If we focus on the attributes to the artwork in the Medieval and Renaissance Florence, then we can distinguish between these two eras. To clarify, during the Medieval time period in Florence, the artwork was primarily focused on the iconic heroes and religion. The main subject of the painting was depicted as the largest figure; moreover, in comparison to the most significant figure, the other figures were painted to scale based off their ranking. Also, the backgrounds were based off religious experience instead of human experience, so symbolic icons were used quite frequently, for example, a gold leaf in the setting symbolized religious purity and devotion to the faith, so the use of gold color represented Heaven’s atmosphere. On the other
Brunelleschi’s architecture influenced other architects for generations to come, not only changing the landscape of European cities, but of other cities across the
These articles give an report on the history of Florence, but these articles are very different from each other. One gives more history, and another more about what started Florence, which is the railroads. The are very many other differences in the articles in style, and the content. In the Second article, which is written by Eugene, N. Zeigler, is mostly is just about the railroad.
Rome is the capital city of Italy and was founded in 753 BC. Once the Roman Empire broke down (395 AD) the remaining cities became city states and were separate from each other. That all changed in 1861 when Italy became one again. It remained a kingdom until 1946 after the second World War. Italy is the founding member of the European Union (EU) and the
The Real Little Italy Although it is true Manhattan’s Little Italy was in fact a large Italian neighborhood, many tourists and some NY locals are unaware of the fact that the Belmont area of the Bronx is a historic neighborhood, which had a great influx of Italian immigrants in the late 19th century. Belmont, a predominantly Italian neighborhood located a little west of the Bronx Zoo, still consists of local shops, restaurants and delis that all represent this area’s rich historical past. Famous shops to look out for if you happen to visit the Bronx Zoo are Teitel Brothers and Arthur Avenue Market, which both have a large selection of Italian goods. An important holiday that takes place in this neighborhood, which still occurs in Italy, is a holiday called Ferragosto.
This painting is an accurate representation of Italian Mannerist style, and has all the characteristics that defines it as so. A very important characteristic that helps us define a Mannerist style piece is contextual ambiguity, what makes us feel uncertain of what is going on throughout the entire piece and what the objects scattered mean to
Italy entered the Second World War as an ally of the German Reich. But later in 1943, Italy surrendered to the Allies and declared war against Germany. After capitulation of Italy, German forces committed serious breaches of international human rights and of jus cogens norms. These include massacres and deportations of civilians and Italian soldiers, whom were used as labor force in German-occupied territories. After the Second World War Germany tried to compensate for all the crimes, unfortunately a large number of Italians were unable to claim refund and brought civil cases against Germany in front of an Italian Court of Cassatination, with interest to claim it.
Starting at a young age my family had stressed the importance of embracing my Italian heritage. My father, mother and grandfather each contributed in showing me that in order to honor our Italian heritage you must demonstrate three qualities as a young man. My father is responsible for teaching me respect and how to give every individual you meet total and complete respect. Similarly my mother is responsible for teaching me love, how to love and how to spread love throughout the world. As for my grandfather, he taught me what courage is and how to always be courageous.
During the Renaissance in Italy, art practices were focused on proportion, perspective and artists paid significant detail to the human anatomy. In addition, art practices during the Italian Renaissance were heavily influenced by wealth. On the other hand, art practices during the Renaissance in Northern Europe focused on society and everyday life. The Protestant Reformation greatly impacted the direction behind art practices during the Renaissance in Northern Europe.
Graphic designer, Louise Fili, grew up in an Italian-American family in New Jersey and fell in love with the homeland of her parents at the age of 16 years. Since then, her passion for design, typography and Italian food has influenced her career as a designer. Fili went to study studio arts at Skidmore College but instead found graphic design, as she states in an interview “I went to Skidmore College where, if you couldn’t paint, they told you that you were graphically oriented. That’s when I found out what graphic design was.”. Later in the 1970’s, she completed her final semester at the School of Visual Arts in New York and at the age of 25 she become senior designer for Herb Lubalin.
These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements. Starting with an artist like Bernini who under the patronage system created some of the most revered sculptures of the baroque era. Born in Naples, Italy Bernini got a lot of his patronage form Italians. One of his more notable patronages includes the sculpture of “The Ecstasy of St. Teresa” which was commission by the Cornaro family for their personal chapel. The sculpture represents a deeply religious act and was used in part to show off the wealth of the Conaro family.
Guanajuato, Mexico is where it all began. Its where my family cultivated their Mexican traditions. It is a place that is known, for the colonial cities, especially San Miguel de Allende. San Miguel de Allende is located in the eastern part of Guanajuato in a hilly area. An area that at the moment you get there you fall in love with the: architecture, food, art, monuments and the infinite amount of things.
History is comprised of so many figures and personalities who have made their mark – positively and negatively. Some people have made such a profound impact that their names become immemorial. Such is the case Benito Mussolini, the Italian dictator during the Second World War. His domestic and foreign policies at a time of war and turmoil that followed made him a name worthy of history books, even if these paint him in the negative light. His fascist focus and how he utilized this to manipulate Italians and the world, conveying the message that Italy no longer relies on class warfare and everyone is on an equal footing was appalling and amazing at the same time.
SPATIALITY The Mall becomes a ‘utopia’ where time and space evaporate (Goss 1993) and creating the civic miracle of heightened safety, excessive cleanliness as well as a well-mannered populace, a process similar to Malcolm Voyce’s (2007) idea of ‘spatial purification’. The aesthetically laid sparkling Italian marble floor leaves a sense of slight consciousness with regard to the clinical and pristine nature of the surroundings. Perhaps, the wafting music of the grand piano (blocked from view by a crowd of onlookers surrounding the pianist) is meant to work as an antidote for the induced anxiety. The material and non-material presence of the mall forms its spatial representation and the conjured “image” plays a crucial role in determining the intended audience.
Italian Cinema Introduction: Since the start of the Italian film and cinema in the early 20th century, Italian movie makers and performers passed in a successful era on an international level and have influenced film industries throughout the world. Italian films have earned 14 academy Awards for best foreign language film which out the country in the first placement in the world and 12 Palmes d’or which place it in the 2nd place worldwide. The first Italian films were the adaptations of books or theatrical plays, using complicated set designs, rich costumes and high budgets. One of the first Italian cinema style was Italian futurism.
