Orazio Gentileschi Essays

Artemisia Gentileschi’s Judith Artemisia Gentileschi is the most well known Baroque female artist during her era. Her father, Orazio Gentileschi, is also a well know artist and because her father is an artist she is able to have access to early training. Through her father, she is able to meet numerous artists that will help inspire her art works. Caravaggio is one of the artist who mostly inspires her painting techniques the most. Artemisia Gentileschi’s painting of Judith and Holofernes is a

the Way for Women When Artemisia Gentileschi began painting, as an apprentice under her father’s eye, art was a male only community. At this time, there were no female artists and throughout her life Artemisia Gentileschi broke boundaries and overcame the general consensus that women were not artists. Her life was full of tragedy that she persevered past, all while using the horrific events and bible stories to create something powerful. Artemisia Gentileschi overcame adversity within the art

Artemisia Gentileschi was born on July 8, 1593 in Rome, Italy. She was born to Prudentia Moore and Orazio Gentileschi, who was a painter himself. Artemisia was introduced to art by her father in his workshop where she worked alongside him. Her father taught her how to draw, mix colors, and paint; which is why their paintings look very similar and makes it hard to distinguish between their art. They were both painters during the Baroque period, and Orazio was friends with the revolutionary Baroque

of The Sixteenth Century Journal, there was an intriguing article called “The Trials of Artemisia Gentileschi: A Rape as History” by Elizabeth S. Cohen. This article describes one of the major life events of Artemisia Gentileschi and how it helped shape her into becoming one of the best female painters of the Baroque Era. Artemisia was born on July 8, 1593 in Rome and the daughter of Orazio Gentileschi, who was a successful Italian painter. In 1605, Artemisia’s mother died which left her father widowed

Artemisia Gentileschi has remained one of the most famous women artists in modern history that is not famous for solely her skill. Though talented, scholars have instead chose to highlight the sexual assault and personal struggles Gentileschi went through as a means to deeper understand and criticise her masterful art. Although she painted few altarpieces and no frescoes, her talent was still comparable to some of the great male masters of her time, with her rendition of the story of Judith and Holofernes

a friend of Galileo Galilei and was supported by European aristocrat and royalty. Nowadays public, however, is still ignorant of her works, her story or even her name, while extolling Van Gogh and Leonardo da Vinci. Who is she? She is Artemisia Gentileschi, a female Baroque artist, who is lauded as an early role model for successful female artist. Judith Slaying Holofernes is one of her masterpieces that has been

The Grande Odalisque is an oil painting from 1814 by Jean Ingres. The painting is of one of the most famous harem girls in the history of art. The girl is young, nude, and beautifully lounging in a luxurious environment with a turban on her head an a peacock feather fan in her hand. This painting is currently located at the Louvre Museum in Paris and can be found in any art history textbook. The word Odalisque in the title is a French term for a woman kept as a sex slave in a Turkish, Persian, or

Generose Angarola Saint Gianna Essay Fr. Tomasz Strzebonski December 3, 2015 Saint Gianna: Patron Saint of Women’s Health Saint Gianna was a physician, a working mom, professional woman, and a loving wife. She was officially canonized by Pope John Paul II on May 16, 2004 (Society). Today, she is known to many as the patron saint of women’s health, specifically childbirth. Saint Gianna Beretta Molla was born on October 11, 1922 in Magenta, Italy. She was the tenth of thirteen children in her

Questions on Frida 1. How did Kahlo become a feminist icon? In a time were art was full of male artists and their work, Kahlo came and drew from her heart. As her husband puts it, Kahlo paints what she feels and goes through rather than just what she sees. She has put her life and biography into her work. As a local critic puts it “It is impossible to separate the life and work of this extraordinary person. Her paintings are her biography” (Lucie-Smith, 2008). Kahlo’s life was full of all kinds

Many years ago Artemis lived. She is the goddess of nature, animals, and hunting. Her parents were Leto and Zeus. She was born a day before her twin brother Apollo. She is sometimes known as the goddess of the moon. She is sweet, caring and kind. She will punish you if your disobey her wishes or orders. Artemis made all cats big or small one color. For her it was hard to tell who was who because of their color. All her cats had different personalities. Though she still couldn’t tell them apart, it

dramatized. Gentileschi’s oil painting created in 1614, Judith Slaying Holofernes, displays the gruesome story in a graphic and dark manner (Uffizi). Heavily influenced by Caravaggio, Gentileschi paints the scene of Judith during the slaying of Holofernes. Unlike the work of past artists and her current male counterparts, Gentileschi shows no mercy or fragility in Judith. While Caravaggio’s Judith recoils from her horrific task, Gentileschi’s Judith does not flinch; she braces herself on the bed and pulls

Baroque art was a new art movement in Europe that evolved between 1600 and 1750. It was a distinguished art because of its movement and dynamism, and theoretically dependent on the mastery of geometry and space. The illusionism of baroque art is based on the capability to depict reality. All baroque art are varied outwardly but were the products of technical realizations of the renaissance. The term evolved in the mid-18th century when John Joachim used it to describe excessive art of the previous

Italian born, Marie Taglioni was one of the most influential ballerinas of the 19th century. Known best for her starring role in Le Slyphide, Taglioni’s fragile, delicate quality, and impeccable pointe work epitomized the romantic style that came to define the era. Taglioni was born in Stockhom to a well -known dance family in 1804 before moving to Vienna at a young age. She began her training with a Parisian teacher who famously called her an ugly duckling and complained, “will that little hunchback

norm, with its theatrical presentation shifting the focus to the raw emotion of the act rather than the beauty of the woman committing it. “Unlike other artists who focused on the ideals of beauty and courage evoked by the Jewish heroine Judith, Gentileschi chose to paint the biblical story’s gruesome climax, producing a picture that is nothing short of terrifying.” Here, the two women’s violent act is depicted in vivid detail. As previously mentioned, the strain on their faces shows their determination

Artemis is known for her seclusion, virginity, and her skill in hunting. The Greeks also learned, the hard way, to be wary of the Olympian, who is as fast as the wind (Artemis - Η Άρτεμη). The only thing they knew of her was that she was vindictive and cruel. Of course, they were not wrong, for there are no shortages of examples of Artemis’ brutality, but there was definitely more to this majestic goddess. She has some compassion but unfortunately it on ly extends to a few people. Artemis has a

paintings that have survived, Artemisia Gentileschi was the most important woman painter of Early Modern Europe. She was both, disdained and praised by contemporary critical opinion, recognized as having genius, but also seen as monstrous, for she was a woman exercising a creative talent thought to be exclusively male. She ‘’ has suffered a scholarly neglect that is almost unthinkable for an artist of her caliber’’ (Mary D. Garrard). Artemisia Gentileschi was born in Rome on July, 8th, 1593. as the

by storm. The first and foremost among them was the daughter of Orazio Gentileschi, Artemisia. Her works, like Judith Slaying Holofernes, Susanna and the Elders, and her famous Self-Portrait as a Lute Player, depicted mainstream Biblical events in a new light. Her empowerment of women in her art influenced many female artists after her to produce their own work, sparking a chain reaction. Artemisia Gentileschi’s

her Maidservant with the Head of Holofernes, by Orazio Gentileschi, is a 17th-century oil painting located in the Wadsworth Museum of Art. The painting depicts the moment after the biblical heroine, Judith, kills an invading Assyrian general, Holofernes, to save the city of Bethulia. Judith agrees to dine with Holofernes in the privacy of his tent and after taking advantage of his drunkenness she beheads him with his own sword (Branch). Gentileschi shows Judith and her maidservant, Abra, quickly

the artistic community, Artemisia Gentileschi was one of the few female artists that became famous and successful ( Buckley, 2013, pg.832). Her artistic method resembles more of a male artist than a female artist in that era. While having a similar technique as Caravaggio, she developed her own artistic approach from her life experiences which made her art stood out among the rest of other artists of the Italian Baroque period. Keywords: Artemisia Gentileschi, dramatic realism, Baroque, female

Artemisia Gentileschi and Saint Catherine of Siena are two women in history that had perseverance and strength during a male dominated society in Rome, which can be seen in their legends (histories), popular memories, and presentations. Artemisia Gentileschi was born on July 8th, 1593 in Rome (Bissell, 153). Artemisia had an artistic upbringing due to her father, Orazio Gentileschi being a Tuscan painter. When Gentileschi’s mother died, Orazio raised and provided for Artemisia and her siblings. Although