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Cinemaic Techniques In Run Lola Run

881 Words4 Pages

Describe the Structural and Subjective Frame of 4 scenes in Run Lola Run

Tom Tykwer’s ‘Run Lola Run’ uses various filming techniques to maximise the effect on audiences. To analyse these filmic techniques, structural elements such as signs, symbols, camera angles and editing techniques will be discussed. These structural foundations are enhanced by subjective elements such as lighting to create mood, music to heighten emotion, imaginative scenes and other types of shots that will also be discussed. Through these techniques mood and emotion is created.

Time controls every movement, decision and consequence in our life. It is this irreversible force that paths our future in a merciless, unknown direction. The opening scene in the film focuses …show more content…

While time will always continue to change our world, it is love that will hold it together. In the final scene of the film, Lola’s father is in critical condition, soldiering on in the back of an ambulance. However, it is not the medical attention that saves the father, but the love and admiration Lola has. The director uses a light, luminous boarder around the film as a euphemism to symbolise the fathers journey towards heaven. This light, indirect approach to the idea of death is received with a warm, sincere, sadness from audiences. These mournful emotions are heightened by the use of close up camera shots that focus on the uncontrollable tears of Lola and the misery of the father. As the light edges of the film start to engulf the frame, similarly to time in the opening scene, Lola reaches out to her father. This act of kindness and love dramatically improves Vatar (Lola’s father) and refills the audience with joy. This feeling is enhanced by the absence of death in the third scenario. While the other two time bending experiences had lost the battle against time, finishing with dismal and depressing consequences, Lola was able to harness her love and defeat the directionless force of

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Examples Of Fate In Run Lola Run

1173 Words | 5 Pages

First of all, Lola is given several chances to change the effects of her actions, and uses these chances to prevent death from occurring—death being a strong force governed by fate. Lola was able to change her actions each time she went

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Comparing Paul Dooley And Winnie Holzman's Notes On A Marriage

857 Words | 4 Pages

Going to the store. We need milk.” (1179). One can consider that to be denial of her death, but it is, in fact, Actor’s way of coping with her death and allowing his life to continue as it normally would. Through the progression of Actor and Actress’s relationship as seen in Post-its (Notes on a Marriage), one can see how quickly life passes by.

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El Camino Doloroso Analysis

981 Words | 4 Pages

He lost his beloved one. He uses what he adores to kill another one that he loves. This feeling, this emotion, is just too strong to bare that he lost his hope to live, lost his direction to live on. The fact that he died from cancer is a metaphor that signifies he is tired of this life and ready to take off. Thus, this conveys the message that Mr. Searcy wants to tell in this essay: love and hope are meaningful and essential goals that people live

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Symbolism In Elie Wiesel's Night

477 Words | 2 Pages

The title of the novel symbolizes death, the death of innocence, childhood, faith, and millions of people. The narrative contains many last nights, the last night in Sighet, the last night in Buna, the last night with his father, the last night of innocence, etc. Night also symbolizes a world without God. The worst suffering occurs during the day

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Syntax In The Scarlet Letter

1592 Words | 7 Pages

The final aspect of love in the novel is one of the importance and connection to family. The humiliation and contempt they all felt brought them closer together as they did not want to witness any of their suffering. Pearl’s reaction to her father’s death exemplifies the depth and strength of their connection. The narrator describes their final moments by saying “Pearl kissed his lips. A spell was broken.

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Cormac Mccarthy The Road Hope

804 Words | 4 Pages

Wishing for death is contrary to living with her child, and the disparity between those ideas is strong enough to ‘rip out’ her heart. Even so, the woman still chooses suicide, demonstrating the complete and utter hopelessness she felt. Next, the man’s last conversation with the boy before he dies shows hope manifesting the sake of survival. Here, the man’s health is failing substantially and he knows he will soon die.

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Realism In 'The Cave' By Yevgeny Zamyatin

1140 Words | 5 Pages

Martin and Marsha’s lives are filled with worry. Although happiness and sadness in life should swing back and forth like a pendulum, for Martin and Marsha, pain is all they endure. They cannot depend on technology or other people to help promote happiness. Therefore, the hopes of death are the only speck of happiness they foresee. In their minds, death will cease their pain and bring forth the brighter future that was once promised to the people by the government.

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Perks Of Being A Wallflower Book And Film Analysis

726 Words | 3 Pages

Stephen Chbosky uses many different rhetorical devices to foreshadow tramas that occured in Charlie’s early childhood. The director, Stephen Chbosky, makes the viewer really grasp the depressing and gloomy mood and emotion of Charlie, as he goes through his frightening first year of high school. To transition from the book to the movie, Chbosky uses different types of cinematic techniques. In the book, Stephen Chbosky, makes the reader feel involved in Charlie 's life by using description, imagery, and -------. In the movie, Stephen Chbosky uses dutch-angle, flashback, and tracking-shot to show the mood of the scene.

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Good Will Hunting Film Analysis

1311 Words | 6 Pages

The film ‘Good Will Hunting’ directed by Gus Van Sant is a movie which follows the life of Will Hunting who is gifted with astonishing skills for maths but whom suffered with a fear of abandonment. He developed a defense mechanism which affected his ability to create long lasting relationships. An important extract from the movie is the scene ‘ It’s not your fault’. This scene conveyed the impact of childhood traumas, the effects of suppressed emotions and the idea of soulmates. These ideas were manifested through the use of various film techniques, such as camera shots and movements, music and dialogue.

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Theme Of Hope In The Shawshank Redemption

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At the beginning of the film actors name are listed on the screen along with the title of the film all white with black background. The message has shown extremely early in the film which highlights the fact that there is light in the dark showing hope. This shows that director is trying to portrait the message of hope from the beginning of the film. Also, audience get to understand the main theme of "hope."

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Andrew Niccol's Techniques In The Film 'In Time'

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In the movie ‘In time’ directed by Andrew Niccol, Niccol aims to to show and represent the instincts and flaws of human nature. The main character Will Salas, loses his mother to the system his society runs on. The system is made up of the death of poor people so that the wealthy can live forever. During the scene of Will and Sylvia Running to the next time zone and Leon chasing them, Niccol’s aim is shown through the use of camera angles such as- tracking, wide and mid shot etc. Gestures and facial expressions, lighting and colour, Music and sound.

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Importance Of Time In Chronicle Of A Death Foretold

1078 Words | 5 Pages

In the novel Chronicle of a Death Foretold written by Gabriel Garcia Marquez, the narrator sets out on a journey to assemble the remaining pieces of truth surrounding the murder of Santiago Nasar, twenty-seven years after incident. As the narrator recounts the series of facts relating to Santiago’s death, the reader becomes aware of the emptiness, as an accumulation of these informations can’t recreate the event itself. Judging both the narrator’s desire to revisit the past and the foretold events leading up to Santiago’s death, the narrative explores the ways in which the past and the future have an effect upon the present state. The narrator uses the form of a chronicle to organize time into a confined segment, he engages in the nature of time itself and the analysis of the murder. Captivated by the murder that occurred nearly 30 years ago, the narrator continues to look for the truth surrounding Santiago’s death out of desire secure the past.

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John Berger's 'Ev' Ry Time We Say Goodbye

1624 Words | 7 Pages

I have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream.

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Summary Of The Short Story 'The Knowners'

740 Words | 3 Pages

From her internal thoughts and observations, the reader is given knowledge of the exact extent to which Ellie’s own mortality affects her thoughts, actions, and enjoyment of her whole life. The impact of the knowledge is best demonstrated when the reader is told, “Yet

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Baz Luhrmann's Film-Making Style

903 Words | 4 Pages

Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s

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