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Edward Scissorhands Camera Angles Analysis

653 Words3 Pages

All directors have the unique ability to manipulate their thoughts and ideas and make it a reality. Tim Burton, an award-winning director, is one such person who’s abnormal ideas find their way onto the big screen. With the use of stylistic techniques, Tim Burton crafts dark and intriguing movies. In the films Charlie and the Chocolate Factory and Edward Scissorhands, Tim Burton uses low camera angles to intimidate the audience, and close up shots to make them experience what the characters are feeling.
In fact, Tim Burton utilizes low camera angles to create a cold and foreboding mood. For example, during the scene in Edward Scissorhands, where Peg stands outside the gate of Edward’s mansion, low camera angles are used to create a contrast …show more content…

The scene in Edward Scissorhands, where Kim is dancing in the snow uses a close up shot to show her twinkling eyes and bright smile which indicates her pure joy. Because Edward created the snow, viewers can clearly see a change in her feelings towards him, from an initial indifference (possibly even disliking) to an eventual fondness. The audience is able to relate to Kim’s feelings and they can experience her joy and happiness. Comparatively, Tim Burton uses to same technique in Charlie and the Chocolate Factory to induce a different feeling. The scene in which Charlie first realized that he found the golden ticket uses a close-up shot. Charlie’s wide eyes and gaping mouth is evident to audiences as he stares at the golden ticket. His shock and excitement comes to life and is not only felt by Charlie, but by viewers as well. After seeing Charlie’s eagerness from finding the ticket, the audience becomes more invested in the plot and they themselves want to join Charlie on his future adventure to the factory. Close-up shots show the character’s feelings in intricate details which allows viewers to understand the characters and their feelings, thus making them more invested in the

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Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.

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Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.

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Tim Burton once said, “One person’s craziness is another person’s reality,” What he means by this is that the gloomy, bittersweet moments of his films seem ominous, yet this drama is indeed realistic, which is what Burton attempts to convey in his productions, combining his knowledge and special touch. Tim Burton uses various cinematic techniques such as camera angles, music/sound and editing choices to emphasize the mood and tone of the movie, which is mainly focused around being eerie, dramatic yet realistic. Edward Scissorhands, Big Fish and Charlie and the Chocolate Factory most effectively demonstrate these decisions through the clear application of them to the scenario at hand, along with the clear inferences and conclusions viewers can

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Behind every monumental idea or inspiring work of art lies someone who was different, but refused to change despite how society beheld them. Tim Burton is one of these individuals. Burton’s movies are incredibly unique and similar to no other director’s work, due to this originality he has been particularly successful in Hollywood. Tim Burton uses his unique style and techniques to influence the audience and show them that individuality should be celebrated and not judged. Some of his most well-known movies such as Edward Scissorhands and Alice in Wonderland feature a main character that is unabashed by their differences and not afraid of how society treats them.

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Tim Burton is a famous director known for most of his “dark” movies, such as Edward Scissorhands, Charlie and the Chocolate factory and also A Nightmare Before Christmas. He was mainly influenced to create these aspects in a movie from other writers such as Edgar Allen Poe and also uses techniques from Dr.Seuss to create musical types of movies with rhythm such as Dr.Seuss books. He is also known as more of a dark person and most films that he directs can help prove that. Also, in most Burton films,Edward Scissorhands, Charlie and the Chocolate factory and A Nightmare Before Christmas, he uses cinematic techniques such as camera angles, lighting, and also sound to create a “scared” or “creeped out” feeling in the audience. In the movie Edward Scissorhands Burton uses camera angles to make an image either look bigger or smaller.

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With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.

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By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing

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Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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Tim Burton uses lighting to convey his unique gothic cinematic style in his films. In some of his past movies, such as Edward Scissorhands and Charlie and the Chocolate Factory, Burton uses a variety of lighting techniques to indicate the mood of his movies. High key lighting creates a bright open-looking scene such as when a scene is flooded with light, allowing it to look bright and cheerful in the town in Edward Scissorhands. In Edward’s mansion, low-key lighting is utilized, flooding the scene with shadows and darkness, creating a dark tone to the scene to evoke sadness and such depressed emotions. Low-key lighting is also used in the film Charlie and the Chocolate Factory, where in the beginning of the film it demonstrates Charlie’s humble home and dark lighting is used to show the family's state of debt and depression.

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The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.

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On the other hand, Tim Burton uses low key lighting which is when the scene is flooded with shadows and darkness, creating suspense or suspicion. When Peg shows up to Edward Scissorhands mansion the whole audience is probably cringing in fear telling her to not go in because of the way it looks. Edward is a pretty intimidating character to draw near with but he is the opposite of what some people would think he is, he is actually gentle and friendly. With the use of low key and high key lighting, it is hard to interpret what an upcoming shot or scene is going to look like next. Burton manipulates lighting to create intended effects so your attention is directed to a “focal

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Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.

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His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.

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