In the broad worlds of literature and film, several individuals stand out for their fascinating depictions of complex familial connections. The characters Troy Maxson from August Wilson's play "Fences," Willy Loman from Arthur Miller's "Death of a Salesman," and Frank Rossi from the film "CODA" are three instances of persons whose roles within their families are profoundly significant and closely interwoven. Goals, strained relationships, and the need for both individual and collective fulfillment are issues they all face. Each of them stands for a specific facet of family life. Frank Rossi, Troy Maxson, and Willy Loman are contrasted in order to shed new light on their motivations, challenges, and profound effects on their respective families. …show more content…
This essay explores the various aspects of Troy's role, using quotes to illustrate his desires, strained relationships, and the challenges he faces. As the provider for his family, Troy works diligently as a garbage collector to support his wife, Rose, and son, Cory. His sense of responsibility is evident in his conversation with Rose, where he expresses his determination to provide, saying, "I done seen a hundred n*ggas play baseball better than you. Then I take and toss that pigskin and say, 'Why ain't nobody gonna give me a job?'" (Act 1). Troy's desire to support his family, fueled by his experiences of racial inequality, drives him to work hard and fulfill his duty. However, Troy's relationships with his family members become strained due to his internal struggles and flaws. His complicated relationship with his son Cory exemplifies this. Troy projects his own unrealized dreams onto Cory, creating tension between them. In a confrontational moment, Troy advises Cory to focus on education and a trade rather than pursuing football, stating, "The white man ain't gonna let you get nowhere with that football noway. You go on and get your book-learning... get you a trade" (Act 1). This clash of aspirations highlights the generational divide and reflects Troy's fears and biases. Troy Maxson embodies the archetype of the flawed hero, wrestling with personal demons and limitations. His pride often hinders his ability to adapt or compromise. Reflecting on his missed opportunities as a baseball player, Troy remarks, "You swung at the ball and didn't hit it. That's strike one. Don't you strike out!" (Act 1). Troy's desire to protect his loved ones is entangled with his own regrets and frustrations, painting a complex and contradictory picture of his role within the family. Throughout "Fences," Troy's struggles and challenges serve as