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What Is The Theme Of In Our Glory Photography And Black Life By Bell Hooks

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An Evaluation of bell hooks’ Definition of “Representation” In bell hooks’ essay “In Our Glory: Photography and Black Life,” bell hooks suggests to African Americans to use the power of photography in their fight for representation. Throughout her essay, hooks highlights how photography is an essential tool for liberation in the black community and for combating the black images brokered by white society as the black reality. hook wrestles with the idea of visual politics and her belief that blacks could control their own representation by harnessing the power of the camera to capture their own photographic images. Hooks views the “field of representation is an ongoing struggle.” (hooks 57) she defines this “field of representation” as “how …show more content…

She describes how her father, the top the “patriarchy in [their] household.”(60), was known as “picture takin’ man” putting him in charge of making them pose for cameras, thus bell hooks “hated the images that camera produces”(hooks 60) so much that she “refused to be captured by anybody else’s camera”(hooks 61) and to “document her life.” (hooks 61) Her experience highlighted the power of the photographers and the ability they have to choose the image you will portray. How could these photos be “true-to-life” snapshots if they were stages and posed? Bell hooks earlier explains how “contemporary commodification of blackness creates a market context wherein conventional even stereotypical, modes of representing blackness may receive the greatest reward” (hooks 58) Images that would “subvert the status quo are harder to produce.” “There are no perceived markets for them,” hooks claims. From this statement, we can see that within picture taking, the photographer is also influenced by the questions of how the images could be perceived by the viewer, giving the viewer more power than the photographer. In order to create pictures freely, the black community should focus on creating a “perceived market” (hooks 58) that would accept their photos and their true sense of

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In Brent Staples “Black Men and Public Space” a firsthand insight is offered about life as an average educated black man, and the common misconception that he is dangerous. Staples realizes his power to alter public space and subsequently adjusts his behavior to strengthen self-presentation, relieve anticipated tension and stay safe; in the face situations reflecting societal expectations and discrimination based on physical appearance. Though he rationalizes that attempts to ease tension is for the benefit for others and his own physical safety, with each one on one interaction experienced, it becomes evident through progressively desperate behavior that he is attempting to soothe the emotional tension he feels within. Staples opens with

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Will society ever view African-Americans as people and not as less than? In “Chokehold” Paul Butler will discuss this very idea depth. Butler provides history on why and how society sees African-American men as violent thugs. Butler goes on to explain in detail how the chokehold plays a part in oppressing African-American men and how to avoid the ramifications of the Chokehold, if possible.

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Staples uses the strong appeal of Pathos and emotion to support his message that society not only fears the presence of him on the street but also acts irrationally against him because he is a black male. Namely, he gets his message across to his audience with the use of imagery. Even so, he says that when he’s out walking the streets of Brooklyn at night, he finds that women “set their faces on neutral”, place their purses “across their chest bandolier style”, and “forge ahead as though bracing themselves from being talked” (Staples 543). With this use of imagery, Staples is able to place an image in the reader’s head of a young woman walking the streets-

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There are plenty of black men that have problems with the way society view and treat them. In the essay Black Men and Public Space, the author Brent Staples expressed how black men were perceived in the public’s eyes. He expressed this problem by giving examples of how a young man was perceived. Some of the solutions did not really solve the problem in general, but helped to change the mindset of those surrounding him.

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We are living in an era where media depictions of reality can be far from the truth. This is evident in the portrayals of the Black Lives Matter movement, as major news stations have polarizing views. With these portrayals comes underlying agendas, and with the current state of media, it is crucial to recognize these underlying purposes and portrayals to ensure that social change within the United States continues to progress. While the United states struggles with the depiction of African Americans, it is nothing new as it has been evident in literature for hundreds of years and seen in both “Caloya” and Narrative. These texts draw parallels to the current state of media; both use a common channel to express differing portrayals.

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The portrayal of African American characters and/or representations of black life in television have transformed, and continue to transform, throughout the decades. Beginning with simply inserting blackness and black themes from visions of white producers to introducing black perspectives from an array of contemporary representations, race and ethnicity are a paramount focus that continues to be shaped in the television world. In Watching Race: Television and the Struggle for Blackness, Herman Gray argues that The Cosby Show “reconfigured the aesthetic and industrial spaces within which modern television representations of blacks are constructed. Indeed, under Bill Cosby’s careful guidance the show quite intentionally presented itself as a

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The film highlights the deep-seated racism and government overreach that have historically targeted Black Americans, particularly those who have used their platforms to speak out against injustice. It also underscores the ongoing struggles of those who suffer from addiction and substance abuse and the need for greater compassion and understanding in addressing these complex issues. Moreover, the film raises important questions about the intersection of art and activism and the ways in which cultural figures have been both celebrated and persecuted for their political beliefs. Ultimately, the issues raised in the documentary affect us all, as we continue to grapple with issues of race, justice, and power in American society. In terms of potential solutions, the film underscores the importance of continued activism and advocacy in fighting for civil rights and social justice and the need for greater awareness and understanding of the issues facing marginalized communities.

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The ongoing problem of discrimination due to appearance has affected many, specifically black people. One of the most unusual things with no point or definition. This prejudice against black people has caused much unification within the United States. The lives of these black people have been severely affected, as it has affected their acts, appearances, and ways of life. As Brent Staples explains in his essay “Black Men and Public Space,” black people deal with many problems, from discrimination, and he explains these points in an orderly manner and each very thoroughly.

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Blacked Out Most Americans are afraid of African Americans. Why, we ask? Most of us don’t know why we do, is it their physical appearance or is it the fact that they have a different skin tone? In Chapter 5: Black Men of The Culture of Fear by Barry Glassner, Glassner argues that the media exaggerates the excessive attention paid to African-Americans (Glassner 109). Throughout the chapter, Glassner exposes us to secrets and truths about how the media makes us fear African-Americans, they feed us irrelevant information that make it seem like blacks are still a lower class and therefore treating them like they are still slaves.

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In his essay entitled Black Men and Public Space (1987), Brent Staples talks about how people will have a common misconception on the black community by thinking that they are all mugger ,rapist or thugs. Staples supports his claim by telling the reader events/ stories that occured to him and talks about how people will assume that he is a danger to society when in reality he isnt. The authors purpose is to inform the reader that his experiences of being stereotyped is to show the reader his point of view when it comes to these types of situations. Staples writes in a formal tone for an intelligent or free minded person.

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In reading Bell Hooks “Talking Back: Thinking Feminist, Thinking Black” outlining her own discovery of herself and the place in society where she stands as a woman or even as a black woman. Hooks distinguishes the importance of “taking back” for the oppressed and the dominated to recover oneself. I felt the writing of Bell Hook in “Talking Back: Thinking Feminist, Thinking Black” is an audacious act by underlining the problem of woman and reveal Hooks path of rediscovery. Hooks writing “Talking Back: Thinking Feminist, Thinking Black” is an audacious act that underlines the problem of woman.

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Throughout his essay, Staples is able to make the audience understand what he has to deal with as a black man. Staples does this by using words and phrases such as, “...her flight made me feel like an accomplice in tyranny” and “... I was indistinguishable from the muggers who occasionally seeped into the area…” (542). By writing and describing how he (Staples) feels, the audience is able to get an inside look into how black men are treated and better understand why society’s teachings, play a vital role in how we see each other. Staples’ powerful writing also allows the reader to take a step back and see how as a society, people make judgements on others based on appearance alone.

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“Black Men and Public Spaces” Diagnostic Essay Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration. Although Staples describes himself as a college graduate, a journalist, and a softy in the face of violence, he details that the overall public deems him a dangerous criminal.

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The work of representation is seen in the song “White Privilege II” and demonstrates how

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In his essay “Black Men and Public Spaces,” Brent Staples explains that people often find him intimidating because he is tall and black. Staples shares his account of a number of personal encounters, arguing that in each situation, he was misinterpreted as being dangerous because of his daunting physical appearance. Staples asserts that as a result of this misinterpretation, he was continually mistreated. Staples begins his article by describing the events leading up to his life-changing realization that he has inherited “the ability to alter public space in ugly ways (183).” When he was twenty-two years old, Staples found himself one evening, walking behind a well-dressed white woman on a deserted street in a rather wealthy neighborhood.

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