Baz Luhrmann is a figure who is highly regarded in the film industry and is known for his attention to detail in his films. He has continued to mature his abilities as a director but some may criticize his apparent evolution from his adaptation of Romeo and Juliet to the adaptation of Fitzgerald’s The Great Gatsby.
The opening visual that is seen in Romeo and Juliet is an old-fashioned Television set on a black background which is a representation of death and tragedy which is the major genre in the whole film (Notes, 2015). Whilst in The Great Gatsby there is also a black background with black and white lines also representing death and tragedy as a genre but with a white light in the center. Both the opening visuals are similar therefore there is no proof of evolution.
He uses the “frame within a frame” technique in Romeo and Juliet to show the black presenter that is telling the audience about the tragedy from the television as the focal point which is a modern presentation of the prologue and as a representation of the time they are in to appeal to that generation. He uses it again in The Great Gatsby but these times the frame/s within are just lines in black and white to show the timeframe of the film. Using this technique in The Great Gatsby has showed
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While in Romeo and Juliet the ring symbolizing the unity, marriage and love of Romeo and Juliet and the Jesus Christ statue used to separate the families into different sides and to show that the families are above all and above religion. In The Great Gatsby, the symbols are too complex and cannot be easily interpreted therefore there is no evolution from Romeo and