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High Renaissance Research Paper

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The High Renaissance was the brief period that started in 1495 and ended with the passing of Leonardo da Vinci in 1519 and Raphael in 1520. While the Early Renaissance served as the foundation that High Renaissance artists built their work on, there was no single unified style during this period. The lack of a defining style during this time period is shown through the work of Leonardo da Vinci, Raphael, and Michelangelo. Prior to the Cinquecento, humanist scholars and art patrons shared the view of ancient Greek philosopher Plato that poetry was the highest form of art (Kleiner 624). In a departure from this view, artists and sculptors of the Cinquecento reached the high status held by poets and were able to become “international celebrities” …show more content…

However, Michelangelo’s style was a great departure from the rest of his High Renaissance contemporaries. He rejected the mathematical approach of creating perfect measurements and instead argued that beauty in art should be based on what is seen by the eyes and not based on perfect proportions achieved through calculations. Michelangelo’s belief about the beauty of art is clearly shown in his sculptures. While Mary is too large in relation to the adult Christ cradled in her lap, the proportional inaccuracy of Michelangelo’s Pieta is overlooked due to his stunning work in “[transforming] marble into flesh, hair, and fabric” (Kleiner 634). In fact, Michelangelo was consistent in that he was less concerned with “facial features and expressions than for the overall human form” (639). Michelangelo conveyed expressive strength through positioning of the body and great attention to anatomy that is characteristic of his complex and large style, seen especially in his towering statue of David and expansive Sistine Chapel ceiling. The Sistine Chapel, his most famous work, was created under the direction of Pope Julius II, further cementing the assertion that the center of Italian art had shifted to the Rome and the Catholic

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He created many famous works of art throughout his career. When hired to paint the Sistine chapel ceiling, he was extremely annoyed. He considered himself to be a sculptor first and painting was not part of the specialty. Although he accepted the job, he still felt annoyed by the back-breaking work it took to paint the ceiling. When finished, Michelangelo continued creating sculptors and paintings until the late period of his life where he stared focusing on poetry.

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Some believe that the portrait was conceived by Michelangelo when he worked on the tomb of Pope Julius II, who in 1505, commissioned to execute this work of massive proportions, and expected to feature the greatest statuary ever seen. It was intended that forty life-size statues be displayed on a three-level structure, but the tomb was never finished as Julius decided to suspend the work, assigning Michelangelo to painting of the Sistine Chapel ceiling instead. The artist still worked on the tomb project intermittently, however for 40 years, even after the pope's death, when Julius was, in 1513, entombed in St. Peter's Basilica. The initial grand project just got progressively downscaled, the artist much anguished by this, before finally being set up as a wall tomb in San Pietro in Vincoli in Rome, incorporating Michelangelo sculptures, including the imposing Moses figure, the carved tondo perhaps created originally to help tomb

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