“What faith are you talking about theirs or ours…,” states a confused Spanish captain. “The only one, the faith,” replies Cabeza de Vaca. This dialogue between the captain and the title character addresses the overriding theme of the film, the possibility of syncretism. Syncretism does not define a “theirs” and “ours” but instead is a religious combination of both traditions. The traditions of the indigenous shamans and Spanish Christianity came to be embodied in the figure of Cabeza de Vaca. The characteristics of the possibility of syncretism are demonstrated in film through the concepts of religious brotherhood, the duality of miracle and magic, and the acceptance by the Natives. Through the embracing of a syncretic approach to colonial …show more content…
In the first scenes of the movie, the Christianity of Cabeza is made well known, which is to be expected of a Spanish conquistador. The cross around his neck is prominently visible and he is in the company of a friar who is constantly carrying his wooden crucifix. After being captured by Natives, Cabeza is forced into the company of an indigenous sorcerer and his accomplice, known only as “evil thing.” He experiences the power of the shaman and, after appearing to experience a moment of spiritual empowerment, becomes a healer himself. These healing actions are what set him free physically, but also serves as an indication of his spiritual freedom to explore a new tradition. In this moment, one of the most obvious symbols of syncretism is unveiled, the Christian cross covered in Native feathers. He is captured by another group of natives, but is saved by a group of attacking Natives and saves the life of a Native boy named Ariano, who becomes one of his most loyal followers. In the end, Cabeza and a few of his fellow voyagers find their way back to the company of the Spanish. In many ways, Cabeza is disturbed by the way the Spanish have captured the Natives and are planning to use them to build a Catholic Cathedral. Finally, his most loyal follower, Ariano, is killed and the symbol of syncretism, the natively adorned cross, returns to