Orality Essays

A large portion of Walter Ong’s writings in Orality and Literacy focused on matters that were not quantifiable. It may seem unfair to fault the author because of the uncertain records of pre-writing civilizations, but Ong’s writing’s in chapter three of his book focused on a comparison between generalized points of oral and literate cultures, which created an argument that did not acknowledge basic trends evident in contemporary writing. It is important to note that Ong published his book in the

Option One: Christina Rossetti, “Goblin Market” on the topic of SISTERHOOD Reference Mcalpine, Heather. "Would Not Open Lip from Lip" Sacred Orality and the Christian Grotesque in Christina Rossetti's Goblin Market". Victorian Review 36, no. 1 (2010): 114-28. Description This essay, entitled ‘Would Not Open Lip from Lip’ (2010) is a journal article which appears as a book chapter in the thirty-sixth volume of the Victorian Review. It was written by Canadian Victorian and Romanticism literary critic

dedication, but it is a liberating and healing process (Simpson, 2011). As creation stories are a form of the oral tradition they are based on the same things; land, language, and beliefs. One can argue that the creation stories are the source of orality, as they are the words that come from the beginning of all.

fiction in late imperial China. The content of this article is about examining the narrative significance of verse in Feng Menglong’s “The pearl Shirt Reecountered”. Many scholar regards verse in friction as a type of narrative redundancy or a sign or orality. However, Menglong has utilized verse space and prose space in the story. The quick summary of Menglong’s “The Pearl Shirt Reecountered” is that Jiang Xingge and Sanqiao are a lovely couple. However, Sanqiao was seduced and ended up cheating with

Sills, and Walters identify a common misconception concerning the Great Commission. Jesus did not send out his disciples to the world but to all “ethnolinguistic groups of the world” (19). Important missional terms of cultural, strategy, and orality are identified in this section. In order for missionaries to be successful they must understand the culture of the people they are attempting to reach for the kingdom. “The missionary should study to know the culture and why it lives, believes, acts

The Saakumu Dance Troupe from Ghana, Africa came to Bloomington, Indiana this weekend. Saturday, March 4th the performed a live performance at The Player’s Pub. It began a little after two in the afternoon and lasted for around an hour and a half. Before the performance begun, the environment was relaxed and rather non-energetic. The design of the event space was somewhat of a Mardi Gras theme. There were beads, masks, and purple, green, and gold painted objects scattered on the walls. The tables

struggle to interpret rabbinic texts. We know the Talmud is literary, and that it belongs to a unique genre; now, we must attempt to apply the genre to the context of the literature, as was briefly accomplished in the enumeration on the effects of orality on genre. Before doing so, though, it is essential to note the great difficulties which exist in the field. Marc-Alain Ouaknin, “Interpretation,” in his chapter on “Interpretation” in The Burnt Book: Reading the Talmud, warns readers of accepting

Simulation rhetoric and activity theory The fact that simulations are based on virtual facts indicates that a simulation itself is a rhetorical act or mechanism that is created to influence how others think, believe, behave, and act. As Vee (2010) posited, unlike rhetoric in textual writing practices, simulations translate rhetorical ideas into a dynamic process or framework that is designed to make meaning through interactive texts. Roundtree (2014) also maintained, “Rhetoric factors in both products

This individual, as described in Taggart’s article can be thought of as “the personification of the destructive aspects of orality. She clearly could be the symbolic recasting of the stepmother whose hoarding of food has turned to gluttony” (Taggart). This stuck myself as particularly interesting, for a connection can be found in the final edition of the story written by the

At the turn of the millennium, advancements in technology began to change everyday life worldwide. With the development of the internet, people can connect in more efficient ways through the digital matrix. Although fears of the development of media such as this and its predecessors such as radio and television, these innovations have helped create a worldwide culture based on the web, and the fears of a dystopian future based on technological advancements have dispersed. In such a short amount of

BrookLyn Moore Professor Burr Mus 17 14 March 2024. Unveiling the Layers of "Bartier Cardi" by Cardi B: A Critical Analysis. In the contemporary landscape of hip-hop, Cardi B has emerged as a force to be reckoned with, challenging norms and dominating charts with her unapologetic persona and electrifying performances. One of her notable tracks, "Bartier Cardi," delves into themes of opulence, power dynamics, and the celebration of self. This paper aims to dissect the song through factual research

Therefore, although severely held in suspicion by fundamentalists and conservatives, it (song) represents in Algeria -a country where the cultural substrate- is heavily invested by orality, a prodigious means of expression and communication that allows the emergence of the discourse of dominated groups in general and women in particular for which it is an essential means of expression . We will try to show how, using the symbols of

For the clarity of argument, I believe it is important to set a background to understand the cultural and theoretical arena from which black feminism was born. The early feminist agreement of feminism, revolved around the mainstream notion, that feminism was a movement organized exclusively around gender, without thinking about other oppressions (Roth, 2012). A large number of scholars about the second wave of feminist agree that the mainstream feminist movement was white and privileged (Roth, 2012);

Based on Freud’s theory and Ashly’s age, she is at stage 4 or Period of Latency. Ashly has lots of cousins, also, friends from her school. Whenever her mother wants to make a playdate ,she asks to make a playdate just with girls. Ashly used to have a good relationship with boys too, but, recently she just wants to play with girls. She even asked to have a Tea party with her girlfriends for her birthday coming. She loves to dress up as a princess for all day. She loves to spend time in the Ballet

From ancient tools to the latest digital advances, human inventions and technologies have shaped civilizations and transformed life on the Earth. However, the invention of the telephone has revolutionized the daily lives of ordinary people more than any other means of communication. It is responsible for the development of new materials, the development of telecommunications technology, the development of wealth, and the importance of modern machinery. The telephone was invented in 1876 by Alexander

Cinematographic thinking starts at the iconic stage, but is by no means the totality or the fullness of it all. Pearce’s categorization of signs defined the iconic stage as that of perceived resemblance. Though Bazin would go to extremes to qualify cinema as a medium in which there is perfect and exact corellation between what is represented and its representation in film, it is important to note that every medium is characterized by some level of abstraction. Cinematrographic specificity should

People no longer spend time to make personalised messages, they don’t create as much unique ideas , because technology brings everyone else’s ideas in the palm of your hand.Why bother creating a love letter for your loved one ? There are already a few milions of them online. Why bother sending a birthday card when you can take a picture off instagram and post it on birthday boy’s facebook ? People got lazier and no longer create their own content, through their own feelings and experiences, and those

“If a Child Washes his Hands, he Could Sit with Kings” Chinua Achebe’s Things Fall Apart was written in 1958. In his novel, we learn how the main character Onkonkwo tackles the issues of colonialism and the challenges that arose through his lifetime. A proverb that best describes the goal Onkonkwo strived for his entire life is, “If a Child washes his Hands, he could sit with Kings.” (pg7). I understand this quote to reflect how the Umuofian community is. How they believe that you can remove the

One of the oldest methods of communication was telling stories, and there are a myriad of cultures with a rich oral tradition. Sometimes the orality of a source can contribute to implementation of a variety of themes that can result in a shift of perspective. Beowulf is a prime example of an instance when implementation of a certain theme influences the manner in which a story is viewed. As it is known today, Beowulf is drenched with Christian themes that could have been implanted for several different

The passage selected lies in the concluding book of the Iliad and is dominated by a speech made by Apollo, in which he rebukes the gods’ complicity in allowing Achilles to brutalize Hektor’s body. The passage serves a pivotal role in the text, as it acts as an impetus for the conclusion of the Iliad, in which Hektor’s body is finally returned to the Trojans. Apollo opens his speech, on lines 33-34, reminding the gods’ of Hektor’s sacrifices, which brought them honor. He then critiques the gods’