‘Five Stories’ composed by Michael Nelson Tjakamarra (Jagamara), is an acrylic on canvas painting. Measuring to 122 x 182 cm, created in 1984. The art piece is considered an aboriginal Dreamtime painting, telling us a story. Aboriginal symbolism is present throughout the painting with design elements encompassing line, shape, and colour. Tjakamarra was born in 1949 at Pikilyi, Vaughan Springs west of Yuendumu, and is an Indigenous Australian painter.
This is a story that may intrigue you and many others to come so settle in get comfortable and read with me this great story about “The Dangerous Game.” So my first question to you is, have you ever be hunted?! If not then this story will somewhat give a glimpse into what it may feel like from someone else’s point of view. The view you will be experiencing from is a man named Rainsford. There are three hunters total in the story but not all of them were able to stay.
As stated by Zinn, “One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts…” (Zinn). The US and European education systems teach students about this controversial topic by stating the positive facts because what happened in the past “should affect very little what we do in the world” (Zinn). History, in general, should not be viewed as unimportant, especially when it involves a genocide. One should reflect on this historical experience by understanding their point of view.
In the Ted Talk "The Danger of a Single Story," Chimamanda Adichie describes the danger of the single story. Telling of how one story can be the symbol for an entire culture. When arriving to her dorm in America, Chimamanda was met with a surprise by her roommate, She says, "My roommate was shocked by me, by how well my english was" (Chimamanda). Her roommate who is shocked by her, this gave Chimamanda a rude awakening on how the rest of the world may view her. This single perception that her roommate had of Chimamanda may be the only one she has about Africans.
Can a story really change the world? Every October I volunteer with the Washington West Film Festival, which raises money for a different cause each year. The motto of Washington West is “Story can change the world.” What they mean by this is, we as people are able to relate to one another through universal stories. Sadness and joy look the same in every country, and there isn’t a language barrier in the world that can prevent a filmmaker from sharing a story.
How powerful is a single story? At Ted Global 2009, Chimamanda Ngozi Adichie, a Nigerian novelist, expresses her view of single stories and the ways in which they are used to create stereotypes and divides us as a people. Adichie’s talk, “The Danger of a Single Story”, stimulates careful consideration to what happens when people and situations are reduced to a single narrative. She believes single stories are highly correlated with the power structures of the world and have the ability to strip people of their humanity.
Many stereotypes of African culture have emerged due to western literature and media and first hand accounts of explorers. Things Fall Apart offers a view into the truth and reality of African cultures, which are often misconceptualized by these stereotypes. Acebe shows how African society functions well without assistance from foreign travelers. In Things Fall Apart, Achebe counters the imperialist stereotypes of Africa by keeping certain words in the Igbo language, as opposed to translating them into English, to fight back against the spreading western culture and to embrace their own way of life. He also counters the imperialist stereotypes of Africa by using Igbo proverbs to show how their culture values many of the same things that western
As an African, Ngozi Adichie had been affected by the single story; also as a writer, she seems determined to educate the audience about the danger of the single story. I believe when she started living with an American roommate, she was able to see very clearly what the single story can do, because her American roommate had many false ideas of Africans. The single story is a narrow and poor view of a certain culture, belief or country. It is dangerous, because it does not tell the whole truth and gives inaccurate information to mislead the readers. For example, many people believe that Africans are unable to speak for themselves, fighting senseless war and dying of poverty and AIDS.
“The problem with single stories is not that they are untrue but they are incomplete (Chimamanda Ngozi Adichie).” A single story is a preconceived notion of something or someone based on stereotypes and one-sided resources. In the video “The Danger of a Single Story,” writer Chimamanda Ngozi Adichie is from Nigeria, Africa. As a child in a middle-class African family, she tended to be fascinated by English literature until she got her hands on some African literature. While reading, she noticed that there were many untrue statements about Africans.
Both stories show several instances contributing to the dangerousness of their settings.
Themes add many elements that help get the reader involved and help make the story more realistic which makes a good story. Themes help the reader resonate with humanity because it shows that the characters have desires that are aligned with the reader. Conflict makes the reader want to finish the store because he/she wants to see the conflict resolve. Every good story has conflict because it builds up tension which makes the reader want to see what the resolve is. Characters and development help the reader see the struggles the characters go through and helps the reader connect with the characters.
Topic Sentence: In the short story “The Open Window,” Saki tells the tale of a foolish young girl named Vera who tricks outsider Mr. Nuttel by telling him a fabricated ghost story. Thesis Statement: The Open Window is an excellent addition to the course anthology as it involves riveting plot twists, relatable characters and the perfect dose of irony and humour. Subthesis:
The girl in the rear view mirror was a very heart touching story about the love between a truck driver and a prostitute. In the story, a prostitute named Jotinha falls in love with a truck driver named Luis. She was HIV positive, and because of which she had left the truck stop where she used to meet Luis and also for the fact that she was pregnant with Luis’s baby. Then later on she returned to meet Luis and leave the baby to him since the baby boy was also suffering from AIDS. Now talking about the characters in this story starting with Luis, he was actually a very complex fellow who was somewhat dynamic in his nature.
Wainaina wrote his piece in a heavily sarcastic tone, but it seems as if it was taken in the literal sense by some Western journalists and writers, as they continued to describe Africa in a pessimistic manner. The arrival of the Ebola virus only fuelled the return of the negative tone and the stereotypes that Africa thought it had shed. Stereotypes tend to prevent us from seeing things in a broader, deeper, and richer context. The power of media and the central role of language results in the perpetuation of stereotypes, norms and values. This can be dangerous, as seen in the case of Africa, as it can encourage oppression by those in power.
Chimamanda Ngozi Adichie , a Nigerian writer gave an inspirational lecture called “The Danger of a Single Story”. It’s about what happens when complicated human beings and different circumstances are reduced to a single narrative. The authors reasoning is that each individual life contains assortments of stories. If you reduce people to one, you’re taking away their humanity. With this talk she humors and reiterates cultural perspective that many has not thought about.
