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Turning Point In Shakespeare's The Tragedy Of Romeo And Juliet

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William Shakespeare’s The Tragedy of Romeo and Juliet challenges the audience to apprehend the convoluted and tangled themes, as well as the elaborate language used in the text. Reciting Act III, Scene I. Lines 58-133, (The Fight Scene), continuously, helped me to to better understand Shakespeare's complex writing, grasp an idea of how the turning point affects the main character's, personality change in Romeo, and the thematic concern fate being situated by Romeo killing Tybalt. Practicing the fight scene helped me to understand the intricate, yet beautiful writing of Shakespeare. For example, prior to the fight scene I couldn’t understand two lines in particular, one of them being: “Thy beauty hath made me effeminate/ And in my temper …show more content…

The biggest thematic concern in this was faith. An example is used when Romeo yells out, “O, I am fortune’s fool!”(3.1.131). This refers specifically to his unluckiness in being forced to kill his new wife’s cousin. It also recalls the sense of fate that hangs over the play. Mercutio’s response to his fate, however, is notable in the ways it differs from Romeo’s response. Romeo blames fate, or fortune, for what has happened to him. Him slaying Tybalt was his fate. This then leads to probably the most fatal and important part of Act III… The prince banishing Romeo. Because of this only do Romeo and Juliet die, because Romeo is in another city they can’t communicate properly and the two star-crossed lovers commit suicide. From reciting my Act III, Scene I. Lines 58-133 performance I was able to identify the meanings of the two complex passages in my opinion, written by Shakespeare, as well as identify theme, personality, and events the turning point leads to. Though this play was very complex it was easy for me if you just re read it, use context, and listen; not just for understanding the writing, even for the turning point, theme,

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Rise of One at the Expense of Another, Contrasting Worlds, and Supernatural reflect the three most common dramatic patterns used throughout Shakespeare’s The Tragedy of Romeo and Juliet. These dramatic patterns are the building blocks of how the drama manages to keep the reader’s attention and continue to keep them on the edge of their seat. Rise of One at the Expense of Another is a very common dramatic pattern used throughout the drama that keeps the reader very interested and wanting to guess what is happening next.

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Because of Mercutio’s opposing traits to Romeo, he is Romeo’s foil to show Romeo’s significant

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Mercutio is making light of Romeo’s deep depressing love for Rosaline, he’s mocking love and making it a joke. This creates an emphasis on Romeo’s utter affixation with love. Mercutio’s playfulness and ability to make a serious subject humorous and reasonable bring out the deep, dark, and depressing side of Romeo, who is completely the opposite when it comes to love. Romeo does not see love as a joke and we see him fall into a depression, Mercutio only makes this sadness more apparent as he talks so jokingly of love. Shakespeare uses Mercutio to lighten Romeo’s depression and make it more

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Not for the usual reasons of grieving his death, but because it meant the banishment of Romeo. Juliet's parents unknowingly believe she is upset over Tybalt, which in response they push the idea of her marrying Paris. This is the true beginning of the Tragedy. Juliet avoids this situation with the help of the Friar. Which in the end becomes the end of Romeo and

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Mercutio is different from Romeo because he does not believe in love and makes fun of Romeo and falling in love so heavily all the time. When Romeo describes his love for Rosaline using a rose with thorns as a metaphor. Mercutio laughs and says ”If love be rough with you, be rough with love; Prick love for pricking and you beat love down”(I.4.27-28). In another scenario of Romeo and Mercutio’s foils is when Romeo tells his friends about a dream he had about the party and is expecting a disastrous outcome of the party. Mercutio makes fun of Romeo because he does not believe that dreams can become visions of impending danger.

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Mercutio had a way of affecting the characters and showing a new or more detailed side to them. Especially during the climax, his death is significant because it was his choice/or Romeo’s submission that eventually led to their downfalls. As stated in the previous paragraphs, Mercutio had the role of a tragic comedian and he has an emotional impact on the audience. Shakespeare is known to write tragedies, comedies as well as historicals. But Shakespeare's most well-known play Romeo and Juliet has a variety of feelings.

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The story, Romeo and Juliet written by Shakespeare is a popular tragedy in which two star crossed lovers, Romeo and Juliet, are caught in between an ancient family feud which leads to both their deaths. In this story, the best friend of Romeo, Mercutio acts as the most pivotal character because of how he provides important events and turning points and improves character development; the influence of Mercutio may suggest a theme of how friends are important. It should be noted that Mercutio acts as a deciding factor in the play. Through the duration of the play, Mercutio’s presence and actions influence important decisions made by other characters. For instance, in Act 1 Scene 4, Mercutio convinces Romeo to attend the Capulet party and says, “Nay, gentle Romeo, we must have you dance.

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In William Shakespeare’s Romeo and Juliet, Mercutio functions as an important plot device. He is a teasing, dirty-mouthed, overconfident joker, but he also provides deeper insight into characters’ flaws. He challenges Romeo, encouraging him to repeatedly stop moping and test his wits. Of course, his cockiness and challenging of authority proves to be his downfall - and a tipping point for many later scenes - but not before reminding readers that he’ll never let an opportunity for a joke pass. Mercutio has a carefully approached perspective that represents several roles, and he won’t let it be forgotten.

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Romeo was furious that Tybalt had killed one of his best friends, so he decided to jump in. However, The Montagues and Capulets aren't supposed to brawl in the public, so Romeo got banished from Verona because of his behavior. He blames the killing of Tybalt on fate because he believed it was “destined to happen” even though it was Romeo’s decision to continue the violence. Similarly, at the beginning of the play, once Juliet laid eyes on Romeo, she wanted to marry him. She directs the nurse to go find out Romeo’s identity and if he had a wife.

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Act 3 Scene 1 and Act 3 Scene 5 were made effective for different reasons for example Scene 1 contained more tension and impetuous decisions whereas Scene 5 consists of more predicaments and character revealing. Act 3 Scene 1 was effective because of the language used within the battle between the two families and was mostly patronizing and provoking towards each other, the character was mainly based on how blood thirsty and maculating these men thought they were, tension was used a lot within this scene as this was the scene where two men were killed and the situation was found to be more serious. Scene 5 showed characters’ personalities more as this was the scene were you got to know both Lord and Lady Capulets true colours, and their relationship with their daughter and shows us the patriarchal society

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The death of the two star-crossed lovers is often mistaken for a choice that they made on their own. Even though Romeo and Juliet took their lives on their own will, fate and the long lasting family feud is to blame for the tragic death of the two star-crossed lovers. The major falling-out of Romeo and Juliet was all caused by the long lasting family feud and also fate. Most people, that read the story or only hear of the story, are led to believe that their deaths are their fault, and no one else had a part in it since they took their own lives.

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Romeo’s decision making skills amongst other flaws like impulsiveness and rashness, led him down a path that ended in his death. Juliet’s blind devotion to Romeo and haste in decision making left her feeling helpless and alone upon the realization that death was her only remaining viable option. The many minor characters in the play all helped push Romeo and Juliet’s already harmful decisions towards a place where they both ended up dead. Throughout the course of the play, it becomes very apparent that it’s not fate that causes the problems for Romeo and Juliet, but the disastrous decisions of everyone in the play combined, that create the plethora of problems that our two main characters have to deal

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Tybalt always wanted to fight Romeo. Tybalt and Mercutio get into a fight because of some upsetting words Tybalt said. In the fight Tybalt kills Mercutio, which get Romeo upset. Then Romeo kills Tybalt, which gets him banished form Verona, Italy. So the long-standing family feuding and fate are the cause of Romeo and Juliet’s deaths.

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When he is killed, it signifies the transition of the play from comedy to tragedy. There are clear-cut reasons, however, why Mercutio was destined to perish. Not only can we blame his death on his immature nature, but also on the actions and choices of Romeo and Tybalt. Concerning Mercutio’s demise, a few of his characteristics may have come into play.

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In William Shakespeare’s play Romeo and Juliet, ACT 3, scene 1 is a crucial in creating the circumstances that lead to the tragedy of the play. Shakespeare incorporates tragedy into Romeo and Juliet with the use of plot, language devices and aesthetic features. With these devices Shakespeare integrates poetic dialogue, forbidden love and devastating tragedy into the script of the play. In ACT 3, scene 1, Tybalt kills Mercutio and is killed by Romeo who is then banished by the prince, these unfortunate events contribute to the tragedy of the play. The scene begins with Benvolio and Mercutio hanging out, mocking each other and insulting the Capulets.

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