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Voyeurism In Rear Window

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In the 1954 Alfred Hitchcock film, Rear Window, the protagonist, Jeffries, becomes increasingly intrigued in watching his neighbors from his apartment building during his time in a wheelchair. The film effectively portrays voyeurism through the use of the camera angles which is intended to display scenes from the same limited perspective as Jeffries. His neighbors’ lives become the subject for the plot as he watches them perform various activities as a way to escape his own confinement. Each window embodies a different relationship, but is only focused upon when Jeffries directs his attention to it. His neighbors’ conflicted interactions help him escape his own personal issues. Through Jeffries viewing, he begins to notice the anxieties that
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1033 Words | 5 Pages

Alfred Hitchcock’s film “Rear Window” illustrates the ideas on how jeff’s vo yeuristic behaviour coincide throughout the movie. The obsession of the protaganist in observing his neighbourhood resulted in solving a murder cause and helps to fix his relationships to his fiancé. This motion suggest that Hitchcock take a stance on Jeffries voyeurism as this character gained a lot of positive outcome through this impulsive and unworrying behaviour. The author also used some supporting characters like lisa and stella to reinforce this sophisticate thoughts. Both of these characters shown a strong disagreements towards the impulsive behaviour of Jeff’s voyeurism had many implications.

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719 Words | 3 Pages

The sounds, camera shots and lighting used as Jeff waits for Thorwald to eventually reach his apartment is wonderful. His room is completely dark and lack and any sounds symbolised how alone he is and that he will have to face Thorwald, a murderer, alone. Jeff glancing around the room and watching the door completely terrified also adds to the tense atmosphere. When Thorwald arrives and opens the door, he is completely silhouetted, symbolising how evil and threating he is. On the other hand, Jeff, who is also silhouetted, is small and not as threating as Thorwald, showing how weak and defenceless he is compared to Thorwald.

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120 Words | 1 Pages

Rear Window by Alfred Hitchcock depicts men and women in the 1950's and how they are different and the same when representing their gender roles. There are circumstances in the movie where the gender roles change and switch around. When jeff has a broken leg he needs two women to help him around the house. Nurse Stella and his girlfriend Lisa both take pride in taking care of jeff. There were many different roles depicted in the movie, there were happy couples, sad couples, happy singles, and sad singles.

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827 Words | 4 Pages

Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.

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873 Words | 4 Pages

Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.

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1132 Words | 5 Pages

By realizing the similarities between himself and the Piano man, Jefferies is able to empathize with the piano man’s frustration instead of laughing at his pain. Requiring everyone to understand the day-to-day lives of everyone else on earth is of course absurd, but recognizing the similar qualities shared among all people reminds

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672 Words | 3 Pages

As he sits there looking out the window for countless hours he is no longer interested in just his personal life but those around him. When observing even closer I realized that there is an explanation to the obsession Jeff has with looking out of the window. It is not directly stated in the film but when looking at the sorrroundings Jeff is surrounded by only the courtyard and a small alley way hince the reason why Jeff choices to take particular interests in looking at his neighbors. The lack of scenery and things to do makes me believe that Jeff is feeling trapped. The binoculars no longer act as just a viewing defice but a symbol for

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1431 Words | 6 Pages

With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.

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765 Words | 4 Pages

In fact, there are many mysterious doors belonging to the opposite apartments which the destinations to are never discovered. This is a device used to create fear of the ‘unknown,’ but also heighten suspense. Therefore, our gaze may not be as omnipotent as had been discussed in the previous chapter. Given that the movie is diegetic, it is impossible for us to see everything as Jeff is human and needs his sleep just like the rest of us. He becomes a prisoner of his own gaze, fearful of what incriminating evidence he may miss during his unconscious hours.

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571 Words | 3 Pages

www.realestatecoalharbour.com – Coal Harbour real estate Tips for Selling Your Home in the New Year Have you been thinking about selling your home? If so, this is the year for you. 2018 is the perfect time to put your condo up for sale in the Coal Harbour real estate market.

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This meant the guilt of a burning secret kept within the main antagonist became known to that of the main protagonist. This created a deeper connection between the two characters, and the audience could also feel the overwhelming guilt of the main antagonist. as well as a sense of triumph for the main character. This is evident in Hitchcock's film "Rear Window" (1964). The transference of guilt is made crystal clear when Jeff starts to resort to what could be considered to be almost drastic measures such as peeping with a telescope and having Lisa and Stella assist in leaving the safety of the apartment to scout certain areas where they had suspicions on such as the flower bed in order to bring the murderer Thorwald to justice.

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865 Words | 4 Pages

The more Jeff looks out the window, the more he wants to continue doing so. The more Jeff looks out the window, the more violence he enacts and imagines. It’s human instinct to look and stare without considering that we are invading someone’s privacy. But as recent events highlight in the 21st century, our urge for stalking people on social media like Facebook, snapchat, Instagram, plays an important role because some argues that it is an erosion of privacy. This is also highlighted in the film ‘Rear Window’ by Alfred Hitcock in which Jeff seeks pleasure in looking at his neighbourhood while sitting still, in a chair all day long with his broken leg.

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934 Words | 4 Pages

She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the

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1225 Words | 5 Pages

Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.

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211 Words | 1 Pages

Comments: 1. In this video, the main problems that international students face in Canada are cultural differences, unfamiliar educational systems, tuition, and rental fees. 2. I think it is a good strategy to provide peer mentors for international students.

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