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Broadway Audition Breakdown Analysis

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“The Broadway Musical” confirms that in 1968, the most expensive Broadway ticket price was eleven dollars. Today’s biggest price is around 140 dollars, but people can pay around 477 dollars for a premium orchestra seat. Because the national media has averted their attention away from Broadway, it is easier to sell shows based on a hit movie (Terry Teachout). Musicals are the heart and soul of Broadway. “Broadway Theatre” notes that The Black Crook, which debuted in New York on September 12, 1866, is named the first theatre piece that incorporates dance and original music to tell the story. This show was five and a half hours long (“Broadway Theatre”). Terry Teachout defines commodity musicals as musicals that are about popular and classic …show more content…

In “Broadway Audition Breakdown,” Nikole Vallins suggests that the first thing someone should do when preparing for an audition is to research the people behind the show. Knowing who is involved will help someone prepare for what the casting team likes or expects (Brianne Carlon). “Broadway Audition Breakdown” further suggests that everyone auditioning needs an audition book, which is a binder that holds sheet music. When the casting team asks the auditioner to sing, the person auditioning should be able to pick a song from their audition book to give the accompanist and sing along (Brianne Carlon). Brianne Carlon continues to suggest, “Beginner should start with at least two songs. One song should be a standard Broadway song.” Others also say that auditioners should also have a pop or rock song and simple songs that show off their talent (Brianne Carlon). “Broadway Audition Breakdown” finally reports some tips for an audition such as: have a dance resume, make sure headshot do not look fake, do not be scared to ask questions, mark the routine if the casting team says to, do not mark the routine on the side, and know the spacing around you (Brianne Carlon). “How to Become a Broadway Actor or Actress” proposes that many casting directors will ask what shows the auditioner has

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Rent. Also can be used to describe something torn. No better description for this musical. Written by Jonathon Larson, Rent is a musical, based on Giacomo Puccini’s italian opera, La Boheme, which centers on a group of friends in New York’s East Village in 1989 when an epidemic of HIV/AIDS was spreading around the US, affecting the whole friend group, whether it be from having it or from having a loved one who has it. In this paper, I will be examining how the themes and genre of this play turned movie shows the belief system of both the time and the belief system held by the creator, Jonathon Larson.

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Now I am biased because for one I was in this show, and two because I really love the show. However, as a cast I think we did very well in the aspects of theater. First off, our acting was over the top as it should be because the show its self is over the top. Now obviously singing sounds different to the audience, but from where I was I thought we sounded really good. Also, even though I would say at first our dancing was one of our weaker aspects (At least for myself)

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Originally first performed July 27, 2005, it ran for ten years and is the 27th longest running show on Broadway, with over 2,300 performances. The show often breaks the fourth wall with the show’s narrator, Lonny Barnett, played by Jeff Boyer, often cracking jokes with the audience and joking about the pure fact that after all they are just actors in a musical. Centered around a bar named the Bourbon Club, the show follows the aspiring rockstar busboy, Drew and his romantic interest, Sherrie. The two fall in love before they finally tell each other they’re both HIV positive…

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(Many 20th-century masterworks tend to be much more tightly constructed.) Moreover, since ballet is a performing art, it lives in live performances, even more than classical music does. Other performing arts do the same. Broadway revivals as well as opera productions--change key aspects of staging all the time: the upcoming Carousel will have Peck 's choreography, not Macmillan 's not De Mille 's. But we still call it Carousel. Maybe that IS a bad thing--wouldn 't it be nice to see the others revived...

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The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.

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Revue musical theatres are multi-act theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Revue theatres are most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Due to high ticket prices, the revue was typically patronized by audience members who earned even more and felt even less restricted by middle-class. Like much of that era's popular entertainments, revues often featured material based on sophisticated, irreverent dissections of topical matter, public personae and fads, though the primary attraction

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In 1996, at a city center in New York City, there was a successful presentation of the musical Chicago (“Stage Notes”). Shortly after, the talks of their being a revival of the musical became real (“Stage Notes”). So, in 1996 on November 14, the revival of the musical opened (“Stage Notes”). It featured the lights of Bebe Neuwirth as Velma, Anne Reinking as Roxie and James Naughton as Billy Flynn (“Stage Notes”). The revival was well received by viewers.

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The musical West Side Story is without a doubt one of the most popular and memorable musicals ever to be created. The makers of the musical include composer Leonard Bernstein, lyricist Stephen Sondheim and librettist Arthur Laurents. This musical is often analyzed for being based off of Romeo and Juliet by William Shakespeare, however there are other underlying themes that should be acknowledged as well. In particular there is a constant stream of racism seen throughout the play. From Lieutenant Schrank’s aggressively offensive remarks, to Anita’s flip-flopping mindset, and even in Tony and Maria’s love for one another, racism is a perpetual theme throughout the musical.

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It was nominated for 11 Tonys but was overshadowed by another hit musical, A Chorus Line. It only ran for 936 performances, before it was shut down in 1977. It was later reopened as Chicago: The Musical. The show was choreographed by Ann Reinking, Fosse’s wife.

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The production ran on Broadway for eight years with a total of 5,123 shows and grossing 280 million. Currently, Rent is the eleventh longest-running show ever on Broadway. After Rent’s Broadway debut, people had contrasting reactions and opinions. Some critics did not appreciate the show not being family friendly, the modern-day issues the show discussed, the manner in which stereotypes were portrayed, and the intense similarity to La Boheme. Musical theatre critic, journalist, and author Scott Miller says “Rent shouldn’t have worked because its music is genuine rock and roll...theatre audiences loved it and so did the pop music audience...

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The musical genre, consist of films that use singing and/ or dancing as a method to explore or engage with the narrative and plot of a film. There are always two aspects to a musical, the narrative which engages with the reality of the plot and the spectacle/performance which engrosses the spectator in suspicion of disbelief in order to create a narrative reality, while musicals use basic foundations of film mediums (Movement/ Dance and Sound/Song) they express more outwardly the emotions of the cast and ensemble in comparison to other film genres which express more subtlety characters emotions through the use of lighting, costume, music, location, mise-en-scene etc. The teen musicals of the 1980’s were very different from the genres beginning,

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Wicked is a musical with music and lyrics by Stephen Schwartz based on a book by Winnie Holzman. The musical is told from the perspective of the witches of the Land of Oz. Wicked celebrated its tenth anniversary on Broadway on 30 October 2013. It is the 9th longest-Broadway show, surpassing Beauty and the Beast. A typical performance runs for approximately two hours and thirty minutes.

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Two songs that I would argue stood out to me the most within the musical A Chorus Line were “I Can Do That” and “Dance Ten, Looks Three”. “I Can Do That” to me describes how anyone that is in the industry of theatre essentially got their start. Without trying to generalize, it often seems that there was a pivotal moment that showed to a person or a character

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Report To be a good Stage Manager, he/she must be responsible for all the tasks they are given and run both rehearsal and actual performance smoothly and also keeping their cool, being punctual for all the rehearsals and shows is also a given as it might not leave a good impression if he/ she is late. He/she must be organized and must be able to think on the go and think ahead as well. He/she must be impartial and decisive in their decisions.

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