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Compare j.s. bach and g.f. handel
Compare j.s. bach and g.f. handel
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Chapter 17 Assignment #2 (Ryan Cho) 17.2 Rococo, Neoclassicism, J.L. David, Classical Music, concerto, Bach, Handel, Haydn, Carnival. 1) Rococo. Although the Baroque and Neoclassical styles that had dominated the seventeenth century continued into the eighteenth century, by the 1730’s a new style known as Rococo began to influence and spread decoration and architecture all over Europe. Rococo art emphasized grace and gentle action. Rococo rejected strict geometrical patterns and had a fondness for curves, it liked to follow the wandering lines of natural objects, such as seashells and flowers.
Baroque: Bach/Rembrandt van Rijn Johann Sebastian Bach was born in Eisenach in 1685 and died at age 65 in 1750. His parents’ died when he was ten years old. Therefore he moved in with his brother Johann Christoph, who was older than him by fourteen years, in Ohrdruf. Now by this time J. S. Bach was already suitable to play the violin.
Both J.S. Bach and G.F. Handel use different aspects of music to compose important pieces of music. The baroque period is often known as the time when artists exaggerated their motion and produced drama through interpreted detail. Both of these composers used this baroque style to convey messages through their music. The similarity in their music was that it is in a spiritual manner. J.S. Bach’s style was a harmonic and motivation manner, which Handel’s is more of a narrative.
The Baroque period was identified as the “Age of Absolutism” because it was a period where rulers practiced their full power to control subjects. Also during the Baroque time frame music became more leant about where it was played. Instead it only being played at churches and occasionally in some courts, it was being played at specific functions and operas. It was at this time that operas were established for the first time in history. Musicians at this time were employed for aristocrat’s courts, churches and operas although they were considered high positions yet still viewed as servants.
Baroque music is often Polyphonic, which explains why they have so many keyboard instruments. Unlike most Classical and Romantic musical works, the baroque period hardly uses any pedals. Baroque music has somewhat of a hard strong sound to it. Classical music doesn’t have such as a hard sound like baroque music. But both musical periods, classical and baroque, are the exact same way when it comes to strict tempos and dynamics.
“I worked hard. Anyone who works as hard as I did can achieve the same results” (Bach). Johann Sebastian Bach is one of the most influential composers of all time ("Top 10 Most Famous Classical Composers of All Time.") He lived during the Baroque period of music in the 17th century. Baroque music is a category of European Classical music and is recognized for ornamentation added to long melodic lines, the addition and use of harpsichord and basso continuos.
Throughout history, there have been many important periods of time. These various eras are all alike in a way because they all slowly flow into each other. One of these unique times was called the Baroque period. The Baroque era began in the 1600 's and ended in the early 1700 's. Music in the Baroque era varied depending on where you were. In Italy, it was largely energetic and upbeat.
Throughout history, many periods of music have existed, some of which have left behind enduring contributions to music altogether. The most important period of music however is the Baroque period. This is because the beginning of its era marked the introduction of dominant musical devices that have been used ever since. The term “baroque” was derived from the Portuguese barroco meaning “oddly shaped pearl” and refers to a period of European music or Western European art music that flourished from about 1600 to 1750. This period began when the Renaissance period of music – a period of music full of choral music and chants – began to change.
It would seem like a tall order by any standard. Claudio Monteverdi, more than any other composer, defined the transition between the Renaissance style and the Baroque. Although his earlier choral works reflect the lavish chromatic style of the Renaissance, Monteverdi not only embraced the simpler Baroque style but eventually became its greatest advocate. L’Orfeo, his opera, would mark the beginning of the new era. Monteverdi was a young musician, having published his first works at age 15, and a second set 8 years later.
All of the information in the following post were derived from the text (Kamien, 2015) The Baroque period was from 1600 – 1750 and one of the most revolutionary in the history of music. The major composers of this time were Johanna Sebastian Bach, George Frederic Handel, Claudio Monteverdi, Henry Purcell, Arcangelo Corelli, and Antonio Vivaldi. The classical period was from 1750 – 1825 and the music was very different from previous periods in time. The major composers of the Classical period included Joseph Hayden, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Phillip Emanuel Bach, and Johann Christian Bach.
Baroque music is a style of western art music. It was followed after the Renaissance music and was followed in turn by classical music. It emerged in the seventeenth century as a shorthand notation for keyboardists who were accompanying a soloist or small ensemble performing a work originally composed for a larger group. Key composers of the Baroque music are Antonio Vivaldi, Johann Sebastian Bach, Henry Purcell, Arcangelo Corelli, Alessandro Scarlatti, Jean Philippe Rameau, Johann Pachelbel, George Frideric Handle, Claudio Monteverdi Domenico Scarlatti and many others.
Introduction Baroque – a word derived from the Portuguese word “borocco” which means irregular pearl or stone – is a term used in fine art to describe a fairly complex idiom that originated in Rome during the period c.1590-1720, it embraced sculptures and paintings as well as architecture. Baroque art above all other movements reflected the religious tensions of the age in comparison with the idealism of the Renaissance movement (c.1400-1530) and the slightly forced nature of the Mannerism movement (c.1530-1600). This is notably displayed by the Catholic Church in Rome as a desire (as annunciated at the Council of Trent, 1545-63) to reassert itself in dawn of Protestant Reformation. This then makes it almost synonymous to the Catholic Counter-Reformation
The Baroque period on the other hand, spanning 150 years from the beginning of the 1600s to 1750, was divided into three parts: The Early Baroque period, The Middle Baroque period and The Late Baroque period. While these two eras start right after each other, there are a lot of differences between them, this shows how much music can evolve through time. There are many similarities and differences in characteristics between the two periods. They’re both very similar in texture, in that they’re both polyphonic. Although sometimes homophonic textures are also used in both eras.
Being Healthy Most Americans obsess over what they eat and how much of it they consume. Americans are also notorious for trying whatever new diet is popular at the moment. This is an example that accounts towards the weird relationship most Americans have with food. Mary Maxfield might frown upon American’s unhealthy relationship with food on people like Michael Pollan, who makes outrageous claims without any scientific proof. Michael Pollan offers what he considers to be the American paradox – “a notably unhealthy population preoccupied with…the idea of being healthy” (442).
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.