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Tim Burton's Influence On Media

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Throughout media, there are many prominent figures that have had an outstanding impact. Some of these figures affected the industry than others and have helped shape the way media is today. One notable figure in media is Tim Burton. Tim Burton is a film producer, director, animator, artist, and writer (“Tim Burton Biography”). He was born on August 25, 1958, in Burbank, California (“Burton on Burton”). As stated in his biography, he had a love for horror movies as a young child, and he developed the ability to draw. Because of this, he enrolled at the California Institute of the Arts and majored in animation (“Tim Burton Biography”). Tim grew up surrounded by many film and t.v. studios, one including Disney, where he later worked as an animator (“Burton on Burton”). It has been stated that Burton did not like being an animator at all (Collective). Shortly after, Disney recognized his great work and allowed him to strike out on his own. His drawings were never the …show more content…

His visions for film are so clear in his mind, and are even clearer when portrayed in his films. His films have influenced the new generation to be more creative in hopes to make the new filmmakers try and create something as visually entertaining and unique. He changed media for the better by his own unique creations of film, in which many people have enjoyed. He sends a message to his viewers to not judge someone by their appearance. His universe is quite appealing than scary, although he uses strange characters to get his point across. Burton does this to show some people feel outcasted but it’s okay to be different. He portrays life as a cruel but kind, funny and disturbing place. Tim Burton has had a major impact on media with his own unique tastes and his ability to stay true to himself. His films are well known to everyone, and are also very much enjoyed. As you can see, Tim Burton is a figure in the industry who have had a major impact on media

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Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.

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Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.

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526 Words | 3 Pages

Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.

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Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to

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843 Words | 4 Pages

Tim Burton claims to be one of the greatest directors of all time. Tim Burton has won six awards in total, four of them being for his films Edward Scissorhands, Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, and Beetlejuice. His other two awards were for the Golden Lion for Lifetime Achievement in 2007, and the Empire Legend Award in 2012. Tim Burton’s movies often have a dark and twisted setting, but he also finds a way to implement a bright, happy, and kid-friendly side. Tim Burton has a distinct way of storytelling by making movies dark and terrifying, but also childish at the same time.

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457 Words | 2 Pages

Tim Burton is well known film director. The movies that he has created are often described as mysterious, odd, and intriguing. Burton's movies use certain film techniques to create a certain feeling for the audience to experience. The three main techniques that Tim Burton usually uses is the lighting, camera angles, and sound techniques.

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432 Words | 2 Pages

In conclusion, Tim Burton proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. He uses each technique to reel in his audience. Tim Burton’s style is based on differences between things or people. However, Burton uses many more techniques than just these three, he uses all kinds to appeal to his

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1064 Words | 5 Pages

From Edward Scissorhands to Charlie and the Chocolate Factory, director Tim Burton has been captivating audiences with his unique style for over 30 years. One can agree that Burton has a rare and uncommon gift in the directing world, which allows him to twist the audience emotions, and create feelings that wouldn’t normally be there. In many of his films, Tim Burton uses framing and angles, music and sound, and lighting to control the mood of the scene. To begin, director Tim Burton manipulates lighting to create a feeling of fear and suspense in the audience. One way that Burton does this is when he uses low key lighting, mixed with side lighting, in Corpse Bride.

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1071 Words | 5 Pages

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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679 Words | 3 Pages

Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.

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920 Words | 4 Pages

Walt Disney’s first job was at Persman- Rubin Commercial Art Studio and he met his associate and longtime friend, Ub Iwerks. They Walt with the help of his brother Roy, opened up Disney Brothers Studio In California. This is where he recreated the Alice Comedies. They were In 1925, Disney Brothers Studio In 1928, Mickey Mouse was created.

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828 Words | 4 Pages

“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.

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793 Words | 4 Pages

Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

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850 Words | 4 Pages

Tim Burton is a man praised for his cinematic style and contributions into the world of film. Tim Burton is influenced by his fascination with children’s stories and fairy tales. An article states, “Burton stories encourage escapism into worlds of fantasy and supernatural.” Some of his children’s movies are rather dark but delightful. Tim Burton was influenced by Roald Dahl along with other well-known authors such as Dr. Suess.

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867 Words | 4 Pages

Which came first, the chicken or the egg? This question has been hotly debated for centuries with no hardline conclusion. The question “do films shape culture, or does culture shape films?” has the same cyclical, unanswerable nature. Films cannot change culture without in some way reflecting it, and films cannot reflect culture without in some way affecting it. Film is inextricably intertwined in today’s culture, both as a means and as an outcome.

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