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Examples Of Celebration In Antigone

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A Celebration For The Gods Imagine a world where everyone does as they please and society has no order. Chaos would fill the planet and horrible downfalls will result because rules and laws help keep everything in order. The play Antigone written by Sophocles demonstrates a ruckus in society when King Creon decides to go against the order of the Gods and does not give the body of Polynices a proper burial for his own benefit. Antigone, the sister of Polynices, gets captured by Creon because of her actions of burying him, but after a great amount of persuasion Creon decides to set her free. This scene leads to ode five where the chorus celebrates Creon’s change of thought that will finally make Thebes plague free. Laced with diverse amounts of syntax and diction, ode five easily portrays excitement coming from Thebes and the theme of the gods laws being greater than man's. …show more content…

Repeatedly the chorus calls up Dionysus, the god of wine and festivity, to help the city of Thebes celebrate. Ode five also has an abundance of exclamation points in it, allowing the reader to know that the chorus became very ecstatic at that moment. The exclamation points also gives the chorus a very cheerful tone. The chorus’s joy can also be examined within the stanzas and its structure. The stanzas are broken up into little segments, each pleading to dionysus in various forms to bless Thebes with celebration and dance. The repetition of the word “dance” also appears in the last stanza. The word “dance” gives off a very cheerful and celebratory connotation that the chorus hopes the gods will bring back to Thebes now that Creon began to follow the gods

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In the play Antigone, there was a character who was put in a unique situation. Haimen was the son of the newly crowned King Creon and was engaged to his own first cousin, Antigone. When Haimen is introduced into the play Creon thinks that Antigone should be put to death because she tried to bury her brother in order for him to rest in peace, but Haimen thinks otherwise. He uses various rhetorical devices to try and change his father’s ruling and get him on his side. Haimen enters and begins reasoning with his father, but Creon is not having it.

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Annotated Bibliography Topic: Discuss ancient Greek funeral and burial traditions and then illustrate why these matter to Antigone’s activity during the play. Be sure to analyze Antigone’s motives based on these traditions. Thesis: Greek burial traditions were extremely important during the time of Antigone’s need to bury her brother, Polynices, even though Creon says it is against his law. Antigone based her beliefs off traditions from the past, causing many people to not agree with her.

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In the play Antigone, Sophocles tells the story of the titular character as she buries her traitorous brother in defiance of a tyrannical despot. Through this action, the play asks the question of whether the laws created by one man “could override the gods, the great unwritten, unshakable traditions,” (504-5). Some may argue that Creon's decree is merely one of necessity, an unavoidable evil to allow the city of Thebes to heal and unite. He is a patriot holding his city together in times of strife. While Creon may believe this, saying "our country is our safety" (211), it is actually his lack of love that causes him to deny Polynices his burial.

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Literary devices consist of narrative techniques that add texture, energy, and excitement to the narrative, grip the reader's imagination and convey information. Anton applies literary devices such as irony, over exaggeration, imagery, etc. to create meaning to his theme, tone, or characters of the play. He mainly uses over exaggeration and similes to portray his purpose of the play which is to show the domestic problems of the middle-class and how the upper-class treat these problems. One of the many literary devices Anton uses to create the meaning of the play is hyperboles.

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In the final lines of the play, the Chorus is

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In the play Antigone, written by Sophocles, burial customs of the ancient Greeks play an extensive role. The women of the family perform the burial rites, and believed that if their distinct methods were not followed, the soul is destined to suffer between worlds until the correct rites were performed. Antigone, the sister of Polynices and Eteocles, is aware of this and is not going to stand by and let her brother, Polynices, linger between worlds in pain, after being killed by Eteocles. With her ambition and determination she does the deed, and of doing so she follows the god's laws, but breaks Creon’s laws in the midst of it. Creon is also aware of the burial rites but still decides, through his stubbornness, that Polynices shall not be performed these rites, because of his actions against Thebes.

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“Humble yourself or life will do it for you,” is a common quote used by many. This idea of being humble to avoid consequences applies well to the book Antigone by Sophocles. It shows how if one has too much pride, they will be humbled in one way or another. In Antigone, Creon had tunnel vision, not listening to anyone. His fatal flaw was hubris, ultimately leading to the downfall of him.

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The messages of Flower Protest by Banksy directly relate to themes in Antigone by Sophocles. Flower Protest depicts a man holding a bouquet of flowers. He is reaching back with his right arm and leaning back on his leg almost as if he is ready to throw the flowers. The bouquet represents peace, as flowers are associated with peace and kindness. The title of the visual, "Flower Protest" tells the audience that the man is a protestor.

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In the play Antigone, Sophocles demonstrates the conflict between family and God through the characters of Antigone, Ismene and Creon. Antigone being ambitious and strong willed throughout the play, fights for his brothers honor and proper burial while Ismene on the other hand, is more timid fears the consequences that may occur if the laws are broken. For Creon he is the King and holds most power, until the Gods feel he is incapable. Antigone, Ismene and Creon all use logical and emotional appeals to achieve a compromise to either bury Polynices or not.

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These gods are the personification of death in the play which is why the messenger hoped that “they might restrain their anger”; because death has the power to influence

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INTRODUCTION: Interculturalism is when two different cultures come together and this allows them to combine their traditions temporarily (holledge and Thompkins pg 7). In this essay interculturalism will be explored when the play Antigone (djjd) is adapted into modern South Africa. The themes concerning the individual as opposed to the state, determination and pride will be examined. The language, characters and aesthetic components will be discussed as well as the notions of violence.

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This paragraph is a prayer of Io, the mortal lover of Zeus. She talks to enchained Prometheus and laments about her sorrow which was caused by love. The first thing that we mention is that this orison is a monologue to Prometheus, however, she is in hope that Zeus would be listening to her as well. The second fact about this piece is that the name of Zeus is never mentioned; she uses epithets like “Son of Cronos” and “Lord God” to refer to him. Two points mentioned compliment each other as they portray the Io’s personality, shaped by the struggle she is experiencing.

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This invocation of the gods is typical of the ancient Greek dramas, where the first line calls upon the divinities for inspiration of the work, similar to an opening prayer. Examples include Homer’s great epic poems Odyssey and the Iliad, as well as the Homeric hymn to Pan, XIX, “They sing of the blessed gods and high Olympus and choose to tell of such and one as luck-bringing Hermes above the rest.” Pan, who was the son of the god Hermes, also favoured by Dionysus, “Then all the immortals were glad in heart and Bacchic Dionysus in especially; and they called for the boy Pan because he delighted all their hearts” (Evelyn-White 1914 as quoted in Astilla, 2007). There are surviving fragments of Sappho’s third and fourth odes, as translated

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In every person’s life there are laws that they follow, whether they be set by the authority in the country or their belief in a higher deity. The laws one follows while leading their life can sometimes be in conflict, in Antigone divine and state law are incompatible forcing the characters to make difficult decisions. Antigone’s personal obligation to following religious rites and traditions puts her at odds with Creon’s insistence on enforcing his will as the king. Sophocles examines the conflict between rules and order to illustrate how adherence to the law of the state can be mislead. Through the conflicts between characters in the play, Sophocles exemplifies that in his best world divine or religious law is obeyed over the law of men or

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The drama Antigone places the culture of Greece on display by showcasing the many values that this culture held in reverence, including remaining loyal to family, honoring the dead, and honoring the gods. In Sophocles’ renowned drama entitled Antigone, one of the main values that Antigone chooses to honor is loyalty to family, even when that means that she has to forgo loyalty to her city and community. Even though her uncle the king, Kreon, forbade anyone to bury Polyneikes’ body because he had been on the opposing side in the battle, Antigone felt a duty to her brother to bury him. When speaking with her sister, Antigone says that Kreon’s command “…threatens our loved ones / as if they were our enemies” (Antigone 14-15).

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