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Violence In V For Vendetta

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“I was there. I saw it all. Immigrants, Muslims... Homosexuals, terrorists. Disease-ridden degenerates. They had to go.” As quoted from the dystopian political movie V for Vendetta directed by James McTeique, V believes he is not a terrorist and is a freedom fighter by referring the terrorists as degenerates. With a pursuit of dominant ideology along with government treating him as a huge threat, V is a heroic terrorist in view of his motivation and political affiliation, acts of violence, strategies, and his rationality. Paik argues that V’s acts of violence are driven by the “catastrophes and pressures under which a shattered and traumatized society comes to accept state terror”. Accordingly, he believes that terrorists induced by social injustice are mistaken for all accusations, instead, the government should bear the accountability. Also, “Such neglect can make the resort to inhuman policies appear necessary and inevitable, once a society loses the capacity to distinguish reasonable self-preservation from a destructive and futile defense of unjustifiable expectations.” (Paik 181) This quote suggests that heroes or revolutionary terrorists are under the motives of …show more content…

He blames the state government with the oppression for raging his hatred in the first place. Therefore, the society is no longer protected by law and order, forcing him to create his religion as V and a new set of standards towards right and wrong, threatening social stability. The remarkable logo of V spotted in the film, similar to ISIS declaring its flag to affirm its international status. V as a politically motivated terrorist also resembles with the definition of politically rational terrorism. Sebastian elaborates that terrorists are expected to weigh costs and benefits of the available options and to choose the one that promises the highest expected utility in political

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Chavez also makes full use of the morals of his readers when convincing them to gift him their support. Published in a religious magazine, Chavez’s article appeals to readers’ sense of religious duty by invoking god. By advocating that God has mandated that life is not something that can be taken away he sways many of the deeply religious to his side. He also appeals to readers’ sense of humanity and virtue, portraying nonviolence as something for those who don’t want to exploit the weak or poor and for those who truely care about people. His audience’s morality will not let them be a part of a “vicious type of oppression” or have victory come at the “expense of injury … and death” or even “lose regard for human beings.”

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World War 1 which was known as the “great war” was a very important war in the 20th century. World War 1 was one of the bloodiest and violent wars because of the impact of technology. Machine guns were one of the earliest weapons useful for World War 1. Poison gas was first used by the germans but had the potential for being far more effective in the war. Tanks were invented because the trench warfare type of fighting was extremely slow and unpredictable.

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Chapter 5 Sacred power of violence in popular culture. “So, the violence is not simply a matter of retaliating against those who perpetuate evil (though such revenge can be sweet), it is a matter of serving a greater divine purpose. Ultimately that divine purpose makes the use of violence a moral (because commanded-implicitly of explicitly-by God) action.” (Bain-Selbo pg. 74)

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“This country has so much beauty. We were deprived of opportunities and now they’re everywhere. My family can learn. My children can play. I have been granted my humanity.”

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"I love America. I love people. That’s why I’m doing this. I want to help make America better. I think having these conversations helps everybody have a better understanding of where everybody is coming from."

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Vengeance has been an ongoing problem for many centuries. In the long run, with the new generation, they have been following the same pattern to get revenge, without knowing the reasons why. If no one is willing to stop and think it over, to evaluate if it’s worth the risk, then the act of vengeance will be ongoing at the cost of many lives. Many people do not realize that having to avenge the death of a loved one will take so much time and patience in their lives. In the short story, “An Act of Vengeance,” by Isabel Allende, the issue involves a young girl who gets raped by Tadeo Cespedes, whom also killed her father on the same day.

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Violence is never the answer, unless it is in literature. The work of Crime and Punishment is one of the greatest examples of how violence moves along the storyline. The scenes of violence in Crime and Punishment contribute to the work because it drives the characters insane, impacts the lives of the characters, and finally it was used as a way for our main character to prove himself as an above-average person. The act of murdering the pawnbroker and her sister caused Raskolnikov’s to spiral into insanity. Soon after the crimes were committed Raskolnikov found it difficult to stay conscious because he experienced multiple fainting spells.

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V For Vendetta Analysis Through Marxist Lense V for Vendetta is a political dystopian thriller film based on a 1988 novel written by Alan Moore and David Lloyd of the same name. The movie is about an anarchist freedom fighter only known as V, who attempts to spark a revolution through violence, that set in United Kingdom that was led under a totalitarian neo-fascism government. Through a marxist lense, the ideology held by V is a powerful tool and is considered as one of the most greatest factor that contributed to the revolution in the fim. Towards the ending of the film, Peter Creedy, the Head of Britain’s secret police continues to shoot V until his gun ran out of bullets. Creedy, in fear, asked V who seemed to not be affected by the gunshots,

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723 Words | 3 Pages

Alan Moore brings forth a morally ambivalent protagonist in V for Vendetta, wherein a mysterious hero by the name of V exhibits moral vigilantism to combat the bigoted and totalitarian government that has overtaken London. According to the Merriam-Webster dictionary, a hero is a “person admired for achievements and noble qualities” or “one who shows great courage,” a definition redolent of V’s valiant actions to overthrow the oppressive Norsefire regime, which serves as the villain that “opposes the hero.” To achieve his means of freeing society from the villain Norsefire’s tyranny, V makes a series of ethically equivocal decisions, including murder, torture, and revenge. However, despite utilizing violence in his endeavors, V is indeed a hero due to his vigilantism opposing corruption and recalcitrant actions responding to Norsefire’s breach of societal obligation in properly administering a justice system. Moore’s characterization of authoritative figures within Norsefire advocates their role as villains due to their immoral motivations behind being officials; V’s opposition and movement to end their reign brings him forth as a hero and insurgent of society.

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966 Words | 4 Pages

Oppression has always been prevalent throughout history, and as a response to this, the exploited often revolt, in turn, causing inciteful change. However, when the revolution only seeks revenge, it fosters more violence and creates a more oppressed society. The French Revolution while successful in the sense that it overthrew the government, has one dangerous aspect in common with oppression: violence. This revolution is depicted in A Tale of Two Cities by Dickens, where the persecuted peasants of France start a rebellion to try and achieve revenge government. However, by using violence as the primary method to abolish the government and boasting about the dominance of the revolution through the Carmagnole, the revolutionaries discredit themselves.

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Oppression is often portrayed in a negative light. Those who fight oppression are frequently regarded as heroes. The opposite is true for Alan Moore and David Lloyd’s book, V for Vendetta. V for Vendetta totes a mysterious character who goes by the alias of V. V is a villain who will stop at nothing to achieve his end goal: freeing England from the Norsefire regime. Many would see V as a hero due to the fact that he is trying to free a country and its civilians from an oppressive government.

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1033 Words | 5 Pages

What is violence? Violence is, as described by Google,”behavior involving physical force intended to hurt, damage, or kill someone or something. Strength of emotion or an unpleasant or destructive natural force. And the unlawful exercise of physical force or intimidation by the exhibition of such force.” Both 1984 by George Orwell, and Brave New World by Aldous Huxley have violence threaded throughout each novel.

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1601 Words | 7 Pages

In a not too distant future Britain is filled with torture cells, unfair punishments and prejudice against minorities, although through all this chaos one masked man known only as “V” dares to stand against the government thus being labeled as a terrorist. Little is known about the masked vigilante only that he is an anarchist revolutionary trying to bring down the government and convince the people to rule themselves. In the following essay I will be doing a full analysis on the movie titled “V for Vendetta” Focusing mainly on analyzing the character “V” and also analyzing themes such as Identity, Rebellion, and Anarchism. The motive of the essay is to explain “V’s” ideals and purposes to end the essay with an explanation to why V for Vendetta has been used by libertarians and anarchists to promote their ideals. The movie “V for Vendetta”

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1687 Words | 7 Pages

Midterm Assignment When one thinks of a violent film I feel as though a Tarantino movie comes to mind instantly. However, in this instance I chose a different violent film. In this assignment, I will be talking about the violence in Steven Spielberg’s 1993 film, Schindler’s List. As most people probably know by now, Schindler’s List is about the Holocaust committed by Adolf Hitler and the Nazi German army.

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Film is specifically made to be sold. Film is an art that is also a source of income. No matter the format, be it big budget or independent, film is a commercial product. According to Comolli and Narboni in their essay “Cinema/Ideology/Criticism”, film is “transformed into a commodity”. Film is “a product, manufactured within a given system”, is it the product of the ideologies that dominates where it was constructed.

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