Kahlo, a Mexican painter, is celebrated for her self-portraits and her exploration of personal pain, identity, and cultural heritage. Her vivid and surreal compositions often incorporate symbolic imagery and draw inspiration from Mexican folk art. On the other hand, O'Keeffe, an American modernist, is best known for her large-scale, abstract paintings of flowers, landscapes, and natural forms. Her work emphasizes bold colors, organic shapes, and a sense of abstraction that invites viewers to contemplate the essence of the subjects. For example, I previously mentioned O’Keeffe’s
Georgia O 'Keeffe was a spectacular painter in the American Modernist Painting Movement who painted many scenes in nature and many landscapes of cities in New York and deserts in New Mexico. Although she did not consider herself as a part of any movement, she was part of The American Modernist Painting movement. She loved nature so she chose to paint different varieties of flowers. O’Keeffe is especially remembered for her paintings of flowers and bones. She was unique in the way she painted, and her paintings of nature continue to inspire people all around the world.
In Richard Wilbur's poem "The Juggler," the speaker uses vivid imagery and figurative language to describe the skill and control of a juggler, creating a sense of admiration and awe for the juggler's ability to defy gravity and create a sense of magic and wonder through his performance. However, the speaker also recognizes the temporary nature of the juggler's feats and the eventual return to everyday life, adding a sense of nostalgia and longing to the poem. Through this description of the juggler, the speaker reveals a fascination with the juggler's abilities and the temporary escape from the mundane that the juggler's performance offers, while also acknowledging the limitations of that escape. The poem begins by comparing a ball to the
It is easy today for someone to see the effects famous artworks have had: the toy clocks that look like they are melting and dripping off the table, the parodies of artworks on coffee mugs, and the artistic styles that still appear across the world. Many of these products and influences originated from the 1930s. This time was characterized by the Great Depression, upcoming World War II, the entering of communism on the world stage. Economic strife and political orientation found their way into the world of art, helping to develop new movements of Surrealism, Social Realism, and Regionalism along with artists, such as Salvador Dali, that will continue to captivate large audiences for times to come. For much of the decade, Surrealism and Social
The colored museum is a play written my George C. Wolfe, first premiered 1986. The play includes eleven performances. Starting with Git on board, followed by The Photo Session, Cooking’ with Aunt Ethel, Soldier with a Secret, The Gospel According to Miss Roj, The Hairpiece, The Last Mama-on-the-Couch Play, Symbiosis, Lala’s Opening, Permutations, and lastly, The Party. The play shows African, African-American, and white supremacy culture through the stage design, music, and overall story-line. The John Hopkins University Press Theatre Journal wrote, according to Wolfe, “ The legacy of the past must be both embraced and overcome.”
Georgia O’Keeffe, an American artist, is best known for being the “Mother of American modernism”. Producing a substantial body of work over seven decades, she sought to capture the emotion and power of objects through abstracting the natural world. Over the years, O'Keeffe became an anti-authoritarian revolutionary, the infamy of her lifestyle sometimes overcoming the originality of her work. She found Native American art as inspiring as Renaissance art and created work that was timeless, universal, and impersonal. Breaking away from the constraints of scale, she painted telescopic images that favored the distant and the immediate.
The essay, “On Compassion,” by Barbara Lazear Ascher illustrates compassion and creates an empathetic connotation for the reader to ‘put their feet into the characters’ moccasins.’ In paragraphs one and two, a homeless man approaches a mother and her child. According to Ascher’s words, the woman “waits for the light to change, and her hands close tighter on the stroller’s handle as she sees the man approach.” On the streets most people turn away and ‘close themselves’ from interacting with the homeless, because of the look that the homeless give off.
The lights alone attracted people as well as the popular shows. Two examples of Broadway shows in the 1920s included "Sally" and "No, No, Nanette.5" Lastly, there were two very important art movements during this time, called Surrealism and Art Deco. Surrealism began after World War I. Surrealists developed techniques such as automatic drawing and painting, decalcomania, frottage, fumage, grattage, and parsemage. Andre Masson was a famous surrealist. Art Deco was a movement that affected architecture.
Jennifer Mercado Art B37 Surrealism started in the 20th century and sought to release the creative potential of the unconscious mind. Surrealism was a movement that focused on expression, experiences and the artist 's imagination. Self-Portrait with Thorn Necklace and Hummingbird is a painting that has a bit of surreal influences and was created by artist Frida Kahlo in 1940. The painting depicts herself entwined with thorny branches and surrounded by different animals with a leafy backdrop. Surrealism was one of the styles often used by Frida Kahlo.
Naturalism is the personal outlook on one’s view and Albert also used this in this painting. The reason this particular painting is representational is because he created images of things that actually exist out among us. He was an inspiration to the people back eastward. The river and mountains, and also the path in front of the old mill are lines within his artwork. Lines are marks that span between points taking any shape on the way.
Surrealism was rooted from Dada, which is a result of World War I. Dada artists’ goals are to create a culture where people champion the absurd, the irrational and the spontaneous to relief themselves from the boundaries and anger created by the war. Surrealists, however, having realized the “cynical and nihilistic” results of Dada’s works, used the ideas from Dada to create a “more sophisticated, more comprehensive movement” (Brad Finger, 2013, p 12). Fig 1: Timeline of Surrealism. (source: self-made) In the early years, surrealism was aimed to become a social movement that involved everything from science to politic.
However, just like how Neumann explains it, although it can be represented differently, all aspect of art is related and is expressing the same bigger concept. In this case, it would be the ultimate reality or higher divine being. Personally, I would say that this piece can be considered expressionism because of how distorted the figures all seem. This is because “ultimate reality appears ‘breaking the prison of our form’... it breaks to pieces the surface of our own being and that of our world”
Through this query, Oates succeeds in reminding her audience of both their need to give significance to meaningless subject matter and that nature falls into the former category. Her use of quotations on the word “creativity” in and of itself debases her audiences’ self esteem because it could make them rethink how that word really applies to them. Through her mocking tone, Oates dismisses the instigators of the reverence of the natural world. She lost this deference to nature a long time ago she lost through separate and traumatizing encounters with
Observing an image can cause a range of emotions, thoughts, and theories to form in one’s head, especially when dealing with artistic creations. When studying Belgian René Magritte’s The Lovers II, the second work in the Les Amants series of paintings, my experience was no different than what I have stated previously. Created in the prime of the surrealism movement, the work portrays exactly what the era was all about. This form of art was incredibly popular in Europe at the time, and René Magritte was known for producing works of this sort, though this piece is not traditionally surrealist. World War I had only ended some years prior to, so European countries were still troubled by the destruction and were in the midst of rebuilding what had
Written Assignment Kelvin Lau F.6 Murakami delights the readers of his short stories which convey his idea on themes such as the absurdities of daily life, quirky characters and their strange pre-occupations and the changing status of men and women. He uses techniques such as switching from realism to surrealism, the use of recurring symbols and motifs and a tone of detached amusement to support his themes. Murakami creates the idea of strong absurdity to the reader; at some point readers become confused about the theme and the message beneath as he is very familiar with switching realism into surrealism. This can be seen from his story “On seeing the 100% perfect girl one beautiful April morning”. At the beginning of the story he redirects the day where he meets the girl on the street but fails to know her in person.
