Things Fall Apart Post Colonialism Analysis

Post-colonialism as a branch of epistemology, politics and ethics addresses the problem of submergence and loss of identity, individuality and distinctiveness of the colonized ‘other’ and his gradual acquiescence of the values of the colonizers by treating them as superior to his own and it also tries to provide some space and voice to the marginalized other or the subaltern. Globalectics is essentially concerned with the relation, tension, connection and perception that exist among different cultures and how they interact with each other and how they are related to the centre and how the apparent attire of the entire world affairs and international politics is shaped by the invisible, internal dynamics of the dialectical. Now a contrapuntal

S. Naipaul and J. M. Coetzee these Post-colonial writers have all dealt with Africa in their own individual and unique ways. Achebe does not treat the African culture and ways of life as something hybrid, complex, dependant for its significance on the Western style of perceiving things or neither has he shown Africa to be existing only in relation to its difference from or consonance with the Western form of religion, culture, identity, and discourse. The major theme of the novel ‘Things Fall Apart’ centers around the destruction of Africa’s intricate, almost incomprehensible but unique way of life and culture in the wake of British colonization and forced or maneuvered conversion to Christianity. The administrative as well as religious changes that the British tries to impose upon the native Africans has the disastrous effects of uprooting the indigenous people from their original root and tradition and can be seen as some instruments of subjugation, subordination and subservience which starts with creating distrust, doubts and insecurity in the minds of people for their Igbo tradition, and its cultural and religious practices and ends with making them internalize the Christian way of life and British administrative apparatuses. Another theme that is explored in this novel is the inherent fault of the central character Okonkwo, who is ambitious, industrious, honest, masculine but is rash, and unthinking and his sense of self and identity is wholly dependent on the approval of others in his community and he thinks of anything that intrudes into it as a threat and he tries hard to be a man though in a flawed manner. His sense of attaining masculinity is fuelled by an indomitable desire to rise above his father’s spendthrift, lazy, ineffectual and effeminate character and he associates violence, haughtiness, and aggression as the only set of emotions to be displayed for expressing true masculinity. He beats his wives and threatens to kill women.