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The Things They Carried 5 Paragraph Essay

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The Undying Certainty of the Narrator in Tim O’Brien’s The Things They Carried, written by Steven Kaplan, questions if there is any sense or meaning derived from what happened during the Vietnam War and how that could be conveyed to those who have not experienced the war. Literary critic, Philip Beider’s, writes “most of the time in Vietnam, there are some things that seemed just too terrible and strange to be true and others that were just too terrible and true to be strange.”(American Literature and the Experience of Vietnam 4). Kaplan believes that by destroying the fine line between fact and fiction, fiction can often sound truer being, presented as meaningful. Kaplan’s statement is correct because the language of fiction is the most accurate for conveying what is attempted to be explained. O’Brien uses these what-ifs and maybes as if they were facts, and then calls these facts into questions. O’Brien explains in The Things They Carried that it is impossible to know “exactly what had happened to me”(The Things They Carried 179). The over-used phrase “there it is”(The Things They Carried 212) is said by the American soldiers to make the …show more content…

In the chapter How to Tell a True War Story, O’Brien includes us through several different variations of how character Kurt Lemon died, each version being more uncomfortable from the next. O’Brien introduces this chapter by saying “This is true.”(The Things They Carried 64). However, the only thing true about these stories is that they are being altered right in front of us. According to O’Brien, you only “tell a true war story” “if you just keep on telling it”.(The Things They Carried 91). For O’Brien it is not the facts that makes a story worth remembering, but that a story becomes part of the present so “there is nothing to remember except the story”( The Things They Carried

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“O'Brien's endeavoring to tell us that albeit they're made up, there's an abundance of truth to their characters. True stories and true characters don't fit orderly into a narrative or into character roles. The best way for O'Brien to communicate his Vietnam experience in “The Things They Carried “is to give us the "story-truth," not the "transpiring-truth" (The Things They Carried Theme of Truth-http://www.shmoop.com/things-they-carried/truth). O’Brien uses story-truth in lieu of transpiring-truth as a way to show the vicissitudes in between authenticity during war time and as a way of making the reader understand the experience

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The Things They Carried, by Tim O'Brien is a fictional account of the Vietnam war that seeks to reveal a truth about storytelling. He shows this through several examples, most notably in "Speaking of Courage", where he describes a veteran who can't fit in and drives around the lake, "The man I killed", where the narrator, Tim kills a Vietcong soldier, and "In the Field", which is the opposite of that as it is more direct and isn't as fictionalized. He shows the audience what really happens with "Notes", and "Good Form". Using this book, Tim O'Brien seeks to reveal the truth on how using fiction in narratives can show a deeper truth than just the happening truth.

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In the short story, “The Man I Killed,” O’Brien focuses on this to show that everyone fighting in a war has a story. He spends the story describing the man he killed and searching for justification of his actions. He carries around guilt with him because of it, and his fellow soldiers try to help him justify and come to terms with his action by saying things like, “You want to trade places with him? Turn it all upside down= you want that? I mean, be honest,” (126) and “Tim, it’s a war.

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(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly

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In “How to Tell a True War Story,” Tim O’Brien claims that the telling of a true war story is not about war itself, but about storytelling, illustrating the relationship between the reader and the storyteller, and the struggle the storyteller has in communicating the truth for readers to share in the experience. His intended audience is war veterans and storytellers. O’Brien uses narratives and commentary to provide examples about how to identify and tell a true war story. For example, O’Brien tells the story of Curt Lemon’s death three times throughout the text. O’Brien adds different details to each story that contradicts themselves, causing readers to question if the story is true.

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The Things They Carried, written by Tim O’Brien, illustrates the experiences of a man and his comrades throughout the war in Vietnam. Tim O’Brien actually served in the war, so he had a phenomenal background when it came to telling the true story about the war. In his novel, Tim O’Brien uses imagery to portray every necessary detail about the war and provide the reader with a true depiction of the war in Vietnam. O’Brien starts out the book by describing everything he and his comrades carry around with them during the war. Immediately once the book starts, so does his use of imagery.

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You separate it from yourself. You pin down certain truths" (158). O’Brien makes numerous conflicting comments on storytelling during certain chapters of the novel, such as "How to Tell a True War Story. " By making these comments, the narrator not only justifies the objective of The Things They Carried, but also provides clues regarding the content, composition, and interpretation of the novel. O’Brien states that: "In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen.

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In his novel The Things They Carried, Tim O’Brien explores the power of storytelling as a means of conveying the complex experiences of soldiers in the Vietnam War. Throughout the novel, O’Brien distinguishes between "Happening Truth," which refers to objective facts of events, and "Story Truth," which refers to the subjective emotional and psychological realities of those events. Through the use of these two concepts, O’Brien creates a series of interconnected stories that blur the line between fact and fiction, and ultimately serves as a testament to the enduring power of storytelling itself. The novel is comprised of a series of interconnected stories, each of which focuses on a particular aspect of the Vietnam War.

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In Tim O’Brien’s THE THINGS THEY CARRIED, there is a chapter called How to Tell a True War Story. In this chapter, he states how you should never trust a “true war story” because many aspects go into a war story. He characterizes them; at the end of the day, you are the listener and should be skeptical. Ask questions and be curious.

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In contrast, O’Brien’s novel is written chronologically, and the use of fantasy flows throughout the book. Each scene follows the characters throughout their time in Vietnam, as O’Brien recounts stories from his service there. While the fantastical events that occur in The Things They Carried are clearly more believable than in Slaughterhouse-Five, O’Brien points out that in fact, many parts of the novel are fictitious. O’Brien writes “It’s time to be blunt. I’m forty-three years old, true, and I’m a writer now, and a long time ago I walked through Quang Ngai Province as a foot soldier.

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Tim O’Brien never lies. While we realise at the end of the book that Kiowa, Mitchell Sanders and Rat Kiley are all fictional characters, O’Brien is actually trying to tell us that there is a lot more truth hidden in these imagined characters than we think. This suggests that the experiences he went through were so traumatic, the only way to describe it was through the projection of fictional characters. O’Brien explores the relationship between war experiences and storytelling by blurring the lines between truth and fiction. While storytelling can change and shape a reader’s opinions and perspective, it might also be the closest in helping O’Brien cope with the complexity of war experiences, where the concepts like moral and immorality are being distorted.

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In The Things They Carried, O’Brien’s story-telling method is an attempt to show that the lines between fiction and reality are often not that far. Even though the names or details may not be fully accurate, this does not change the fact that they are a reality for many. Additionally, he challenges the importance that we place on war and links it to a storytelling aspect because he’s pointing out that not every story has a moral to it. With tragic events, we typically want some sort of meaning behind them, some sort of assurance that the incident was not for nothing. However, this is not always true, as a character “Yeah, well…I don’t see no moral”…

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A lot happens in Tim O 'Brien short story "The Things They Carried", at first, the reader speculates what the short story is about and why it is called "The Things They Carried". The narrator Tim O 'Brien tells and describes all the things that the men have to carry while "in-country" during the Vietnam War in the1960 's. The text 's artistic value comes from its plot, characters, conflict, and style. In the plot of the story the protagonist, Tim O 'Brien starts by describing circumstances that happened while he was in Vietnam. In the beginning of "The Things They Carried" we are introduced to each character by the things they carry.

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“That’s what stories are for. Stories are for joining the past to the future ... Stories are for eternity, when memory is erased, when there is nothing to remember except the story” (36). The Things They Carried is a captivating novel that gives an inside look at the life of a soldier in the Vietnam War through the personal stories of the author, Tim O’Brien . Having been in the middle of war, O’Brien has personal experiences to back up his opinion about the war.

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There are numerous examples of metafiction in The Things They Carried; many are clear, and some are harder to notice at first glance. In the text, author Tim O’Brien uses a metafictional writing style to vividly illustrate what emotions and thoughts went through the minds of the soldiers fighting in Vietnam, including himself. It is unclear whether or not some of the stories he tells in the text actually happened, but there is no doubt that they are paramount to the underlying objective of O’Brien’s writing style: to use realistic scenarios that may not have actually happened, to make whatever changes necessary to the story to get his point across. Tim O’Brien uses metafiction to obscure the line between truth and fiction by manipulating details that trigger certain emotions to influence the reader. Metafiction allows writers like Tim O’Brien to manipulate what is held to be truth, and fabricate certain details in an attempt to enhance or reinforce the meaning of a story.

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