savages that are controlled, Caliban by Prospero and John by the World State. The Tempest can be interpreted as a play about colonialism because when Prospero arrived at the island, he imposed his own rules and put Caliban under slavery, just as Europeans when they took possession of the lands of Americans and enslaved them. From this point of view, Prospero and the World State are very similar because they both use their power to control over people and to preserve their own stability (Prospero using his magic and the World State using soma).

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Prospero brands him "a born devil, on whose name/Nurture can never stick.” As Mannoni says, “Caliban does not complain of being exploited; he complains rather of being betrayed”. Even though Prospero understands that Caliban’s bad behaviour is like that of a child, he does not offer mercy and forgiveness as freely and earnestly as one should. Thus, it is through Prospero’s treatment of Caliban that Prospero’s desire for revenge is

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Unlike Shakespeare’s other main characters, he is much more enigmatic. In they play Prospero is portrayed as the rogue who seeks revenge on his brother Antonio for his treachery. In this Shakespearean comedy it becomes clear that Prospero is the heart of power on the island. Evidently Prospero has been wronged by his brother’s usurping which he could not control and now uses his magic as a tool for controlling the events that occur on island throughout the play. The theme of power in this play is hugely significant as it clear that the violence interrogated in this play is in relation to power and the abuse of that power by the protagonist.

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As the play begins, it seems as if the massive tempest is simply a random occurrence, catching the mariners and nobility by chance. However, as the act continues, Shakespeare reveals that the tempest was actually the work of Prospero and his ghostly servant Ariel, who stirred up the seas and set fire to the masts (1.2, 193-194). This establishes Prospero as the executor of a mess of ‘coincidences’ ranging from Ferdinand stumbling upon his daughter Miranda to King Alonso and his party walking directly into the former duke’s cell. Though Prospero may have the same control over the English language as the other characters, Caliban points to his specific source of power. He says, “… for without [his books] /

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The Tempest is a play where a man named, Prospero, was a former duke of a land. He was exiled to an island because his brother, Antonio, usurped his dukedom. Prospero lives on the island with his daughter, Miranda attempting to reattain his title of duke. There are many causes of social issues, and it is important to view these issues on how they affect others.

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Shakespeare’s The Tempest is often considered fiction and finds content in expressing characteristics of both the main character, Prospero and differences in the power dynamics affecting his characters. Shakespeare often uses groups of characters to emphasize the complexity of their surroundings and effects on their behavior. The overall repetition of complications faced or caused in relation to Prospero and play an enormous role in the plot, helping to develop both the his feelings and the emotional ties of others regarding him. Shakespeare also varies the diction to place emphasis on the power dynamic and relationships observed between thespians.

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