The play, Romeo and Juliet, is about two star-crossed lovers that had been led to their death because of various actions of different characters. The actions that caused the death of these lovers were foolish. The characters that greatly impacted the death of Romeo and Juliet are the two households, Montague and Capulet, Friar Laurence and the two lovers themselves, Romeo and Juliet. Whether deliberately or unintentionally, their actions have all lead to the tragic death.
William Shakespeare’s “Romeo and Juliet,” discusses how people have both a monstrous and honorable side. Shakespeare demonstrates this by using syntax and figurative language in the soliloquy, “Romeo and Juliet”. In the soliloquy, a monk by the name Friar Laurence, talks about how everybody has a guilty and innocent side. In the story, the Montague and Capulet family are fierce rivals. The rivalry shows the dark side while the love of Romeo and Juliet shows light side of both families.
Who is to blame for the tragic end of Romeo Montague and his lover, Juliet Capulet? In Romeo and Juliet, the characters are faced with an unrelenting series of unfortunate coincidences, which eventually lead to the demise of six characters. The blame could be placed on many characters in the story, including a priest, Juliet’s parents, and Romeo and Juliet themselves. Who is the most responsible? The majority of the blame can be narrowed down to Juliet, Friar Lawrence, and Fate.
In the vast story of “Romeo and Juliet” ,who is to blame for the deaths of the two young lovers? In the city of Verona six peoples lives were lost because of their parents disagreement. The feud, Friar Laurence, or even Juliet’s parents could be the true cause of the tragedy, but by using the supporting evidence from the story, one can find out just how everything went down. The feud caused a mutual hatred among the two families, resulting in behavioral issues. Friar Laurence, could have diverted this dilemma, but he decided to disregard others and help Romeo and Juliet behind everyones back.
“Star cross’d lovers” are doomed lovers, just like Romeo and Juliet. Romeo and Juliet is a play written by William Shakespeare, two lovers take their lives to be with each other. At the end of the play, The Prince of Verona wants to know who’s to blame for Romeo and Juliet’s deaths. Although both families are to blame and Friar Lawrence, the real culprit is fate itself. One of the reasons why Romeo and Juliet are dead is because of their family feud, Romeo is a Montague and Juliet a Capulet.
ho’s to Blame? Who’s to blame of the tragedy of Romeo's and Juliet's death? In the story Romeo and Juliet, there were many things that caused Romeo and Juliet’s death. Juliet’s parents are one to blame, but there were a few other things that played a part in their deaths, i.e. fate and Friar Lawrence, and finally themselves.
In Shakespeare’s “ The Tragedy of Romeo and Juliet” there is someone to blame for the death of these two star-crossed lovers. One might say the houses are the ones to be blamed. The prologue states “ Two households, both alike in dignity, in fair Verona, where we lay our scene. From ancient grudge break to new mutiny…” (DQB Project, “Who’s to Blame?”, Document A) meaning the two houses has been fighting and against each other for possibly centuries. Romeo is a Montague and Juliet is a Capulet, but due to this grudge they cannot see each other nor love each other.
One of the most famous love stories, Romeo and Juliet, set during the Elizabethan era, is the story of two star-crossed lovers and the great lengths that they go through to show their love for their each other. Contrary to Romeo and Juliet, love emerges in a different way during modern times. Due to evolving times, love is much different today than during the Elizabethan era. Couples today are happier, because couples truly know each other and there are other options if a relationship does not work out.
But it is just an act as the sharp reader quickly figures out. He uses a number of rhetorical devices to stir the ire of the crowd, but they are forms of trickery and also meant to appeal to the Romans’ emotions, which at this moment are running high. He relies on pathos, more than logos or ethos to persuade his listeners. He is conniving and manipulative. He reminds me of a real great attorney.
For example, Feste says to Olivia, “I wear not motley in my brain.” (i.v.54-55). So although he may dress like a fool he does not have the intelligence of a fool and therefore should not be seen as someone who is dull. Feste is cautioning against making connections between what can be seen and what cannot, the actions and appearance of Feste do not shed light on his sanity as they are mutually exclusive. He later addresses this point again when interrogating Malvolio, “
Without his officers, who had poisoned the Hart River after disobeying his command to stand down, General Indrid Cole finished scanning the perimeter of the kingdom. This time he’d ordered his men to secure the gates. And this time they complied. In the late afternoon Indrid visited Montague’s quarters, but Montague wasn’t home, so he made himself comfortable on the library’s sheepskin bench as he sifted through books. He was intrigued by the cloaked man’s form and his vision of Rayne.
By asking for her leave to engage in an act of mockery, Feste is acknowledging her power while also pushing the boundaries of acceptable behavior. This demonstrates the complex power dynamics at play in the world of "Twelfth Night," where characters must navigate a web of social expectations and power imbalances in order to achieve their goals. The use of "fool" in this line of dialogue is also significant. As a jester, Feste occupies a unique position in Renaissance society. Although he is often regarded as a low-status figure, his role as a truth-teller and commentator gives him a certain amount of power.
In the play Twelfth Night, by William Shakespeare, Feste is a likeable character. First, Feste is consoling. When Viola is mourning the death of her brother, Feste says to her: “The more fool, madonna, to mourn your brother’s soul, being in heaven.” (1.5, 63-64) By improving Viola’s spirit and making her happy, it shows that Feste is a very consoling person.
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
Feste is a “licensed fool” and works for spare change, and the other characters seem to treat him like servant. This is ironic because, Feste is one of the smarter and wittier characters in the book, however, he has a low social ranking and is therefore treated like he is stupid. In the play Duke Orsino says, “You can fool no more money out of me at this throw. If you will let your lady know I am here to speak with her, and bring her along with you, it may awake my bounty further.” (5.1.37-40).
