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Diction In Frankenstein

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Frankenstein is a book filled with puzzling hidden connections that can relate to what majority of us go through in American society today. Quotes throughout the novel create a piece of inspiration that we can look up to when discovering similar times. The diction revels pros and cons on how Starting off the novel At the trial for Justine Moritz, Elisabeth states vindication by saying “It may therefore be judged indecent in me to come forward on this occasion, but when I see a fellow creature about to perish through the cowardice of her pretended friends, I wish to be allowed to speak, that I may say what I know of her character.” She shows her friendship and support to Justine by touching the court with her moving words. By doing so it
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Frankenstein, Or, the Modern Prometheus: The 1818 Text. Oxford: Oxford University Press, 1994. Print.   Konnor Fenwick Immoral Justice Period 3 English 12 Honors The justice system presented in

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In the novel Frankenstein, Mary Shelley’s diction delineates a vivid description of the creature’s characteristics, hence evoking suspense and agitation in the audience. The horrid description of the creature endorses an unsettling feeling in the reader due to the negative connotation employed by the diction selected. For instances, victor emphasizes the creature’s physical appearance by stating “yellow skin… horrid contrast… white sockets… shrivelled complexion and straight black lips”, then later victor states “breathless horror and disgust filled my heart” concerning to the creature’s physical characteristics(35). She strategically manipulates diction to alter the audience perception of the creature and directs them into viewing said creature

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In order to protect the view he holds of himself, which stems from his god complex, Victor Frankenstein uses rationalization to shelter himself from the guilt derived from his indirect involvement with the murders of William and Justine. In allowing young Justine to confess to the murder of William, though she is innocent, Frankenstein experiences conflicted emotions. Victor writes that “such a declaration [of who the true criminal was] would have been considered as the ravings of a madman,” (Shelly 86). This rationalization of not telling the truth is because of his inability to take responsibility for his actions. In the same passage, Frankenstein describes the guilt and sadness he feels as “fangs of remorse” (86).

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A blinding flash filled the room, followed by a deafening crackle. The creature's body jerked violently, its limbs thrashing against the restraining straps I had secured. A guttural groan escaped its stitched lips, a sound that sent shivers down my spine. " This belongs to Mary Shelley's novel "Frankenstein". Victor Frankenstein creates life in the form of the character known as Frankenstein's Monster.

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The narrative introduces a minor character, one Justine Moritz as a catalyst for social examination. Justine’s brief segment in the narration of Frankenstein primarily highlights Victor’s callous nature. It effectively shows how easily a servant can be destroyed in societies that do not value them. There are two arguments in regards to Justine Moritz, the first that she is a convenient victim of the monster’s actions that of Victor’s silence. The second, acknowledging that she is a victim which places Justine under the weight of the monster’s actions and because of her low social status.

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Frankenstein, by Mary Shelley, is about a genius scientist named Victor Frankenstein and his descent into madness as he creates a monster that will haunt him until his death. In an excerpt from Frankenstein, Mary Shelley makes use of metaphors and similes to help the reader understand Elizabeth's intense feelings of grief and ire. The excerpt begins with Elizabeth’s comparison to the world she viewed before Justine and William’s death and how her perspective has shifted. This change is apparent when she states that “men appear to me as monsters thirsting for each other’s blood” (Shelley 63). By using this simile of comparing men to monsters, Shelley is able to emphasize the Elizabeth hostile view of those that convicted Justine or thought

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In James Davis’ literary essay “Frankenstein and the Subversion of the Masculine Voice,” he discusses the oppression of women and the minor roles of females in Mary Shelly’s novel Frankenstein. With a feminist perspective, Davis claims, “He [Victor Frankenstein] oppresses female generation of life and of text; he rends apart both the physical and the rhetorical ‘form’ of female creativity. In fact, all three male narrators attempt to subvert the feminine voice, even in those brief moments when they tell the women’s stories” (307). Throughout his essay, Davis demonstrates the underlying message of Shelly’s subversion towards men and the social consequences of misogyny. Davis draws parallels between the three men, Robert Walton, Victor Frankenstein, and Victor’s creation, Frankenstein, in which they

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The author uses direct speech to show sorrow for the monster through Frankenstein’s behaviour in act one when Frankenstein’s monster was coming to life as a pure and innocent creature. Frankenstein claims that he was making an angle not a demon but then as the monster comes to life he states “But you're not what I thought you’d be….I thought I was making an angle!.... everyone would love it- and look at you.”

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Mary Shelley’s Frankenstein presents important social criticism. Shelly focuses, in particular, on importance of forgiveness, betrayal, acceptance in society. Learning to forgive yourself and others is an important thing to know how to do or you’ll be holding on to useless hatred and pain all of your life; the same way the monster, Frankenstein, was doing. “Forgive me. Everywhere I go, they hate me”.

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The passage on pages 43-44 in Mary Shelley's Frankenstein describe the events that occurred as Dr. Frankenstein brought his monster to life. She effectively uses her language and imagery to develop her tone, very dark and anguished. Her diction also helps to enforce the overall theme of the passage: don’t mess with the natural order of things. Immediately at the beginning of chapter five (p. 43), Shelley gives the reader an image of the day that the monster was born on: “It was on a dreary night of November that I beheld the accomplishment of my toils.” (Shelley 43).

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In the gothic science fiction novel, Frankenstein, Mary shelley describes the life of Victor Frankenstein, a natural philosopher who is fascinated by the realm of human anatomy, leading him to create a creature whom he praises before its creation. Composed of different appendages, Frankenstein’s monster gradually adapts and builds its vocabulary through studying others and is the character who both starts and ends the plot of the novel. “1812 Overture”, by Pyotr ilyich Tchaikovsky fits the scene where Victor first discovers the harnessing power of electricity in the swiss alps while a tree gets struck down by lighting, this song plays low chimes and that later become sounds of cannons, making it have ties to this scene. In chapter 2

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The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost

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After Frankenstein experiences the death of Elizabeth, he understands that he is the cause of all the deaths in his family and promises to seek revenge on his creation. All the guilt he has turns into anger and fuels his impulse for revenge on the monster. He very passionately and assuredly describes his anger when he says, “My revenge is of no moment to you... I confess that it is the devouring and only passion of my soul,” (217) and promises to seek justice for what he believes is rightfully his. Frankenstein travels to the ends of the world to enact the revenge he thinks he deserves.

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In Mary Shelley's Frankenstein, Shelley uses language and effectiveness of her writing to describe imagery, tone, and theme to make the monster seem more of a human than the monster people perceive him to be. The monster is learning on how to be a human without the help of his creator, Frankenstein. Shelley’s usage of the language that she presents in her imagery, tone and theme clearly make you relate to the monster and show you what Shelley was thinking when she was scripted the monster. Shelley clearly shows imagery to express how the monster feels about the world around him.

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