Batman Brooding Hero
He saw justice like fight a war on crime, and the goal was that the city does not belong to do criminal things and corruption. In fact, Batman has the ability
With all this design comes mobility. If a hero can’t move he can’t fight crime. Batman’s suit has a cape which helps him glide through the air making him even
The detective archetype is embodied in Batman himself, as he uses his intellect and deductive skills to solve crimes and bring criminals to justice. However, in Nightwalker, the reader sees how Batman's trust in his own abilities is tested when he is manipulated by a criminal mastermind known as the Nightwalker. The Nightwalker is a master of deception, and it takes all of Batman's skills to unravel the truth and expose the criminal's true motives.
Bruce finds himself drawn to Madeleine, but he is also aware that she may not be entirely trustworthy, and he struggles to reconcile his feelings for her with his own sense of caution. Ultimately, it is Bruce's sense of distrust that leads him to make a number of important decisions throughout the course of the novel. He is wary of the police, who he sees as corrupt and ineffective, and he is also wary of his own abilities as a vigilante. As he confronts the challenges of Gotham City, Bruce must constantly weigh his own instincts against the advice of others, and he must learn to trust himself even when others do
He understands that he has role to play and play he shall to make sure that he is able to keep being Batman. Then as Batman he is expected to be the person that can instill great fear in to anyone. He uses that to his advantage; if he is able to scare off criminals from an area just by having his presence in the area. It is one less fight that he has to deal with that night. He just has to be careful to never cross the line of killing anyone at least anymore.
Batman, although he may seem childish, is a great example of grit. His parents were shot and killed in an alleyway one night while they were walking home leaving him all alone. The only other person he had in the world to care for him was his caring butler Alfred. RIght then he could have just given up and hid away in his enormous mansion never doing anything again. But he didn’t he got angry because at that point he realized that his city was being taken over by criminals and he wanted to start stopping them.
Batman’s is obviously shown by the boy wonder, Robin. Robin first appearance in the comics was in April of 1940, just 11 issues after Batman was introduced. Audiences quickly reacted to the duo in a very positive manner, showing the world’s need of some sort of hero to latch onto. When the two were first shown as a pair, a sense of morality among readers spread across the world. Just as in the Epic of Gilgamesh, the titular character and Enkidu took the world by storm along with the aid of various gods, such as Shamash and Anu.
However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.
In the article "The Concept of a Discourse Community" by John Swales (1990). He aimed to define the meaning of a discourse community; then he carefully deconstructs discourse community into six fundamental attributes that are important for recognizing a discourse community. Swales’ definition of a discourse community is a group that has objectives or purposes, and utilize communication to accomplish those objectives. He states that a discourse community is presented as a more practical and purposeful gathering than speech fraternity or speech group. The six essential characteristics that Swales (1990) belief to be the core of a discourse community are its goals, intercommunication, participation, genres, Lexis, and expertise.
All his enemies constantly give Batman brutal beatings, but he always walks away from the fight (see appendix 1). He suffers no long-term effects because men must have strength; suffering is a sign of weakness, and men can never be weak—society demands that. Complementary to this, in Batman: The Killing Joke, Batgirl is shot by the Joker and is paralyzed for life (see appendix 2). The juxtaposition of Batman’s invincibility
Batman vs Superman For my compare and contrast paragraph I chose Batman vs Superman. Batman and Superman are alike in a lot of ways but there some differences. There are both alike because they are both super heroes, both from DC, and both are good at what they do. Batman in different from Superman is that Batman can’t fly and Superman can fly because his powers. Another thing is that Batman fights in Gotham the most crime ridden city.
Kant added that that if Batman was to train Robin of the right virtues that he would have to possess all the qualities of morality. It is therefore difficult to attribute a certain moral philosophy to Batman’s moral compass; even the author ends the chapter by not giving a definitive answer on what moral philosophy to attribute to
Superhero comics contain many conventions such as morals, a motive, extraordinary superpowers, a back story, and so on. Batman and Superman are a couple of superheroes from a wide variety of superhero comics. Both of them try to protect mankind from any hurt, harm, or danger that may come. A similarity between both of these superheroes is that they want justice in the world. With so much crime and torture going on in the world, mankind looks for a higher power to help stop it.
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
“As a man, I 'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol ... as a symbol I can be incorruptible, I can be everlasting” (Batman Begins). Batman is one of the most popular superheroes of all time. Although he has no superpowers, his willpower and intelligence combined with his physical prowess, and ingenuity make him an incredibly dangerous opponent. In his secret identity he puts on the mask of Bruce Wayne, billionaire, playboy. In Christopher Nolan’s trilogy, Batman combats crime and faces several villains and their plots to wreak havoc and cause chaos.
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