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Comparison Essay

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The Baroque and Rococo style were adjacent to one of another, but had two completely distinct sensibilities, one was controlling and provocative while the other articulated lightness and playfulness within elaborate decoration. Variance in the character of the two styles had deep effect on the decorative movements but yet the Baroque era overextended across 17th century, while the Rococo styles was short-lived in comparison (more or less from 1730s to the 1760s).

Both Baroque and rococo were trends that call for splendor, luxury design that worship power, authority of building owner, nobility. Also the origins are different, baroque started in Italy in the 1500’s as a separate and independent area of décor, while rococo style first appeared …show more content…

As designers we rely on basic principles and to keep an asymmetrical layout from appearing chaotic, we need to create balance and keep clutter to a minimum to create the sense of peace and order, but rococo was all about excess and “clutter” and there was not really any focal point, which I personally feel is crucial.
The Rococo conceptualized the interior design of a space in conjunction with function, form, and utility.
During the Rococo period, after it was so extensively executed in the Baroque, Classicism slowly disappeared. It included columns lining the wall set with frames and panels surrounding the moulding (referred to dado), embellishment of trompe l’oeil paintings and frescoes and tapestry, as well as chimneypieces for centrepiece was lavish. In contrast, Rococo was all about creating a sense of flow with ethereal and asymmetrical detail. The dados were lower and less used, the angle between wall and ceiling vanished by plaster covers in the corners. Rococo ceiling and wall surfaces, favoured shallow relief and depressed or semi-circular arches. Decoration was asymmetrically styled, yet unified, with curving and wistful s-scrolls and wave like lines. It was all about dreams and fantasy. Stucco and carvings included shapes and images of natural forms like flowers, shells, bats’ wings etc. Also

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It made much use of interlaced designs colored in gold with delicate contours and graceful curves. Highly secular, Rococo’s lightness and charm spoke of the pursuit of pleasure, happiness, and love. Many works following the Rococo style express lyrical views of aristocratic life: refined, sensual, civilized, with gentlemen and ladies in elegant dresses because this reflected a world of upper-class desire, pleasure, and joy. Its decorative work could easily have combined with Baroque architecture to

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They wore extravagant makeup and even though they put harmful things on their face they took very good care of it at the end of the day. Few of the trends they used back then are still around. Hair was their most prized possession. Women and men 's hairstyles were kept simple in comparison to their makeup, way of dressing, and everything else in the Baroque Era.

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Watteau, Fragonard, Chardin, and Boucher, memorable names from an often forgotten art historical period. Rococo is a synonym for ornate, fancy, elaborate, extravagant and is also the word used to describe this art history period. Characterized by levity, elegance, and ornamentation, it is clear why the Rococo art period is defined using this term. Jean-Honore Fragonard is one of the most popular artists from this period. According to Artble.com, The Swing, painted by Fragonard, is a piece commissioned by a notorious French baron requesting to be painted with his mistress.

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The artist's placement of the characters in the painting shows a focus on the main couple. The painting has a sort of triangle shape, with the main point being Mary and Joseph and then the placement of the rest of the people being further and further back. This art practice is still used today to force perspective on the main focal point of paintings, music, and even theater. The Baroque Era was an era of suspicion towards the Christian faith. In Italy, Caravaggio was among the earliest and most significant painters in the Baroque movement.

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These styles were so cool cool, that the whole world still uses them today. They painted excellent mosaics, super duper murals, and frescos that will make you wish you lived in Rome and not in stinky central Massachusetts. In case you didn't know what these art terms are, a mural is a painting on a wall that makes you skiddly ding dong dang your pants, a mosaic is a picture made out of small glass and tile, and a fresco is just like a mural except it is painted with water colors on a wet wall and they're so cool you will have the same effect as

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Walls were decorated with monochromatic backgrounds, within which scenes or figures were placed in elaborate architectural frameworks. The Villa of the Mysteries in Pompeii exemplifies this style, with its detailed architectural motifs and dramatic effects. The Third Style, prominent in the Augustan period, marked a shift towards more decorative and refined compositions. It departed from architectural elements and emphasized delicate figures, elaborate landscapes, and intricate ornamentation. The House of Livia on the Palatine Hill showcases the Third Style, featuring plant motifs and small vignettes against monochromatic backgrounds.

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It hosted a number of new styles and and thought process that was also not just for the rich, but the middle class. It experienced more of an emotionalism and was a psychological exploration not just by the artist but the viewers themselves (Detrick “Baroque”). A photographer today uses still lifes that really justify the baroque style of art that was dark and deformed. Tara Sellios uses her art to “lure unsuspecting viewers into her twisted Baroque still lifes” (huffingtonpost.com). The eleven contemporary stills i looked at by her were pretty messed up stuff.

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