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Tyler Perry Opportunity Recognition On September 13, 1969, Emmitt Perry Jr. (Tyler Perry) was born in New Orleans, Louisiana, to Maxine and Emmitt Perry. As a child, he suffered years of abuse by his father. The abuse situation became so bad that Emmitt Perry Jr. once tried to attempt suicide because he was fed up with what his father was doing to him. At the age 16, Emmitt changed his name to Perry because he no longer wanted the same name as his abusive father.
By that he meant that the success of an artistic project depends on the stylistic qualities of the author, and not on the work itself. Based on the specific argument, Truffaut stated in a provocative way that “there are no good and bad movies, only good and bad directors”. Thus, Truffaut praised the remarkable visual style that is reflected in the director’s body of work (the film) through a consistency of themes. He also believed that even if a film is produced collectively, the director’s artistry outshines any further interference from the film
Actor, comedian, and producer Tyler Perry exemplifies grit through both his perseverance and his stamina. As a child, Tyler grew up in New Orleans where neglect and severe physical abuse surrounded him. His father would constantly brutally beat him and his mother. Tyler endured through the pain and soon learned that this abuse was not at his fault, after several years of thinking he was to blame. He also forgave his father even after all the trauma he had put him through, On the Oprah Winfrey show where he got discovered he said “It 's not an easy journey, to get to a place where you forgive people.
The Auteur Theory, a theory formulated by François Truffaut states the idea that the true author of a film is the director. The Auteur Theory revolves around how the director leaves an implicit mark on the film and because of this cinematic, literary, or thematic signature or motif, they are credited as the author of the film. While there are numerous people involved in the production of a film, with some directors it is truly prominent who can be described as the author of the film such as with Mel Brooks. Mel Brooks, renown comical director and screenwriter is one instance of the undeniability of the Auteur Theory. Despite Mel Brook’s complete involvement in his films, writing, co-writing, directing, and even starring in many of his films,
People know who Tyler Perry is; everyone knows and loves Madea. They are familiar with his work and his talent as an actor, producer, and writer. What some people may not know about him is his journey to success. When I think about celebrities, I look at their perfect life with unlimited money and no worries and believe that they have had an easy and privileged life. One may think that they had a perfect childhood because they grew up in a wealthy family, but unfortunately for Tyler Perry that was not the case.
Shane Black has casually become a genre unto himself. Before trying his hand at directing - which is also a genre unto itself, he dreamt-up (meaning he wrote them) some of the most beloved movies of all-time, such as Letha Weapon, The Long Kiss Goodnight, and Last Action Hero. Okay, maybe the “most beloved movies of all-time” designation is a stretch, but that doesn’t change the fact that Black certainly has a distinct style - and as such, a legion of followers.
There a various reasons to why Steven Spielberg has been considered as auteur. For instance the fantasy theme, is a common thread between these three film specifically. The fact that Spielberg has three films that have a common theme may suggest that he may use fantasy themes to establish himself as an auteur.
In this essay, my research will be based on Tyler Perry’s life. Tyler Perry, American playwright, actor, screenwriter, producer, and director, was born as Emmitt Perry in New Orleans, Louisiana on September 14, 1969 to Maxine and Emmitt Perry. He changed his name when he turned 16 because he did not want to have any connection with his abusive father. He also dropped out of school when he was 16 but he later got his GED later in life.
Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and
At first glance, it seems easy to be considered as a film auteur director but sadly it is not as easy as it seem. Auteur theory may be deceptively simply with a basic premise who’s the movie director in some circumstances. Not every director who produced film or countless films can be assigned with the title of ‘Author’. Ironically, only the director who owns a strong unique personality that who tend to imposes his own personal or favorite personality into the film can be easily given in the title as the ‘Film Auteur Director’ whereas for the weaker directors who might tend to allow other personalities to run and take over the film’s uniqueness. To be able successfully consider as an auteur, the director itself must produce several unique films
When a person hears the name Steven Spielberg, they immediately think of the blockbuster movies, Jaws, Extra terrestrial Jurassic Park, Indiana Jones etc. However, Spielberg has directed other important films, many of which were selected to be saved by the national film registry like Schindler’s List and Saving Private Ryan, for their extreme accuracy in the portrayal of important moments and people in history. However, there is still a debate whether Spielberg should be considered the best director of all time. The answer to this question is obvious , he definitely is the best as he has directed blockbusters as well historical films where his use of the camera, his choice of actors, music and his attention to detail make him the best director
Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.
Clint Eastwood is a talented director who does not consider himself an auteur. He considers his films to be ensemble projects and has “no interest in having a common style” across them. Clint Eastwood is well known for his unique old school Hollywood style which he portrays in all of his movies. It is to his credibility that his narration is also very easy to follow. He says that the script builds up the style because what he writes dictates his dictatorial style.
Wes Anderson is a very well-known and established director in his field. Over the years, Anderson has developed a unique style of film and a basic formula for how each film will look in the end. The film The Grand Budapest Hotel showcases a lot of Anderson quirks from the vibrant colors to the tiny miniatures that he used to show the landscape. The Grand Budapest Hotel is uniquely Wes Andersons and really showcases his style.
The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.
