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Creative Writing: The Handmaid's Tale

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Once upon a time, there lived a very handsome, charming, and powerful lord who went to war and left his wife in charge of his castle. He had one wife after the other, for his wives kept dying. Whenever asked what his wives die of, he always responded with some sort of disease or infection. His most recent wife was left in charge of the castle, and was instructed to never set foot inside only one room, while the rest were free to roam. She was allowed to invite anyone and be in any room except that one room. She was given master keys and everything, even to the room she wasn’t supposed to. Curiosity got the best of her and she opened the room. She found herself in a room full of the Lord’s strangled wives. When the Lord returned, he found out
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To get revenge on him, “she drugs his drink; they (the other gods) surrounded him as he slept and bound him with rawhide thongs.” Her jealousy caused her to punish her husband. She was right in doing so but it did backfire on her.

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She quit her job and was soon after hospitalized for a suicide attempt. When James visited her she confessed her crimes to him and states, “I did it! I did it! You wanted to know? I killed all those guys by injection.”

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1. Nolite te bastardes carborundorum In the Handmaid’s Tale, this is meant to be an unintelligible latin phrase later translated by the commander, meaning “don’t let the bastards grind you down”. June/Offred finds this carved into the floor of her closet by the preceding handmaid of the household. The commander invites Offred into his office at night to make her life more bearable.

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Research Paper on The Handmaid’s Tale Margaret Atwood, author of The Handmaid’s Tale, creates a dystopia of the near future in which a conventional fundamentalist group rules what is left of the United States, which has now become “Gilead.” The Republic of Gilead has subdued women and reduced Handmaids like Offred, the main character, to sexual slavery. Offred yearns for happiness and freedom, and discovers herself struggling against the totalitarian boundaries of her civilization. The Republic of Gilead is a totalitarian state formed by a religious cult centered on ideas of bigotry and inequality, especially in relation to gender.

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The Handmaid’s Tale Through a Critical Lens The Republic of Gilead is a dystopian society where women are stripped of all their rights. Written by Margret Atwood, The Handmaid’s Tale looks into the psychological torment of women in servient roles and is inspired by the dynamics of men and women in real society and displayed at its extreme in The Handmaid’s Tale. The novel is narrated by Offred, a Handmaid, who is forced to reproduce with her commander and has lost her family from the time before Gilead. Atwood’s use of descriptive language, ambiguity, imagery, and internal and external dialogue reveals the importance of sexual and reproductive rights, the separation of classes in a totalitarian society, and the effects of environmental degradation on society as a whole. Women in The Handmaid’s Tale are divided into their own social pyramid.

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Asia Ihsan Section 5 Professor: Alex Poppe 11/6/2015 Gilead Republic is Successful in Reeducating Women Margaret Atwood, in her novel The Handmaid's Tale describes a futuristic, dystopian society called Gilead republic in which the system imposes Christianity religion as the main source for their laws. At the root of the laws is Patriarchy by which roles of the women only condensed to the roles that are assigned to them in Old Testament. All of the events that happening in the Republic of Gilead have happened at some point in history. This makes the novel realistic and authentic so that the reader can have better understanding of the purpose of the novel and its messages.

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Language has the power to raise people’s spirits or to install fear. In a patriarchal dystopian society the power of words is essential; using them gives the ability to take away freedom. Incorporating new words into literature can structure new meanings into a society. Using biblical references can have strong repercussions when used on an unassuming audience. Using language in your head can keep your thoughts alive.

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The prologue foreshadows some of the book’s possible key points in an interesting way; it talks through the pages, directly at the reader, making it hard to miss them. In this way, the prologue not only gets some important information across, but it also helps put the individual into that time period, an encounter that would otherwise be avoided, as many readers like to keep a distance from books’ events so that the experience doesn’t seem too real or emotional. The text explains how it’s important to keep your health, to know that at least you have something and so giving up is not an option, meaning that the people who want to stay alive are most likely to end up that way, both because they are willing to pay, but mostly because they have

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In Margaret Atwood’s novel, ‘The Handmaid’s Tale’, Moira is depicted as the symbol for resistance to authority and represents hope to the Handmaids. Atwood presents her as a polar opposite to Offred. She is independent, strong-willed, and outspoken. Conversely, the pair can be argued to be doubles in the fact that they both ‘resist’ to the oppressive Republic in Gilead.

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A very long time ago in a far away land. Well it depends where you live. Ok so on with the story. This place is called York England, but the medieval one, lived a King and Queen named Sir Robin and Lady Alys. Alys and Robin had an enchanted wedding with white rose petals covering the ground with over 5 towns attended.

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Atwood’s novels deal with all three of these realms: The Handmaid’s Tale is primarily political; The Blind Assassin is heavily economic; and Life Before Man is very social. But these novels—let alone others such as Surfacing or Oryx and Crake—do not stay neatly in a realm. They can, nonetheless, be analyzed in Boulding’s terms. Some will, however, require more complex analyses. For The Edible Woman, for example, one need not say much about the political, but one must say a great deal about the economic and the social, for, arguably, the economic has too many threats and the social has too many exchanges.

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Margaret Atwood has seamlessly woven a tapestry of feminist elements - mainly regarding gender oppression - within her works. With that, using two of Atwood’s texts, The Handmaid’s Tale and The Year of The Flood, as the foundation for our literary research, we will be focusing on the commodification of the female flesh in both similar dystopian contexts. Commodification refers to the action or process of treating an object, or a person, as a raw material or product that can be bought and sold, or even treated as an object of which sovereignty can be held over by one. In both works, women are victimized and treated as sexual beings whose bodies and physical expressions can be freely used by the men who have power over them against their will. The two texts illustrate how society brings about the oppression of women and this exacerbates the commodification of women.

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The novel The Handmaid’s Tale by Margaret Atwood is a story about a society set in a future world where women’s rights have been revoked. Many values change with this new regime of controlled women and strict laws. Despite the changes in the world it maintains many conservative, religious beliefs while also containing liberal, feminist beliefs simultaneously. Society in the futuristic world of Gilead is structured heavily off of readings from the Bible and traditional views of gender that have been in place for a long time. An example of the Bible being an important part of society is the idea of the Handmaids came from a passage in the Bible about two women, Rachel and Leah.

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Worldwide Scrabble Language is a splendid way of communication that it affects people’s relationships starting from the first step of creating identities to creating cultures; making one feel belonged to or estranged from a place, it is a form of connection and discrimination. Thinking of one’s mind as a liquid, language is the box that shapes the liquid, that it has a great influence on the way one thinks. Due to this, in the dystopian novel, The Handmaid’s Tale, one of the first things that is changed by the dictator government that want to restrict and brainwash the society is the language, and through banning words that remind people of their old lives and adding new ones that have religious connotations and also feel people estranged, they gain power and prove their dominance over the community. In the book, The Handmaid’s Tale, Margaret Atwood conveys the idea that language is used to dehumanize and alienate people through the example of the various usage of language by the government of Gilead. First step of dehumanizing is making people feel detached from their identities, as one would not feel dehumanized when they still have the idea of an ideal “I” in their mind, thus the government forbids the usage of names.

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