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Weiwei Influence On Society

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Weiwei exemplifies what it means for a visual artist to use their role in society and social power for the greater good in China. Weiwei is a well-known activist, cultural figure, and famous artist in China who creates astounding art that encourages social engagement against the Chinese government (Artsy.net, 2017). Since Weiwei is in a different geographic region, the way that he portrays his art to the people of China is significantly different compared to the message that is delivered to different parts of the world. Additionally, Weiwei’s artwork was extremely controversial and raised awareness to the issues in China. An example of Weiwei using his power as an artist today was in the 9000-backpack mural that said, "she lived happily in …show more content…

Since Neshat’s works are extremely confrontational and go against the government’s values, her art was in exile in Iran (Signs: Journal of Women in Culture and Society, 2017). As a result, Neshat uses her social role in society to project to women across the globe about the hardships that are occurring to Iranian women. Shirin Neshat created the Women of Allah series after she returned back to Iran following the Islamic Revolution (Signs: Journal of Women in Culture and Society, 2017). In her series is a piece titled Faceless, Women of Allah, a very powerful image that addresses the themes of repressed Muslim women in Iran (Figure 2). The woman is shown wearing a chador, a traditional face covering that is used to conceal her sexuality (Sheybani, 2017). Additionally, her face covered in Farsi, and the main focus of this piece is the gun pointed directly at the viewer. By pairing the contrasting ideals of femininity and violence in a single image, Neshat’s series evokes a strong and symbolic message (Sheybani, 2017). Neshat’s social role as an artist is to raise awareness for the Muslim women that are trapped under such extreme religious commitment. Overall, Neshat’s goal is to empower women and remind them of the political transformations that will soon be made to their abusive

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Adversity In Persepolis

149 Words | 1 Pages

In Satrapi’s graphic novel Persepolis, she utilizes this novel in way to overcome the barriers between those who want long novels and those who favor visual representations. This grants readers a unifying and jointed medium that bridges the gap between different types of readers— engaging a wider audience as a genre. Satrapi’s extraordinary story gives us an autobiographic account of her life growing up in Iran during the Iranian Revolution of 1979. Satrapi’s representation of her childhood self illuminates her relationship with her parents and others, depicting herself as bold and honest even in the face of adversity. Though she doesn’t subscribe to the beliefs of Islam like others, she utilizes this to think for herself.

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Shirin Neshat: A Visual Artist Analysis

381 Words | 2 Pages

The majority of people view her work as political and melodramatic. Neshat’s work is not just that, but passionate and sincere. The theme of her work takes on the social, cultural, and religious codes of Muslim societies, as well as the oppositions. (Lauren Collins, 2007.)

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Ai Weiwei Whimsical Happenings Analysis

194 Words | 1 Pages

Famed Chinese artist Ai Weiwei 's former assistant is making a name of his own. The thirty-something year old artist has created a number of videos and sculptures that reflect on his experiences as an artist in China. His ongoing series entitled Happenings is found on the internet mostly in the form of video stills of Zhao 's being bloodied by someone on the street. The title recalls the whimsical Happenings produced by Allan Kaprow in the 1960s. However it is Zhao 's broken officer sculpture that gained him wider notoriety as an artist in his own right.

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Ai Wei's Simulation Remembering

450 Words | 2 Pages

Ai Wei Wei’s politically fueled installation Remembering covered the façade of the Haus der Kunst in Munich, Germany in 2009, where he had a show titled, So Sorry. The work, Remembering, which measured one hundred meters by ten meters, was compiled of nine thousand children’s backpacks. Using simple colors and design techniques, Ai Wei Wei’s installation not only catches the viewers’ attention with sheer size, but also ignites a deeper emotional spark and fueled a lasting conversation whose reach not only initiated controversy with Chinese and German natives, Chinese governmental officials, and Ai Weiwei himself, but also internationally. Using five rudimentary primary and secondary colors: red, blue, yellow, green as well as white these uniform

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759 Words | 4 Pages

Due to his Chinese background, Weiwei has embraced the freedom given to him by social media. His content is BP3: CONCEPT Ai Wei Wei’s artwork Illumination is a comment on the Chinese political system and the unethical ways in which it treats it’s citizens. The integration of social media in Illumintation further extends Weiwei’s His use of social media gives him a platform to show the rest of the world how Chinese officials treat citizens and oppression the Chinese people experience.

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Ai Wei-Wei's Struggle Against His Culture

446 Words | 2 Pages

Ai Wei-wei is rebelling against his culture through his public statements and also within his art. Ai Wei-Wei is rebelling against his culture through his artwork. He is an artist whom use artwork to communicate how he feels and what changes need to occur. His piece “Han jar overpainted with Coca-Cola logo”, created in 1995, shows a picture of a million dollar Han

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Comparing Ai Weiwei's Ai Weiwei And Felix Gonzalez-Torres

1999 Words | 8 Pages

He was born in China during the Cultural Revolution in the 1950s; this was a time of aggressive protests and civil discontent in the People’s Republic of China, as a consequence of the notorious Chairman Mao. Mao’s communist party enforced social, political, and economic upheaval; widespread persecution; and the destruction of antiques, historical sites, and culture. Weiwei’s father Ai Qing, a significant poet, was condoned and deported to a labour camp along with his wife. This was provoked by a poem called “Garden of Love” which was thought to confront Mao’s views. Later joined by his young son Ai, it was here that a love of crafting and making objects was

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1232 Words | 5 Pages

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570 Words | 3 Pages

It also illustrates a belief in personal freedom because she is wearing clothes that are frowned upon. In this panel, Satrapi is challenging the negative stereotypes about Iranians by showing that people do still want to be free and not part of the Islamic regime. In the book Persepolis the author shows many reason as to how everyone in Iran didn’t want the Islamic regime. Satrapi challenges stereotypes about Iranians by showing people still want a better life and also by showing Individualism in Marjane.

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1744 Words | 7 Pages

There is an established thought that every person must be an active participant in their life, and this is done by making choices; however, it is accepting responsibility that controls our lives and the people around us. Marjane Satrapi is an outspoken female, who is not afraid to stand up for something she believes in. As she grew up, Islamic Fundamentalists created strict moral and dress codes for the people of Iran. As a woman, she was forced to wear a hijab in a certain manner. At the time, Marjane was studying at an art school.

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Cultural Identity In Persepolis

1826 Words | 8 Pages

The readers can see the transition of cultural background by noticing details within the image, for example, character’s clothing and how they dress themselves up. The transition of clothing and fashion represent cultural backgrounds that create struggles for Marjane and her search in self identity. The necessity of Iranian girls wearing veils indicates the regime taking over Iranian society further effect Marjane’s belief towards her identity. The first part of the book presents the background history of this graphic novel by saying, “In 1979 a revolution took over place.

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Middle East Gender Roles

2031 Words | 9 Pages

The song and videoclip ‘Who You Are’ by the Palestinian hip hop group DAM is a modern example of criticizing current patriarchal society in the Middle East, both in terms of content and form, implying that a modern ‘Arab society’ has evolved since Qasim Amin’s time. Striking differences are found between the Arab’s world first feminist Qasim Amin and the contemporary hip hop group DAM, both in form and content of their artworks. Nowadays, women are actually represented in criticizing the patriarchal society, whereas Amin solely used his male

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Feminism In A Thousand Splendid Suns

1539 Words | 7 Pages

This highlights the importance of how these acts of cruelty Mariam and Laila faced; ‘fear of the goat, released in the tiger’s cage’ is what ultimately defines their inner feminist strength, ‘over the years/learned to harden’ which shows that Mariam and Laila’s past indirectly prepares them for The Taliban’s arrival. The Taliban take away the basic rights of Mariam and Laila ‘jewellery is forbidden’, but they fail to do so. Ironically, it is the society itself that gives them the strength and platform to strike back against Rasheed, who is a cruel, male-dominating character who symbolised and reinforced everything the term ‘anti-feminist’ stands

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1436 Words | 6 Pages

After the Iranian Revolution, it became compulsory for women to wear the veil as the Islamic dress code and all women were removed from government positions, leading to increasing oppression and inequality in Iran. The use of black and white on the first page of the book creates a very clear image that a lot of people are unhappy with the new rules that are introduced by the government. The use of images shows us the oppression of freedom in a way that it would be hard to imagine with words. The first panel shows Marjane in a somber mood, crossing her arms to show her defensive thinking against the veil and the world. In the following panel, the girl’s expressions range from neutral to dislike or discomfort, which shows the general thoughts from people on how they think of the veil.

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1212 Words | 5 Pages

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