David Amutah is twenty-three years young and has more passion for screenwriting and filmmaking than most people will experience in a lifetime. David’s passion started at the ripe age of twelve. “My creativity
The well-known director Tim Burton has been appealing audiences all around the world by creating creepy and mysterious feelings while also satisfying his audiences with fun childlike plot lines. Burtons style is shown throughout his many movies such as Charlie and the Chocolate Factory, Edward Scissorhands and Corpse Bride. These movies and many more show the directors style as being creepy and mysterious, but also makes it enjoyable for children and families to watch. With the use of cinematic technique Tim Burton is able to create his spooky and addicting style. In the movies above, cinematic techniques are used through and through to portray that creepy, mysterious and dark style that Burton has conveyed through his many movies and Claymation's.
The term auteur was introduced for the first time in the famous 1954 article “Une Certaine tendance du cinéma français” (“A Certain Tendency of the French Cinema”) , which was written by François Truffaut and was published in the French magazine Cahiers du cinema (Notebooks on cinema). Truffaut along with the editor of the Cahiers magazine, André Bazin, as well as other film critics such as Jean-Luc Godard, Eric Rohmer, and Jacques
Edward from director Tim Burton’s Edward Scissorhands. His films often have gloomy storylines, with dark lighting and color scheme, which helps develop a clear style. Tim Burton‘s dark, gothic, macabre, and quirky horror style is best conveyed through his use of low key lighting, high angle and music in his films: Edward Scissorhands
: For my presentation I have chosen to examine Steven Spielberg and what stylistic features he uses to make himself considered as an auteur. An auteur is a director that has a unique style in filming and has complete control of the production process of the film. The three films that I have chosen to focus on are E.T. The Extra-Terrestrial (1982), A.I. Artificial Intelligence(2001) and Close Encounters (1977). These are three of Steven Spielberg's most known films.
Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and
Colonial Books began with the work of English people (who like exciting travel) and colonists in the New World benefit the readers in the country. Some of these early works reached the level of books, as in the truthful account of his fun trips by Captain John Smith and the newspaper-related histories of John Winthrop and William Bradford in New England. From the beginning, however, the books of New England was also directed to the improvement and instruction of the colonists themselves, meant to direct them in the ways of the gods. The first book-related work was published in the Puritan (groups of people or other living things), was the Bay Religious song Book, and the whole effort of the discovers wrote angrily/desperately to explain in
Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.
This isn’t the most realistic, as there is usually more than one individual working on a film, but the director is considered to be the guiding force. An auteur is one that has a distinct style and is one that can create films that are both commercially and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more.
Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.
Wes Anderson is a very well-known and established director in his field. Over the years, Anderson has developed a unique style of film and a basic formula for how each film will look in the end. The film The Grand Budapest Hotel showcases a lot of Anderson quirks from the vibrant colors to the tiny miniatures that he used to show the landscape. The Grand Budapest Hotel is uniquely Wes Andersons and really showcases his style.
The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
Auteur theory (Sarris, 2004) is explained by way of the director as the author of the film, who gives the film its distinctive quality. An auteur uses a tool called the “camera-pen”, which is a different medium to create and adapt a story, without it being rewritten. Technical competence (Sarris, 2004) is therefore crucial for the technique of the auteur. A tool used in the film, The Great Gatsby, is Luhrmann’s sound design, and more specifically, the use of diegetic and non-diegetic sound.
The film Quo Vadis done by Enrico Guazzone was the earliest big successful movie in cinema history. Movies such as Cabiria, by Gio Pastrone, was also one of the biggest productions, taking two years of a lifetime to produce. Italy was home to the Futurists, and to these people, such as famous Filippo Marionetti, cinema was an ideal art form, being a subject of artistic changes and work like for example special effects, editing, manipulation of speed. The years following WW1, the Italian cinema fought against the rise of foreign competition which led to the unification of the Italian cinema organisations as a strategy for a bigger film production and market, but unfortunately, this unification wasn’t
