When I analyze this painting, my eyes are drawn to the building in the bottom left which seems to resemble a church. It has a white steeple and roof line along with light red brick for the walls. The color, style, size, and position of this particular building sets it apart from the rest of the buildings which all seem to blend together along the composition. The building’s edge meets right with the fence line along the field in the bottom left corner of the piece. It prompts viewers to begin their focus on the left of the painting instead of drawing our eyes directly to the center.
These pieces are highlighted with natural light by a clever system of mirrors. The museum sits on a 15 acre lot, surrounded by gardens and natural beauty. The Approach One of the first things that I noticed was the impressive gardens
“wow!” I thought as I stood amazed trying to analyze the significance through each piece of art. Art has always been a form of expression. Although art has been seen as a way of freedom of speech; it did not begin to show up until the 1960’s when their art made by minorities started to be appreciated. MOLAA museum shows an important aspect of U.S. history.
In a display along the wall to the left of a house-like display, behind the small, white picket fence, of items the patron would typically see in a 1930s era home that include an antique sewing machine table and an old phonograph player. On the wall above this display has some old black and white photos taken during that era that capture the hardships the people faced such as the farming difficulties and the breathing difficulties, the black cloud of dust rolling into town, and the great sadness in the aftermath when the dust finally settled, showing everything buried in a blanket of dirt. The house-like display consists of a typical 1930s living room that include such items as family heirlooms and family photos. The museum patron can walk up onto the porch and go in the front door as if walking into the house itself. Upon stepping inside, the patron will see things like old photos, a rocking chair, a couch, and a desk.
Among all the objects in Lee Teeter`s oil on canvas painting entitled Reflections (Fig. 1), the focal point is one long, dark wall, with names written or engraved across the whole canvas along with the engravings on the marble creating motivation for individuals viewing the
As I made my way in to the Averitt Center for the Arts, located locally in Statesboro, Georgia, I felt a sort of peace. The exterior of the Averitt Center is placed by an old-timey theatre, and is only accessible by walking which I liked because it made me feel like I was in the old days, when couples and individuals walked to the theatre with friends and family to enjoy a night out on the town. The interior was white and perfectly lit which made it seem very large and open, and like it had more work than it really did. This bright white color, mixed with just the right amount of lighting, made each piece of art stand out, making my decision a little harder than I believed it would be. Each of the three levels were laid out differently.
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.
In 1804, the first museum opened in New York City, and it transformed society and culture in a dramatic way. Over the next 200 years, New York City became home to hundreds of cultural institutions and historic sites. Residents and visitors alike experienced this cultural uproar in a positive way. New York City became a bustling cultural center expanding the intellectual horizons of thousands of people. The New York Historical Society, The National Academy Museum, and The Brooklyn Historical Society paved the way for future art and cultural organizations and museums to flourish within the five boroughs.
According to the American Association of Museums, In the United States, compliance with museum standards is voluntary, although in order for museum to receive accreditation, they must meet criteria pertaining to standards and public accountability. Located in the Old Colorado City national historic district in Colorado Springs, the Michael Garman Museum and Gallery (also known as Magic Town), is a “3,000 square-foot miniature city that combines hundreds of intricately detailed sculptures and cityscapes with magical elements to create one of the world’s truly unique attractions.” The museum is govern solely by the owner, Michael Garman. Whether the museum meets AAM stands is not an issue for the museum because the museum is a corporate for-profit
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
The museum is not a wholly government-funded institution. While it may receive grants or some funding, it is ultimately another apparatus that is controlled by the supply and demand mechanism of the market economy that dominates the country. David Rockefeller (Source A) depicts the financial status for the Museum of Modern Art, or MoMA in his time. He further delineates the status of the museum by explaining what caused the financial distress. He writes, “Since no one wanted to antagonize important trustees, exhibitions and acquisitions were often approved without regard for overall policy”.
It has become a part of the industry, and business for people with large wallets. When a museums goals are changed rather than having education first, money becomes primary. Each piece of art or artifact in a museum, represent specific period, or to capture a grand moment in history. “A work is chosen for reproduction, not because of its place within an educational context, or because of its intrinsic aesthetic worth, but because of its marketability. “(Source D)
Nurse Management of Alcohol Withdrawal Syndrome Seynor Massalee Kennedy Oakland University Alcoholism is a chronic, progressive, potentially fatal disease, which is characterized by a persons’ inability to discontinue use despite it resulting into emotional, social, legal or physical problems (Powell, 1999). Alcoholism is a common problem in United States, and an estimated 15%-20% of hospitalized patients are dependent on alcohol. These hospitalized patients are suddenly force to stop drinking, which placed them at a risk for alcohol withdrawal syndrome (AWS). AWS complicates these patients’ treatment and recovery and sometimes causes death (Lussier-Cushing et al., 2007). Regular and excessive use of alcohol leads to tolerance and dependence.
There were rooms with abstract art with artists such as Sonia Gechtoff and in another room there
The Louvre is the world’s largest museum with an extremely impressive art collection. It is located along the Seine River in Paris, France. The louvre was originally built as a fortress, then reconstructed to a royal palace. When Louis XIV moved the royal residence to Versailles, the Louvre became an art museum. The Louvre includes Egyptian antiques, crown jewels, Greek and Roman Sculptures, as well as other French noble artifacts.
