Maria Brito and immigrant from Cuba, came to the United States in 1961. Maria saw the U.S. as a place of endless opportunities, as many Cubans who migrate to the U.S. due to lack of opportunities, poverty and oppression that exist within their own country. Her piece El Patio de Mi Casa, symbolizes the struggles she has experienced with identity and a symbol of transformation once she arrived to this country. The wall in her piece, represents the threshold between the past and the present. The crib symbolizes her childhood and her experiences living in poverty.
Jane Landers’s thesis in “Gracia Real de Santa Teresa de Mose” is that the free blacks were important to the Spanish colony while also being historically significant. As their lives shed light on questions extended debated by scholars, by sharing different slave experiences, resistance, and the nature of African American family structures, religion, and African American influences in the New World. The most compelling example that she used to support it was when she explained how black laborers helped establish St. Augustine. A black and mulatto militia was made in Mose as early as 1683, the initial successful Spanish settlement in
Joan Didion is an author who was part of the New Journalism movement during the 1960s and ‘70s which was a change from the traditional styles (Rustin 1). As a member of the New Journalism movement, Didion used stories and real-life events to explore sensational events that occurred in the sixties and seventies. Using imagery to centralize her ideas, Didion boldly informs the reader on the subject of morality and gets him/her engaged with the text. Didion’s use of gruesome imagery resonates with the idea of survival-based morality because in the most physically painful and emotional situations, people are defined by the actions they take. Joan Didion positions her view by providing symbolic imagery including the blazing desert, the nurse who travels one-hundred and eighty miles of mountain road for an injured girl, the sheriff’s deputies who search for a kid, and the painting by Hieronymous Bosch illustrating the diverse concept of morality, all which construct the exaggeratingly annoyed tone of the essay and deliver an idea that survival is central to morality.
The poem ‘Morning Praise of Nightmares One’ which is written by Lauire, Ann Guerrero depicts a strong notion about abuse and elements of despair when children at tender age are dealt with extreme abusive behavior. The overall theme of the poem is around the narration of a young girl who is living a life of pain in a house where she is inflicted with torture, pains and bruises. Despite of her miserable condition nobody is helping her. She is facing each morning with screams of nightmares which are never ending and no one is there to comfort her.
For hundreds of years, people have used art as a way of portraying strong emotions such as passion, lust and joy. One of the more powerful of these emotions is that of loss, which is often portrayed as a overwhelming and devastating feeling. Various forms of art have different ways of conveying emotions, whether it be through the use of melody in music, with colors in paintings or through the thoughts and actions of characters in literature. Several characters in Andre Dubus’ “Killings” clearly display their feelings of loss in the story through the way they are characterized and this highlights the devastating power that loss has on those who are forced to experience it. The protagonist of the story, the grieving father of Matt,
and The Blue Woman in a Black Chair sculptures have demonstrate the various expressions sculptors can evoke. Through the usage of an approachable, engraved pedestal, the built bronze color and detailed outer aesthetics, Ana Koh-Varilla and Jeffrey Varilla convey the dynamic message of the profound ideas Mr. King presented decades ago and the eternal impact those compelling principles will have for decades to come. Segal, on the other hand strays away from an idealistic approach for exchange of expressing the realistic behaviors of life. Through the placement of the drapery, the tranquil blue color, and ambiguous form of the quiet figure, Segal highlights the relatable sedentary behavior of slouching, inwardly focusing on one’s self and one’s thoughts. In a quiet setting like the Blanton, Segal’s sculpture resonates with many individuals, however his art work was placed in an outside setting, there would be a barrier in embracing and fully connecting with the sculpture at
In many pieces of art, the difference between the survivors and perpetrators is visible and emphasized. A significant piece of art by Doris Clare Zinkeisen in 1945 called “Human Laundry : Belsen” with visuals of nurses taking care of mistreated people demonstrates the appearance of holocaust jews in the camps. The jews were not fed and mistreated in the camps based on the contrast of the perpetrators to the survivors. The art displays the difference in their well-being as the bones of the Jews are visible, while the perpetrators seem well fed and have easy lives. The jews are also extremely skinny when compared to the nurses, officers, and doctors at the camp.
People are supporters of the opinion that art is designed to influence a social behavior through plays, propaganda, newspapers and by paintings. For example, paintings are used to promote a powerful form of protest against inequality and atrocity. In a fictionalization story based on real facts, In the Time of the Butterflies, by Julia Alvarez. It demonstrates a clear understanding on struggle, loss of freedom and the living conditions in which one lives in a reign of terror.
In 1939, World War II began in Europe between the Allied powers and the Axis powers. The Second World War started as a result of residual anger and frustration from the Germans left over from the Great War. The Great War was the first time advanced technology such as the airplane, machine gun, tank, and submarine, was seen or even used in warfare. From the end of the Great War to the end of World War II, technology had progressed at an extraordinary rate. (ontextualization statement).
The physical qualities of Diego Rivera’s “Two Women and a Child” feature an oil on canvas medium. In this painting, Rivera utilizes the fresco technique which according to “A Beginners Guide to the Humanities” is a painting on a surface of plastered wall or ceiling, usually applied when the plaster is wet. Using the fresco technique allows any work of art to have a durable consistency and matte finish. The shapes of the figures have curvilinear lines to accentuate the curves and swirls of their bodies.
This essay examines one of the many self-portrait paintings by Frida Kahlo called ‘broken column’ (1944). In this painting Kahlo portrays herself as a complete full bodied woman while also reflecting her broken insides. She stands alone against a surreal barren fissured landscape that echoes the open wound in her torso. A broken stone column replaces her damaged spine and is protected by a white orthopaedic corset, while sharp nails pierce into her olive naked flesh. Frida is partially nude except for the corset and white bandages.
An initial reaction to this artwork is a feeling of mourn with an explosion of emotions. At first, the artwork serves as a symbol of sorrow, despair, and melancholy. The title of the work adds a dry, bland sense to the meaning behind the drawing. Through observing the drawing more strenuously, the work becomes more of a symbol of war and a cry for help. The despair and troublesome times that the working class went through during war is characterized in this artwork.
In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are their feelings and expressions of gender roles.
Even Madonna is a fan" (Herrera, 1990). Kahlo has been fetishized and commoditized. Images of her self-portraits and photographs stare out from T-shirts, calendars, and jewellery, Hollywood (Frida 2002) and her style has been celebrated in fashion features in Vogue (February 1990) and Elle (May 1989) (Barnet-Sanchez 1997 pp. 244-245). However, for a marketer her art, rather than Kahlo herself, is a window that offers insight into mind-set and legacy of the consumer society of the Mexican people.
Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.
