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Better To Have Lovecraft Essay

1027 Words5 Pages

It’s Better to Have Lovecraft and Lost For what he lacked in prominence during his lifetime, Lovecraft more than made up for it in the strength of his legacy. His influence is still present in fiction today long after his death. He has a huge fanbase that has produced numerous works based on the worlds and creatures that he created. Highly celebrated, Lovecraft’s style of archaic language, disturbing imagery, and mythos made him one of the most influential authors of horror despite his lack of success while he was alive. Lovecraft had a tough time selling his fears to readers. However, he was not too shy to share them with his colleagues. His distaste for certain groups of people is well documented in his many letters and in some of his work, …show more content…

its woven into his words: the way his characters place value in the purity of their blood, the way he carelessly regards people who look different as subhuman, the way his misogyny functions as a plot convenience. Whether you realized it at first or not, you must understand that there’s no separating the two, and he wouldn’t have wanted it that way. Unfortunately for him, that is the case. Lovecraft fans do not praise him for the confidence he has in trying to degrade other human beings. They are in it for the weird, for the worldbuilding, for the scares. Unlike his impact on horror, Lovecraft’s beliefs almost did not stand the test of time. I’m sure he’s on many “Top 10” lists of people you didn’t know were trash humans until someone brought it up to you as a fun fact. I think it would have been different if this massive amount of support were for a man that was still alive today. Nowadays, when a creator is exposed for their bigotry, there is some controversy surrounding their work and marketability. Lovecraft is popular in an age when he can no longer profit from it, and his popularity in no way validates who he was as a person. Without his presence, Lovecraft’s work was allowed to outshine his abysmal

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