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Doryphoros Vs Polyykleitos Analysis

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This sculpture, seen in the image, can be found in the Greek and Roman Art Gallery in the Metropolitan Museum of Art, NYC. Although this is a Roman marble copy, the original sculpture was created by Polykleitos of Argos, one of the most famous artists in Classical Greece. Along with this piece, Diadoumenos, Polykleitos is best known for his Doryphoros or “The Spear- Bearer”. Both sculptures portray athletes. According to the museum label, Diadoumenos represents a youth adorning a fillet, or a band, around his head. This was a custom done after a victory in an athletic contest. As a result, this figure was most likely placed where athletic games, probably the Olympics, were held (Olympia or Delphi). Since this is also a statue from the Classical
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The Hope Athena in LACMA is a 2nd century C.E. Roman copy based on the 5th century B.C. Greek original. This statue is similar to other classical statues such as the Lansdowne Bust of Athena of Velletri created in Italy, Rome, Roman, 2nd-century copy after a Greek original of circa 430–420 B.C. by Kresilas and also Athena Battling Alkyoneos which is from the Altar of Zeus, erected about 175 BCE on the Pergamon acropolis. These statues of Athena all appear to be similar because of the way they are dressed, their stance, and their stylization, even when they have different sculptors and time periods that they were made. The Hope Athena, Bust of Athena of Velletri, and Athena Battling Alkyoneos frieze all have similar helmet shapes and hairstyles.

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The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the second and third centuries. The style of this art piece is classical Greek art, the Romans were influenced by Greek culture and literature, such as mythology.

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This statue was of a man who lived over two hundred years ago

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In his introduction he explains a case about a statue going into an art museum. The museum was approached by an art dealer in 1983 who claimed to have a sixth century B.C. Greek statue for sale, a Kouros. Officials at the Getty Museum were very

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Through depicting the murder of Julie by Maddie and the subsequent burden that she forever has to carry, Elizabeth Wein demonstrates that while Maddie had good intentions, it doesn’t classify her act as ethical because it goes against her human nature. One of the most common ethical principles explains that the “ends don’t justify the means”. This conveys that you can not do an immoral act for a future greater good, one of the reasons being that you do not know what will happen in the future. Maddie murders Julie which goes against the human nature to preserve our own life and the lives of others. This action brought on unwanted consequences to Maddie, one of which is having to live with her friend’s blood on her hands.

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The Roman Empire, at its height (c. 117 CE), was the most extensive political and social structure of western civilization. Under Trajan, the empire reached its greatest territorial expanse and his admiration for Greek culture spurred new building programs and classicizing works of art throughout the empire. The marble representation of Trajan at the San Antonio Museum of Art known as (The Lansdowne Trajan, 98-117 A.D.) establishes Trajan as a skilled military commander, an affluent ruler and a god that’s why the torso of this sculpture belonged to a statue of a youthful god and later consolidated with Trajan's head. In The Lansdowne Trajan, the unknown artist utilized fine marble, contrapposto pose, shape and line to capture the dynamism of

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This sculpture craves attention as is stands outside, on a concrete platform with four steps, facing each side of the detailed pedestal. This pedestal possesses quotes such as “I have a

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This sculpture reminds me of a sculpture found in early first century BCE. Aule Metele is an Etruscan sculpture that uses roman styles. The statue of Elijah Peirce and of Aule Metele both show the figures as older men with sad looks on their face. Though the medium of this statue is bronze instead of brass they are comparable visually based on the details. In conclusion, Weitzman’s use of personal information he gathered about Elijah Peirce was what made the sculpture along with his attention to

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The name of this work is “Akhenaten and His Family.” The sculptor of this work is unknown. But the piece was originally made around 1353-1336 BCE. Provenance (Where was it made? For whom?)—It was made in Ancient Egypt for Akhenaten and his family, in honor and praise of the kings prosporous and happy family life.

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It is an incense burner illustrating the satyr, Marsyas, flayed for a display of hubris. On the leg of Marsyas is the engraving “suthina” transforming it into a funerary offering and leading Art Historians to accept that it was not intended to for use by the living. This mythological convention reoccurs in the bronze piece Chariot. Chariot has mythological depictions theorized to be of the ancient hero Achilles. Despite its extravagance it is unlikely that it was put to use until its burial with the deceased.

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According to Getty.edu, the art piece was named after Lord Lansdowne, a British noble who displayed the statue in his estate in London. The origins of the statue are unknown but speculated to be a Roman copy made from the famous school of Polykleitos. Workshops during ancient times tasked aspiring students with the menial labor of creating backgrounds and most of the form of sculptures; the masters finishing them up with the fine details such as the face and especially hands. Many Romans were quite fond of Greek culture and art, emulating and duplicating them on numerous occasions.

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