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Dizzy Gillespie Research Papers

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Recommended: How historians think bebop changed jazz

Introduction:
John Birks Gillespie, better known by his stage name Dizzy Gillespie, was an American jazz trumpeter, composer, and bandleader. Gillespie is regarded as one of the most important jazz performers of the 20th century and was crucial to the growth of the bebop jazz movement, which began in the middle of the 1940s. Gillespie recorded and wrote hundreds of songs over his career, many of them are now regarded as jazz standards.

Early Life and Musical Beginnings
Dizzy Gillespie was born and raised in Cheraw, South Carolina on October 21, 1917. He was the youngest of nine children and at the age of 12, Gillespie started playing the trumpet and soon displayed musical potential. Gillespie's father taught his son the fundamentals of various …show more content…

Jazz began to divide during the war into two musical philosophies: traditional jazz "Revivalism" and modern jazz, known as bebop. In New York, where youthful creatives like Gillespie, created new revolutionary methods, the name "bebop" was first used. Charlie Parker, a player of the alto saxophone, was Bebop's most renowned icon along with Gillespie. Complex, quick-paced melodic lines, fresh rhythmic concepts, adventurous harmonic improvisation techniques, and ferocious instrumental prowess characterized the music. Bebop evolved into a variety of current jazz forms after the war. The Club Eleven, a group of musicians from London that included saxophonists John Dankworth and Ronnie Scott, served as the country's first musical foundation. Several players learned bebop by signing up to perform in dance bands on transatlantic …show more content…

Flora Purim toured with the orchestra for three years. She says Gillespie helped her comprehend jazz better. In 1982, he was sought up by Motown musician Stevie Wonder to play his solo on Wonder's 1982 hit single, "Do I Do". Gillespie experienced a crisis in December 1991 while performing at Kimball's East in Emeryville, California, which turned out to be pancreatic cancer. After one more performance, he postponed the remainder of the tour due to health concerns, ending his 56-year career as a touring musician. On January 25, 1992, he oversaw his final recording session and in 1993, Gillespie died of pancreatic cancer on January 6, at the age of

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From 1937 to '44, Gillespie performed with important swing bands, including those of Benny Carter and Charlie Barnet. He also began working with musical greats such as Ella Fitzgerald, Earl Hines, Jimmy Dorsey and Charlie Parker around this time. Working as a bandleader, often with Parker on saxophone, Gillespie developed the musical genre known as "bebop. "A reaction to swing, clear for off-key harmonies and polyrhythms. "The music of Charlie Parker and me laid a foundation for all the music that is being played now," Gillespie said years later.

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Charlie Parker is probably one of the largest contributors to Bebop, but this doesn’t exclude Miles Davis who furthered what Parker created. Charlie Parker changed the way performances and writing of jazz music forever with his new style of music called Bebop or Bop for short. This genre replaced the previous style of swing which focused on dancing, which was popular for years. Bop music was all about fast tempos, expanding of the horn, soloing, and complex rhythms and harmonies. This style was all about the musician take the traditional format of swing which was formulated to be about 85% written and 15% soloing and switching it to 85% soling and 15% written.

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Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big

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Dizzy Gillespie and Sonny Stitt, Live in Belgium 1958 This concert took place on the European tour of Dizzy Gillespie Quintet. In the concert Dizzy Gillespie doing the vocals and trumpet while Sonny Stitt plays the alto saxophone, tenor saxophone and vocals. The rest of the Quintet that lead by Gillespie, are played by Lou Levy playing the piano, Ray Brown the formidable bass, and Gus John on the Drums. The concert collection is interesting each musician add it’s on style for instance a swinging style is brought in the first track Blues after Dark, a more upbeat on the sunny side of the street, a romantic and smooth style in lover man, and classical blues style for cocktails for two and blues walk.

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As bebop is a subgenre of jazz and started to appear during the thirties of the twentieth century. However, bebop became more prominent in the early forties. Yet, one can see the techniques that are used in the bebop as early as 1928. There are several differences between swing and bebop. Where musicians of swing were often in groups of fourteen or more, bebop stayed with a number of six musicians.

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