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Discuss the symbolism in emily dickinson's poetrys
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Miss Emily comes from an old wealthy line of family in the deep south. Faulkner story is highly symbolic, enhancing miss Emily’s values and character. “Miss Emily is described as a fallen monument to the chivalric American South”(Allmon). Faulkner uses the setting of the story to show the emotional state of Emily. The female-male relationship between Emily and her father is strict, oppressive, and controlling; Their relationship has a major impact on Emily’s character Throughout the short story.
Originally when the community found out Emily was interested in Homer, they were happy that she had found someone because she seemed hopeless. However, the happiness did not last long. The townspeople began to feel
Both Emily and Robert are prematurely judged by the narrators in both stories, and the assumptions are so far fetched from the reality. Miss. Emily is perceived to be a lonely old woman, whom nobody ever spoke with. Since they never talk with her or learn anything about what is going on in her life, the townspeople begin to gossip to make up for this. They knew her father had driven away any man from becoming close to her, and they just thought to themselves, “ poor Emily” (32).
Not only that, as Homer becomes a popular figure in town and is seen taking Emily on buggy rides on Sunday afternoons, it scandalizes the town and increases the condescension and pity they have for Emily. They feel that she is forgetting her family pride and becoming involved with a man beneath her station. Even though Emily is from the high class family, it does not mean that she is living up to the pleasant lifestyle. As a matter of fact, she is actually living a gloomy and desolate life, which is essentially the opposite lifestyle expected for Emily's rank in society by the townspeople. Although Emily once represented a great southern tradition centering on the landed gentry with their vast holdings and considerable resources, Emily's legacy has devolved, making her more a duty and an obligation than a romanticized vestige of a dying order.
The previous lavishness of the “big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies…set on what had once been [the] most select street” (437) indicates that Emily came from a well-off family that was probably highly respected. The whiteness of the house can be taken to symbolize the innocence of her youth, and that as she got older her macabre habits manifested themselves and polluted that innocence, leaving the house dingy and tainted. The condition of the house when Emily dies is that of a worn down vestige to the past, “an eyesore among eyesores” (437), representing how the towns people saw her. She was a curiosity, a clandestine entity that could only be unraveled after her death when there was no one left to safe guard the dark secrets of her house. The house stands as a monument to a lost time and a testament to tradition that has no place in the modern era, much like Emily
As soon as Emily felt as if Homer didn’t feel the same because he hasn’t proposed to her she jumps into an unpredictable state of mind. Emily poisons Homer because she refuses to let him abandon her. Miss Brill I basically living a lie. She tries to avoid the fact that she is isolated. Miss Brill involves herself in many other lives that she is around, but she doesn’t converse with anyone.
To compare, Faulkner shares a slice of evidence as to why Emily has an uncontrollable obsession for the dead, “After her father 's death she went out very little; after her sweetheart went away, people hardly saw her at all.” (Faulkner) Given these points, her father becomes arrogant and isolates her from society, or anyone who is willing to take Miss Emily from him. When her father, the only man in the world who has loved her,
She told them that her father was not dead. In the face of crisis, she lost control and acts in an uncommon manner. She also shows complete disregard to the laws of her society. Years of isolation has turned Emily into a miserable and odd woman who eventually kills the man she loves so that she can have him
He also shows the relationship between Emily and her dead father and how Emily cannot let go of people that show a love interest in her or the people who look after her in that she must be attached to them even after death. Faulkner depicts an Emily that was once young and vibrant, who maintained the Grierson home and kept it in a pristine condition. Faulkner relays to readers that because Emily was unable to control her own destiny and was powerless under her father’s hand, she became a recluse and ultimately went into a downward spiral. After sensing and believing that her first real love will leave her, Emily purchases arsenic and it is believed that she will kill herself because there is no point in living if no one will love her
She was alone, she was humiliated by the town, she had to hide away because she was not able to cope. In Tim O’Brien’s article he states, “After her death, Emily is reunited with the other members of her southern class …”, which means, in death, with the people she loved she will no longer be alone” (O’Brien
The first conflict that is shown in the short story would be man vs man. Emily’s father never allowed her to be with, let alone see any male during all his years of living. He can be seen as a little “overprotective” as this way of parenthood would teach nothing but sadness in the mind of Emily since no males around meant she was always by herself or always with her father. The narrator stated that the people “remembered all the young men her father had driven away”, and “with nothing left, she would have to cling to that which had robbed her”. When her father died, she was left with nothing, which would lead on to impact the way she feels
Emily’s home plays a crucial role in the telling of the story. It not only serves as the main setting, but also as a mark to show the change in setting around her. In the introduction of the story we get a fairly unflattering description of Emily’s home at the time of her death, “It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in
The story also uses point of view to explore Emily's character. The narrator is an unnamed member of the town who is intimately familiar with Emily's history and the events of her life. This allows the reader to see Emily's life from an outsider's perspective and to understand how her father's actions impacted her. The narrator's tone is often sympathetic towards Emily, suggesting that the townspeople understand that her father's influence on her was
Meeting Homer Barron was her biggest change from her old self, because her father did not allow her be in any relationships, but she went out in public with Homer “driving in the yellow-wheeled buggy and the matched team of bays from the livery stable” (454). Consequently, this was only because she was living in her own reality and believed that Homer would be the one to marry her. Homer was “not a marrying man” (454) and would not marry Emily, but she refused to accept the denial of marriage from him, so she killed him to keep him with her forever. She stayed within her house to keep herself in the Old South. When she told the men to see Colonel Sartoris, she was not aware that “Colonel Sartoris had been dead for almost ten years” (452) at that point.
While Emily is alive the story tells the readers about how the world around Emily is changing and evolving but she refuses to keep up with the new ways. For example, in the story it talks about the town and receiving mail. The story says, “Emily refused to let them fasten metal numbers above her door and attach a mailbox.” (#) The town can see what lengths Emily went through to remain isolated from the changing world. If Faulkner had put the story in Emily’s point of view it wouldn’t have the same