In the painting, The Starry Night (1889) by Vincent van Gogh he also gives a perspective of a town and the swirly designs in the night sky (Holub and Bucks 29). Van Gogh wants to also show the observer the town on a night filled with starts in an abstract way that may seem happy and positive. The book Hatchet by Gary Paulsen and the painting The Starry Night (1889) by Vincent Van Gogh compare because of how the author/artist convey the perspective on how one should look at the
For example: the bag in the right bottom corner and the helmet up above are non-geometric or natural shapes. The few trees in the background display organic shapes, which are commonly found in
They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.
There
Bierstadt and Bradley’s paintings both share the line as an element and rhythm as a principal. In Bierstadt’s oil painting the use of line allows the mountains and trees to take on a three dimensional shape. The use of rhythm in Bierstadt’s painting shows the similar repeated images such as, way the animals are painted to look identical to one another. In Bradley’s painting the similarity of line allows the buildings, cars, and the dessert plants to define where one three dimensional object begins and another one ends. Bradley also uses similar rhythm with the repetitive size of the buildings, cars, and dessert plants.
Philosopher Alain De Botton uses Vincent Van Gough to persuade his audiences into seeing and embracing our environments so that we can full understand the extent of their impact on society/us, “It was for Van Gogh the mark of every great painter to allow us to see certain aspects of the world more clearly” this evaluative statement highlights De Botton's and Van Gough's attempt to convince the respondents of their neglectfulness to their elements in their travels and everyday lives. As Van Gough’s distinct style of representing forms expresses his emotions of society, “Artists could paint a portion of the world and in consequence open the eyes of others to it”, said by Alain De Botton suggests that artists eyes are open to the world and it is those that we see it through. Like wise in Ljalkaindirma, Albert Namatjira uses his cultured beliefs of traditional Aboriginal customs demonstrated by his use of vector lines and light to give the painting depth and meaning connecting it to the traditional Aboriginal relationship between their land and culture. Namatjira builds upon this through his use of vector lines, which immediately draw the respondents towards the centre of the mountains allowing the respondents to allow themselves to identify the other aspects of the painting that extend the landscape
In the 18th century, another one of the greatest artist of all time, Vincent Van Gogh illustrated a very personal painting. The Starry Night is now one of the most widely known paintings in the world, but the story and meaning is not. Both artist used dark and grim themes when it came to their creations, and that is what draws the public to them. In today 's society we are able to relate to the deeper and more mentally touching symbols of these pieces of art. Andrew Wyeth’s painting, Christina’s World shows a young woman in a empty field looking up at a grim farmhouse on a rustic summer day.
Of course, eventually new generations of audience have different interpretations of the meaning of these paintings, however these paintings have both keep there originally meaning. Starry Night relates mostly to the person of Van Gogh himself. His main purpose of this painting was to show his brother his lifestyle and the view he had while in jail. This painting does relate to nature though with the entire painting being an actually view that Van Gogh saw. He has a small town, cypress tree, and the stars to show all the nature around him during his stay in the jail.
In this artwork, Van Gogh uses strong vertical lines to give the sense of unease. These lines are present in the floor boards, the chair and in the wall. The lines give an unnerving feel to the room as vertical lines suggest that the room was not a place of tranquility, or calmness, but a rather gives a sense of despair. Furthermore, In the room there is also horizontal lines to suggest peace, and calmness.
