In 1914, because of the pause of European immigration, black farmers from the south could get jobs in northern cities. With the new abundance of African Americans in NYC and their creative contributions to nightlife, music, and entertainment, the Harlem Renaissance started. The Harlem Renaissance inspired many pieces of music, literature, and art and revolutionized the future of black America. (Bodenner) During this time, new styles of music emerged, the most prominent being Jazz. Early Jazz bands consisted of cornets, clarinets, trombones, drums, and sometimes banjos, violins, and pianos. (Drowne 200) Jazz was similar to its precursor, Ragtime, because of its syncopated, accented, off-beat rhythms, but the two are also different. While Ragtime …show more content…
NYC's Tin Pan Alley was the American popular music industry's capital (Drowne 191-192). While it used to be where dozens of songwriting and sheet-music-publishing firms maintained their offices, in the 1920s, it was used as a general term to describe the popular songwriting and music-publishing industry (Drowne 191-192). Tin Pan Alley was a significant component of the 1920s and the conclusion of what songs and styles thrived and became famous. Although the 1920s are known for all kinds of art, Jazz and "the talkies" were more pivotal and laid the foundation for the future of American entertainment due to the impact of black culture and technological …show more content…
Flappers were young women in the 1920s who were intent on pleasuring themselves while disregarding conventional standards of behavior. "The message from Hollywood appeared to be that it was permissible for young women to imitate flappers to a certain extent, but it was unwise for them to carry the imitation too far." ("Flappers in Film") As a result, movies tended to advertise flappers more conservatively and did not mirror the true nature of their lives. One example of how movies depicted progressivism was "The Flapper," in 1920. "The film's plot revolves around Genevieve [The main character] 's boredom with her small-town existence…she moves to New York City and pursues a flapper-like lifestyle of flirting with multiple men, exploring the criminal underworld, and generally getting into trouble." ("Flappers in Film") However, by the end, she reverts to her traditional ways showing Hollywood's true apprehension towards portraying flappers in film. "The Flapper was typical of Hollywood productions of its day, which tended to present flappers in a conservative light that did not fully reflect reality." ("Flappers in Film") F. Scott Fitzgerald frequently wrote about the Jazz age, flappers, and fundamental conservatism in the 1920s, saying: "Contrary to popular