In Bruce Cockburn’s Hoop Dancer, a song written in 1979 from the album The Trouble with Normal, he expresses his theme using a number of vivid rhetorical devices. The song begins by illustrating the scene using vivid personification. When recalling the sound heard he gifts it life recalling its laugh fading, its snake like nature, as well as its t sliding over the “seeming infinity of while light in neon,” This simple personification paints a vast picture that contrasts the age old sound with the crowded neon lit utopia of the present, this picture and contrast will set us up for the theme of this song. The next device cleverly utilized in this song is an anaphora this writer used to emphasize their point. After illustrating this horizontal
In writing A Voyage Long and Strange, Tony Horwitz’s goal is clear, to educate others on early America and debunk ignorant myths. Horwitz’s reason for wanting to achieve this goal is because of his own ignorance that he sees while at Plymouth Rock. “Expensively educated at a private school and university- a history major, no less!-I’d matriculated to middle age with a third grader’s grasp of early America.” Horwitz is disappointed in his own lack of knowledge of his home country, especially with his background history and decides not only to research America’s true beginnings, but to also follow the path of those who originally yearned to discover America.
In Bruce Cockburns Hoop Dancer, a song written in 1979 from the album The Trouble With Normal, he makes the case that the 20th century is destroying the culture of Indian tribes leading to an unsure future using these rhetorical devices: personification, hyperbole, anaphora, and simile. Personification is one rhetorical device used in the line, “the echoes of this laugh fade.” The line references that the joyous times of thriving Native American tribes are fading away as the 20th century rolls on. Memories are all that are left of the Native American’s true culture. Another device,hyperbole, depicts the bustling life of the 20th century, “drums and voices blend with endless rain.”
Maria Amparo Ruiz De Burton work entitled the “The Squatter and the Don” captures the essence of Michel Foucault’s proposition on discourse and power by drawing from the Treaty of Guadalupe-Hidalgo in 1848. She illustrates the racism and deprived rights the Mexican-American faced after being falsely promised to be given citizenship. The discourse of Burton’s work is the written laws that any citizen living within the state is supposed to abide by. Don Mariano is a man of the Alamar family who resided in San Deigo with his wife Dona Josefa and their children.
John Biewen, the author of Scene on Radio for his series, ‘The Land That Never Has been Yet’ made this series to talk about different historical events that relate to U.S. democracy. Biewen retells events about democracy in the United States in his own insight that they are glories and full of flaws. Episode 2 of this series recounts a specific historical event with the purpose of interpreting how U.S. citizens used their hardship as an opportunity to demand a better life. This historical event is Shay’s rebellions. Throughout the episode, John Biewen uses different rhetorical modes like example, narration, and ethos to broad out his insights of this event.
The imagery that Connell creates in The Most Dangerous Game captivates the audience into a tale that makes one’s heart stop even for a split second. The feelings of suspense are nearly tangible to the reader when the silence of the writing surrounds them. Additionally, the two contradicting moods are easily flowed through together and yet discreetly set apart due to Connell’s use of imagery in various scenes. Despite all the other literary devices used within The Most Dangerous Game, imagery has to be the element that really allows the emotions of the literary piece to connect to its
In Richard Wilbur's poem "The Juggler," the speaker uses vivid imagery and figurative language to describe the skill and control of a juggler, creating a sense of admiration and awe for the juggler's ability to defy gravity and create a sense of magic and wonder through his performance. However, the speaker also recognizes the temporary nature of the juggler's feats and the eventual return to everyday life, adding a sense of nostalgia and longing to the poem. Through this description of the juggler, the speaker reveals a fascination with the juggler's abilities and the temporary escape from the mundane that the juggler's performance offers, while also acknowledging the limitations of that escape. The poem begins by comparing a ball to the
Some poems are lengthy, and some poems can be very short, however when analyzed, they all express a deeper message. For example, when examining the poem, "The Changeling," by Judith Ortiz Cofer, the reader can easily spot the important message which the author is trying to reveal to the reader through the use of poetic devices. When closely reading this poem, the language and the terminology applied by Cofer enhances the readers ability to make connections between the theme of this poem and how it can be applied to real world scenarios. The poetic devices incorporated into the poem, "The Changeling," reflect on how young children interpret gender roles in their own way.
Adventure and desire are common qualities in humans and Sarah Orne Jewett’s excerpt from “A White Heron” is no different. The heroine, Sylvia, a “small and silly” girl, is determined to do whatever it takes to know what can be seen from the highest point near her home. Jewett uses literary elements such as diction, imagery, and narrative pace to dramatize this “gray-eyed child” on her remarkable adventure. Word choice and imagery are necessary elements to put the reader in the mind of Sylvia as she embarks on her treacherous climb to the top of the world. Jewett is picturesque when describing Sylvia’s journey to the tip of one unconquered pine tree.
The story starts with a book protagonist who is a survivor of the tsunami. He gets rescued by Wolf Larsen who is the captain of “Phantom”. Wolf Larsen force the book protagonist to be part of his team. Instead of putting “Sea Wolf” into the adventure category, the book is more about the philosophy of life. The book is mixed with author’s own point of views and discussions about the beauty of life.
“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
In the poem, Ross makes references to both word’s and image’s abilities to connect and communicate with the world. However, he makes it clear that images can convey more than words. As a result, “On Jean-Michel Basquiat’s ‘Horn Players’” argues that images are the most powerful means of connecting with the world.
Twins – Anosh Khan The Menos Que police: the highest police in the entire world. They fight everything negative that one can imagine. Their leader, Menos, has brought down drug dealers who made countless colossal police organisations tremble. Once, nearly twenty-four thousand enemies were overwhelmed by only eighteen of his own.
The poem Dusting by Julia Alverez relays several ideas to the reader. It begins by describing a young child going about a house and writing their name on the furniture. The child 's mother follows behind her and, in the process of dusting, incidentally erases the writing. While this poem may seem superficial from a quick reading, it not only reflects some aspects of Alverez’s childhood, but it also reveals some thought provoking questions. In Dusting, through making an analogy to a relationship between a mother and her child, Julia Alvarez demonstrates her desire to break away from traditional or cultural expectations, express her individuality, be well-known, and, ultimately, she makes an important point about life.
The vivid imagery contrasts considerably with the speaker’s identity, highlighting the discrepancy between her imagined and true personas. The speaker undergoes a symbolic transformation into a boy, but in order to do so, she must cast away her defining features as a woman. One way she does this is by repositioning
