In Dante’s Inferno, the ideas of justice, good and evil, and suffering in hell are implied. The idea of suffering in hell and the idea of justice are closely related. Dante indicates that those suffering in hell have committed crimes that are being punished in a reasonable way and that we should not have pity for them. He uses the setting and his organization of hell to transmit these ideas and his philosophy regarding these ideas. The organization of hell helps us understand that Dante believed it was a person’s poor decisions and not cruel fate that got a person in hell.
To keep his name clean Villefort sends Dantes to prison where he is imprisoned for fourteen years before he escapes. In prison he becomes friends with a priest, Abbe Faria, who tells him of a hidden treasure that Dantes can get once he escapes. Later on it is found out that Abbe Faria has a disease that h is likely to die from and eventually he does die after a massive seizure. When he dies Dantes takes on the act of a dead body and escapes that way. After escaping he finds the treasure and starts his new life of power and vengeance.
Sometimes a person will go so far with their revenge they can influence pain to others. The imagery in the short passage from The Count of Monte Cristo shows how shocked and regretful The Count of Monte Cristo really is. “Look Edmond Dantes! Said Villefort, pointing to the bodies of his wife and son. Is your vengeance complete now?
In his novel, The Count of Monte Cristo, Alexandre Dumas develops Edmond Dantes as an agent of Providence to demonstrate that God rewards the good and punishes the wicked. In the novel, the claim of Dantes’ position as an agent of providence is supported by his acquisition of means from God and the belief that he is chosen by God to punish the wicked. Edmond Dantes is given the means to escape and punish the wicked from God. Alexandre Dumas has Dantes monologue about his triumphant return and his own perceptions of its cause to Mercedez. During this monologue, Dantes describes the considerable fortune he obtained by telling Mercedez, “I considered that fortune as a sacred trust;” (495).
The story, The Count of Monte Cristo, displays that once vengeance has been stowed inside a man, the new feeling of revenge will only dissipate when his revenge has been carried out fully. Edmond Dantes, known as the Count of Monte Cristo, was arrested and taken to jail, and while he was in the Chateau d’If he was transformed from an innocent young man into an omniscient man continuously seeking vengeance, which, in the end, he does achieve. In The Count of Monte Cristo, the author uses Monte Cristo’s actions along with rhetorical strategies including detail, tone, and diction, to create the vengeful tone demonstrating that after one makes the decision to carry out his revenge, it won’t stop until it has been completed. By the use of Dumas’
Dante ensures this happens by using the concept of contrapasso, which describes the relationship between sin and the resulting justification in Hell. The literal definition of contrapasso is the 'counter-strike' or the 'counter-suffering which translates literally as "counter-penalty." And in Dante’s Hell, sinners are punished according to the nature of their sin, so that their punishment fits their crime. And as we see throughout the story, some sinners literally become the personification of their sins while others become victims in Hell of the crimes they committed while on
Hostility or Compassion? Dante Alighieri, was exiled from Florence, Italy, because of politics, after he was exiled he wrote an epic about his view of Hell. In the epic, The Inferno, Dante, the protagonist, strays from the right path, so Virgil, his guide takes him through Hell to show him that he needs to get back on the path of God. However during the epic, Alighieri shows compassion and hostility to certain sinners through his protagonists actions, diction and extra punishments. Such sinners he felt compassion or hostility to are Filippo Argenti, Ser Brunetto Latino, and Bocca Degli Abbati.
Dante Hero Essay Pieces of writing are often viewed as a product of their origin time period, even in the modern day it is not uncommon to view our time plane as independent to what preceded as if we were somehow separate from every moment that came before. Instead every aspect of a story is ingrained with the message of millenniums before it, so much so the effect that the present has pales in comparison. This is present throughout Dante’s inferno written by Dante Alighieri as it is not merely a representation of the time period it originated from, rather the present represents the top of an iceberg whose very existence and stature are fully dependent on the times that preceded. This phenomenon of the past is fully present in Dante’s epic hero cycle. Dante’s resurrection reveals to be heavily influenced by the history of humankind.
Firstly, the benefit of getting revenge is a big part of Dantes' journey. Throughout the film, he tries to get “revenge” on the people who betrayed him and put him in prison for years (Wolpert). Dantes wants revenge and justice for the wrongdoing which happened to him in the past. This leads him to take on the title of the “Count of Monte Cristo” (Wolpert). Meanwhile, Dantes's journey is also driven by the reward of love.
Vengeance of the Count of Monte Cristo Edmond Dantes is betrayed and sent to jail in the Chateau d’If where he is sent to spend the rest of his life. While in jail he meets the Abbe Faria who “instilled in [his] heart a feeling that wasn’t there before: vengeance” (58). Edmond escapes and is set on destroying the lives of the people that took away fourteen years of his life. Monsieur de Villefort first meets Edmond in Marseilles when he is only 19 years old, where Monsieur de Villefort is the public prosecutor.
But, as the poem continues to progress, it becomes quite clear the there is a perfect balance within God’s justice as the degree of each sinner’s punishment perfectly reflects upon the gravity of the sin. Furthermore, the inscription on the gates of Hell explicitly states that Hell exists as a result of divine justice; “ll. “ Justice moved my great maker; God eternal / Wrought me: the power and the unsearchably / High wisdom, and the primal love supernal (III.4-6).” Prior to delving into the structure of Hell and how it displays God’s divine justice, one must first familiarize themselves with both the historical context of Dante’s life, along with the beliefs of the medieval church.
Who is Edmond Dantès? In Alexandre Duma’s The Count of Monte Cristo (1844), Edmond Dantès may appear as a protagonist, however, he displays three major flaws of his own personality that show how he is an antagonist: his pride, his vengeance, and his slyness behavior. When Edmond is imprisoned in the Château d'If dungeon, he is informed by Abbé Faria that the reason he was sent to the dungeon was due to three men who betrayed him.
In The Comedy, Dante the Pilgrim develops a relationship with his damned idol, Virgil, in order to journey through both Inferno and Purgatory. Even though Virgil was a good man while living, he lacked understanding of certain virtues, like pride, which prevented him from being able to reach higher levels in the afterlife. Dante the Poet’s choice to damn Virgil conveys that obeying a higher order is the way to one’s salvation. The developing relationship between Virgil and Dante the Pilgrim throughout the first two canticles brings light to the opposing separation between the two characters because of the devotion Dante has to Christian virtues in comparison to Virgil’s pagan misunderstanding of virtue. While Dante the Pilgrim experiences many
This pope is not physically in Dante’s Hell, because he was not yet dead at the time he was writing the poem. However, to Dante, Pope Boniface VIII was one of the most corrupt and fraudulent because he led a false perception of wanting to make peace. This false perception undermines the church and all of its followers, causing him to eventually join Pope Nicholas III in his misery, following the theme of how the abuse of power, particularly in the church and politics, is despicable towards
The people in the story thought that he died when we went to prison, as the thought of the wretched prisoner escaping was nearly insane. Dantes’ new identity, The Count of Monte Cristo, went back to the prisoner to find out information about himself. No one recognized him or knew that he was alive. Even the guard said “‘He died in prison, wretched and hopeless’” (Dumas 97).
