Dana Giola believes literature is a crucial part of life, especially for young adults. In her passage “Why Literature Matters” she describes that young Americans' interests have diminished for literature. She persuades her audience using ethos, logos, and cause-and-effect reasoning. Giola starts off her passage by describing the interest young Americans showed in arts which “actually diminished”(Giola 1) because of how they “taught reading comprehension”(Giola 2).
Non fiction novels are great ways to make people aware of real life issues that happen everyday. People face poverty issues, racial issues, and environmental issues everyday of their life and are affected more than others. For example the environment is affected because of the different things people do in their everyday lives, like things that deal with fossil fuels and gas. Another example is race and how people are treated because of their specific race or religion. Issues like these are happening all around the world and most likely can be found in a nearby non-fiction novel.
In the article “Why Literature Matters” by Dana Gioia builds a claim about how the literature in America is declining. Although, people may say that there are no consequences, Dana proves that there are consequences. Throughout the essay Dana uses many references to persuade the audience. In the beginning of the essay he talks a lot about the education of the ages between 18-24.
The circumstances in which a child is raised can affect their feelings towards literature. If parents are supportive of a child’s education, they will grow up with more happiness towards learning and reading. For example, Jeannette Walls, in her memoir, The Glass Castle, tells how though she was raised in poverty, her parents supported reading. In the same way, Eudora Welty, in her memoir, One Writer’s Beginnings, explains how she was raised in a loving home by parents who completely supported reading. Whereas Walls was raised in poverty, Welty was raised with money.
The Book Thief is narrated by Death. Throughout the book he makes casual remarks about his job, but occasionally he puts the casual talk on hold, and that is when one can infer that he cares about something. Rudy Steiner was a talented boy, from running around a track, to soccer, to memorizing facts about ancient beings, he was the best of the best, and what is hard to like about that? Nearly all the time, death is associated with all objects depressing.
Devin Bermoy Mrs. Jenkins Lang. Lit 3 25 October 2015 The Highwayman and Atticus Finch Loyalty and bravery. These two traits belong to characters from The Highwayman, written by Alfred Noyes, and To Kill a Mockingbird, by Harper Lee.
Fahrenheit 451 has a powerful impact on readers today because both the
Since a novel is more enjoyable than a factual text the novel can influence the readers understanding of history. “Happy-ever-after is a fairy-tale notion, not history. I know of no woman who escaped
Every book has a point or a certain power that affects different kinds of readers everywhere, regardless of age or opinions. One book that affects teenagers and young adult readers was written by J.D Salinger. The Catcher in the rye has mesmerized the hearts of young adult readers across the country for its coming to age story about a young teen trying to find himself in this world. It 's overall message has sparked love from readers everywhere
Fahrenheit 451, a book created by the mind of Ray Bradbury, was made to show the challenges of the Utopian lifestyle, but it is also a fantastic example of the Hero’s Journey. "We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against.” -Bradbury
This article forms a clear audience and a concise purpose. Whereas authors, “…use what they know about the audience to choose a genre for the piece when the genre has not already been set, or to further refine the purpose of the piece based on audience
Many artists utilize their work to evoke emotion, push political agendas, and spark change. Thomas C. Foster wrote, in his book How to Read Literature Like a Professor, that “writers tend to be men and women who are interested in the world around them. That world contains many things, and on the level of society, part of what it contains is the political reality of the time…” (Foster 122). George Orwell, Aldous Huxley, and Ray Bradbury use their literary works to urge their audiences to be mindful of all-powerful states and rapidly advancing technology.
In the Pulitzer Prize winning novel, To Kill a Mockingbird, Harper Lee said “People generally see what they look for and hear what they listen for.” The people of the counterculture knew what they wanted: to end the Vietnam War, have racial equality, and give women equal rights. They were looking for new opportunities and listening for people who would tell them that some of the freedoms they had found were okay; even if before then they had been socially or morally unacceptable. Some of the people they started listening to were authors. These authors said things that the people were listening for.
MY specific example is going to be J.R.R Tolkien’s “The Lord of the Rings”. These books and movies have meant so much to me over my life. I’ve read each book at least 3 times and watched the movies countless times. Tolkien wrote these books in the 30’s, 40’s and 50’s. He portrayed the world of Middle-Earth as basically Europe.
Audience as an Influencer When writing any type of composition, is the author consciously aware of who their audience will be? Benjamin Franklin started writing an autobiography of his life when he was about sixty-five years old. This self-narrative was written about Franklin’s life goals and accomplishments. The subject of who Franklin’s intended audience comes into question throughout the self-narrative.
