Ultimate Control In Macbeth

396 Words2 Pages

“Macbeth- who may I rather challenge for unkindness than for mischance?” (2.3.44-45). Macbeth this is about a man who wanted to be in power and would do any wrong deed to get there. With the help of the Weird Sisters and his wife the murder spree began than ending with Macbeths head decapitated by a foe named Macduff. Although Lady Macbeth convinces her husband to follow the prophecies and Macbeth’s loyalty to his wife destroys his thoughts, the Weird Sisters hold ultimate control when they predict his coming title. Lady Macbeth is the wife of Macbeth, and leading believer of Macbeth’s destiny. “Macbeth- each corporal agent to this terrible feat. Away and mock the time with the fairest show:” (1.7.81-82). This quote shows that no matter what …show more content…

“We have scorch’d the snake, not kill’d it.” (3.2.15).Macbeth realized that he has ultimate control in the lives of others. Macbeth develops a god complex, the Tree Weird sisters show Macbeth that he will be great. Macbeth learn very quickly that he can get his people to kill anyone who was in his way. Banquo was one of the many kills that were accomplished, this is when Macbeth realized the sisters were right about his prophecies. Macbeth met an untimely demise because he believed the sisters and he let himself takeover his consciences The Weird Sisters were the main forces of the entire disaster. “Macbeth (aside) Glains Thane of Cawdor: the greatness is behind” (1.3.116-117). The Sisters controlled Macbeth’s dangerous thoughts through the play. Macbeth had had no reasonable thought once the Sisters intervened in Macbeth’s life. The Sisters were the main control by convincing Macbeth of the things he wanted to hear to be truth. The Sister is exactly what every hero gone bad story needs. Sisters gave false hope and destroy Macbeth’s life. Although many people have power throughout the play The Weird Sisters has the most control. This demonstrates that the Sisters were the most controlling piece to Macbeth’s crimes in the play