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A soldier's narrative at war
A soldier's narrative at war
A soldier's narrative at war
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O’Brien says that a true war story is something you believe with your stomach and has no moral. For O’Brien, something isn’t true unless it feels true. A true war story should leave you with a deeper emotional connection. For example, the death of Rat Kiley’s best friend is a true war story because it has no moral.
Reality and Truth What is reality? Different people might have different answers to this question. Everyone has his own way to see things happen in a particular situation. Alexie’s text entitled “Because My Father Always Said That He Was the Only Indian Who Saw Jimi
And in the end, really, there’s nothing much to say about a true war story, except maybe ‘Oh’” (77). We can never assume the truth in a war story. The only way to discover the truth hidden behind the lies is to pull away the many layers or in this case the stories that make up a war
(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly
The components of a “true” war story are defined through its moral and purpose. A “true” war story
Stories are for those late hours in the night when you can't remember how you got from where you were to where you are". (O'Brien 38) O’Brien uses his stories to reach his audience. There are generations of people who have no clue what war is really like, whether it is because of our misconceptions based on what media portrays or the fact that there are people who have not served in the military. Some people might know about Vietnam and know the outcome of the war, but they don’t have the experience and real life understanding of how that story ended. They might not be able to fully understand the feelings of a soldier.
Indirect characterization and personification expressed in Tim O’Brien’s, “How to Tell a True War Story” shows how insanity drives a person to act out
These soldiers devote their lives to the war, and sadly they are easily forgotten. But for Tim O’Brien and various other authors, “We kept the dead alive with stories” (239). These stories are a way for dead friends and family members to seem alive again. The stories reveal their character and many of their best moments alive. O’Brien utilizes storytelling to cope with the death that surrounds him, and to keep their memory burning on
O'Brien shows us that "In many cases a true war story cannot be believed. If you believe it, be skeptical. It's a question of credibility. Often the crazy stuff is true and the normal stuff isn't, because the normal stuff is necessary to make you believe the truly incredible craziness." (pg. 71).
“How to Tell a True War Story” and “Ambush” are stories that both explore on topics: truth, the real definition of a true war story, and the role of truth. O 'Brien starts off “How to Tell a True War Story” with “This is true.” Starting this story with such a bold sentence not only makes it seem more true, but to some extent, it acts as a comfort statement to the narrator’s own doubts, as if there were unspeakable uncertainties and lies of the narrator. The title of this story also comes into play, with a meta-fictional name “How to Tell a True War Story”, as if it were a guide, a manual, having a true war story tell the readers how to tell a true war story. However ironically, towards the middle of the story, us as
Zoe Cloar IB English HL 1 Root October 2022 How To Analyze a True War Story A war story can be extremely detailed, and those who have not experienced war will never truly be able to comprehend. Those who have experienced war cannot tell a true war story, because a war story will never not contain perspective, and memory is not an exact record. Tim O’Brien published a short story after his experience in Vietnam called “How to Tell a True War Story”.
According to O’Brien, you only “tell a true war story” “if you just keep on telling it”.(The Things They Carried 91). For O’Brien it is not the facts that makes a story worth remembering, but that a story becomes part of the present so “there is nothing to remember except the story”( The Things They Carried
Throughout Tim O’Brien’s collection of short stories in the book The Things They Carried, Tim forces readers to question whether these stories are true while reading, this is due to Tim telling us to never trust a true war story in the chapter “How To Tell a True War Story”. This is partly because of the outlandish ideas being represented in the stories of war but, also due to the misconceptions caused by war. O’Brien’s goal in writing these stories in this confusing manner of skewed reality, while also telling us they are not true events is to cause the readers to feel unsure about what the truth of war is. To be clear Tim’s truth is not the happening truth, but
If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie” (O´Brien 65). Wallace Stevens
Telling a true war story can be hard to do, because soldiers are tempted to change some traumatic aspects to make the story easier to comprehend, and not so traumatic for the listener. For the readers who prefer the brutal and gruesome stories,