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A Nightmare On Elm Street Book Comparison

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A slasher film is a term used to describe a set of horror films. The usual characteristics of a slasher film involve a stalker that hides in the shadows, young adult victims, and of course, a load of gory murder. Both A Nightmare On Elm Street and Saw have the classic elements of a slasher film but differ significantly. The Saw movie franchise brings a new age curve to the horror movie genre with morals and lessons taught by each intricate trap made by the infamous Jigsaw. On the other hand, A Nightmare on Elm Street movie franchise, although considered a classic horror film, focuses on the supernatural aspects of the plot with added humor. A Nightmare On Elm Street and Saw both hold true to a classical formula in order to create a successful slasher flick, but both veer away from the core elements of a scary movie in different ways. In comparison, each film’s specific aspect is what makes Saw an overall better franchise. …show more content…

A horror movie chronicling a serial killer who kills local teens in their sleep brings supernatural elements to horror films that nobody has seen before. Wes Craven, writer and director, wanted something different and that supernatural twist was the push he needed to make his franchise box office goal. The only problem with this was that Craven steered away from the horror genre “rules” by making the villain, Freddy Krueger, a comic as well. Before his killings Krueger would say a slew of jokes and witty remarks leaving the audience amused. Should an audience be laughing during a horror film? Sure, on occasion, but Krueger is now a symbol of humor which makes the whole series less

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336 Words | 2 Pages

For example, when Kermit said that he can “slam dunk one mean basketball,” he is trying to humor the audience so they will give him more of their attention. With their attention it becomes much

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1267 Words | 6 Pages

Ways in which both the books are similar: Both the articles are similar in a way that both of them can be related to Classism. Both the main characters have had to go through a lot and also have to make sure that no one knows what they are doing before they know what is happening around them and they can find out how they can stop it.

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545 Words | 3 Pages

The Maze Runner Could you imagine being in the glade not knowing your age, parents, or why you were there? James Dashner puts together a very suspenseful book. Thomas is the main character in the book The Maze Runner, he is a big leader and is trying to get his friends and him out along with all of the dangers in the maze. The Maze Runner the movie and The Maze Runner the book I would say are pretty different and share some things in common. Everyone who has been chosen to come up to the glade has came come up in a box.

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240 Words | 1 Pages

Marcus Dunstan will write Dimension’s Halloween Returns. New line intentions of rebooting Nightmare on Elm Street promised to make the classic films have a comeback in the movie scene. In 1984, the Nightmare On Elm Street originally launched its franchised which was created by Wes Craven and starred Robert Englund as the killer who hunted down teenaged-prey in their dreams. The killer is known as Freddy Kreuger who wears red-green sweater, fedora and a

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989 Words | 4 Pages

The film The Maze Runner shows strong character contrast through the main protagonist, Thomas, and the villain, Gally. Thomas views the world with strong curiosity where Gally doesn’t like to ask questions and dislikes change. The two can be most obviously compared by looking at their personalities and the similarities and differences between them. Another way of comparison for the two is by seeing what their physical conflicts involve and how they attempt to resolve them. Both Gally and Thomas want to achieve the same major goal of survival, but through their personalities and instincts the way they try to achieve this is very different.

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145 Words | 1 Pages

In the texts the author and director focuses on the friendships that form and how strong they become are especially in tough situations. In ‘The Boy in the Stripped Pyjamas’, a novel by John Boyne portrays a boy, Bruno, who lives next door to the concentration camp Auschwitz, in which later on befriends a Jew, Shmuel, who lives there. Brian Percival film director of ‘The Book Thief’ follows the story of a communist girl, Liesel, who gets adopted by Hans and Rosa from a German family. Hans and Rosa are secretly hiding a sick Jew in their basement as Liesel reads to him every day in the hopes that he gets better. The two texts are both written in the perspectives of young children during World War II as we explore the types of relationships

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599 Words | 3 Pages

All the time we giggle at individuals in light of the fact that they have some coming up short or deformity, or on the grounds that they discover themselves off guard somehow or endure some little incident. The grumpy person, the epicurean, the lush are every stock figure of parody; so is the henpecked spouse or the man who gets hit with a custard pie. We giggle, as well, at slip-ups: at schoolboy howlers, flawed elocution, awful language structure. These are all genuinely rough illustrations, yet it might be that even the most unpretentious diversion is simply an improvement of this, and that the joy we take in funniness gets from our inclination of predominance over those we giggle at. As indicated by.

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1368 Words | 6 Pages

John Boyne's The Boy in the Striped Pyjamas and Markus Zusak's The Book Thief both use various stylistic devices and conventions to explore similar key ideas in their texts of the extremes of human nature, the power of friendship and the loss of childhood innocence. Both authors explore these ideas through the use of narrative voice, imagery, symbolism and irony and are successful at each creating their own unique portrayal of World War II Germany by highlighting those key ideas, each forming a unique captivating storyline. The Boy in the Striped Pajamas is narrated through the third person in Bruno Hoess’s vantage point. Bruno is a young boy who moves with his family to Auschwitz due to his Nazi-Commandant Father’s job duties.

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What’s funny to this evil entity might not be funny to everyone else. But he thinks it’s funny”, says Skarsgard.

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511 Words | 3 Pages

One of my relatively favored films that engrosses me every Halloween season is the 1980 horror film The Shining. This movie consists of drama, horror, mystery and suspense, produced and directed by the legendary Stanley Kubrick himself and novelist Stephen Edwin King. The Shining focused on the broad strokes of the original Stephen King story, while the visuals, atmosphere, tone, and sheer terror of the moments Stanley Kubrick caught on film were more than enough to scare most people to the bone. That's the lasting impression that was left. The twins, the hotel itself and the way it was shot, the isolation, the eerie transformation of Jack, the room 237, the blood pouring out of the elevator and flooding the hall, Jack wanting to sabotage

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443 Words | 2 Pages

Who thought that horror stories can’t be as scary as the movies? sometimes a horror story can be more horrifying and creepy than the movie itself. In this essay I am going to give my response to two horror stories that I have read, I will also talk about which one is better in my own perspective and elucidate why. It has been quite tough for me to decide which horror story is better than the other one.

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857 Words | 4 Pages

The majority of movies stay true to their previously written novel, but this is not the case for the novel and film of The Boy In the Striped Pajamas. The mediums of The Boy In the Striped Pajamas are about a young boy named Bruno who moves from Berlin to Out-With (Auschwitz). As he goes exploring, Bruno “discovers” a boy his age named Shmuel. Sadly, the boys are separated by a large fence. What Bruno does not know though, is that that fence is there to divide his people from Shmuel’s because of their vastly different ways.

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1720 Words | 7 Pages

One of the most valuable aspects of personality is humor – we value one’s sense of humor and make friends often based on finding certain things funny. But how and why do we consider things to be funny at all? Human beings have strived to uncover fundamental truths about human nature for centuries – even millennia – but humor itself is still yet to be pinpointed. Henri Bergson is only one of many who has attempted this feat, and his essay Laughter: an essay on the meaning of the comic from 1911 breaks down comedy into what he believes to be its essential forms and origins. While Bergson makes many valid points, Charlie Chaplin’s film Modern Times that was brought to screens only twenty years later seems to contradict many of Bergson’s theories, while Bergson seems to contradict even himself over the course of his essay.

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1054 Words | 5 Pages

Every time the comic begins his/her joke the person listening thinks, “Oh yeah, that happens all the time”. Another reason the audience finds observational comedy funny is because the audience is always left with the thought: “Why didn’t I think of that?” Both these factors combine to form an immediate bond between the performer and the audience. When listening to the performer, because of observational comedy, the audience realises that the performer is just like any other person. The performer goes through life much like the majority of the audience.

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614 Words | 3 Pages

A Doll’s House: Character Comparison and Contrast Henrik Ibsen’s A Doll’s House contains a cast of deeply complex characters that emulate the 1800’s societal norms that they belong to. Two characters that compare and contrast each other throughout the play are Nora Helmer and Kristine Linde. Nora and Kristine are similar because they both display a sense of independence. Their personalities differ as Nora presents herself as inexperienced, while Kristine is more grounded in reality.

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